Freemediaheckyeah – A collection of free stuff on the internet
fmhy.net
fmhy.net
- I was also a fan of githubs awesome lists (eg. https://github.com/awesome-selfhosted/awesome-selfhosted)
- I think separated lists are cool, because they focus on one subject, like self-hosted above... but if all awesome lists were in one big list...
- awesome lists are often data, with a lack of search functionality. fmhy site has a search functionality, but I often prefer searching links by a 'tag'
- what most of awesome lists lack is 'votes', or 'ranking'
My solution is to provide links, with tags, and 'ranking' https://github.com/rumca-js/Internet-Places-Database. Provides search by link, title, description, whatever. I think that is where it all should go.
Also my database captures links from fmhy.
That said, I am biased as I maintained quite a few of them years ago and am happy to see today's youngling maintain this tradition of low-effort contributions to make a source that's better than a search engine when looking for stuff in a specific niche.
Edit: to the dead comment in reply to this one, of course it's more nuanced than "all information should be public at all times". It's almost like a 5-word axiom necessarily omits nuance in exchange for brevity.
Hackers also used to exhibit critical thinking skills, sheesh.
It’s sad the best we could do in terms of community forum is a VC’s website.
It is sad. There are definitely some talented people here but the pervasive corporate bootlicking is pretty hard to take, at times.
Certain usenet newsgroups had a similar vibe, once upon a time, but usenet couldn't solve the spam problem.
Always has been.
Rightsholders must not be allowed to control how works are preserved, else they can very easily steal from the eventual public domain in ways that mere piracy can never be considered stealing.
Everyone likes to shit on patents, but patents are designed well. You invent a thing and in exchange for publishing it openly, you get time-limited exclusive rights to it. Why the hell is copyright not like that?
I think the critique of patents has more to do with the patent officers often being ignorant of blatant, widespread prior art, or having a bizarre idea of how the relevant legal principles should apply in a particular problem domain.
popular stuff that you could watch anywhere, you can pirate of course
but anything more obscure is impossible to find, or was there at one point but is now long gone
It may be a crime in certain situations (most notably, non-commercial infringement is almost never a crime unless done prior to a work's initial publication, but rather a civil issue).
The admins keep it consistently updated and remove problem sources on a regular basis.
It's very much a community effort! There's a semi-open discord (the invites are only open on fridays) with a website suggestion and voting system
This reminds of FTP directories I used to download things from. There were FTP search engines (they are probably listed on this website already).
On GH as joshribakoff/leetdeeper
A great resource as an alternative to hostile and expensive subscription based "services" that shouldn't be businesses.
have thought about extending it to realdebrid/torbox/etc but it's just been kinda set and forget. every once in a while will add a feature... most recently i think was seeing if there was a matching srt file and feeding that along with the video file to vlc so you get subtitle support if it's not baked into the video file
personally I'd rather recommend stremio + torrentio, though I prefer offline watching for zero buffering issues and no wait
It's easy to remember the URL too.
After Napster, there was no going back from giving people immediate unlimited access to everything.
Streamers like Spotify learned that there’s a price point that is low enough for people to “round down” and forget it’s on their monthly credit card statement, but high enough that major label execs are happy. The trick is ignoring what the artists want.
These two equations are tied together. Before, the lucky artists were front-loaded their buckets of cash from the labels. But now the royalty cheques are measured in pennies and the live music enjoyers seem to be the equalization payments.
https://www.facebook.com/groups/berowramonthlyjam/
$30 or "free" at Miss Celie's. If free, patrons are asked to buy a couple of drinks from the bar.
An import playing a stadium is eye-watering, but why bother?
I do think you might be right, though, that there is a causal relationship between diminished album revenue and more expensive tickets, it just isn’t because the artists need the money. Since most people can now listen to all the music they want for a flat fee, music lovers can now spend more of their hobby money on concert tickets, which increases price very directly since supply is limited.
> These two equations are tied together.
Not in the way you're trying to imply. No matter how rich performers already were in the past, they had no way to make tickets to their performances cheap, even if they wanted to. Cheap seats in the past reflect lack of demand. Expensive seats now reflect increased popularity.
When I tell people that I used to go to at least one show every week on my grad student stipend they are very confused. It’s because I was seeing music by local bands or up-and-coming acts that would charge $10 in the back of a dive bar. Those types of shows aren’t $10 any more, but they are still cheap. And those are the artists that are in the most need of your financial support with tickets and merch. Once an artist is big enough to book an arena… they ain’t struggling
The Old Greek Theatre staged some high Art at times: https://www.youtube.com/watch?v=ZxoODPQ4CTM
I haven't come across any Vinegar syndrome releases yet (that I'm aware of) but lots of Shout! Factory or Arrow Video ones. From the Films that I'm interested in more have UHD releases now than not.