Evidence of the bouba-kiki effect in naïve baby chicks
science.org
science.org
all this research could be deeply flawed, however.
Thump a round club/log against a rock -> dull bump noise
Thump pointy branch against a tree -> dull noise
And chickens aren't using tools.
In your example it's obviously the round tree trunk that produces the dull sound.
E.g. a spider does not learn if/how to weave a web from its parents.
Also, the thing about high frequencies and sharp edges lead to a contradiction: babies are more round than adults and produce higher pitched sounds, this is almost universal across all species.
There are other tentative explanations, such as how the vocal tract acts when producing these sounds, with "bouba" sounds being the result of smoother movement more reminiscent of a round shape.
"kiki" is not just higher pitched, it is also "shaped" differently if you look at the sound envelope, with, as expected, sharper transitions.
So to me, the mystery is still there. Is is the kind of thing that sounds obvious, in the same way that kiki sounds obviously sharper than bouba, but is not.
It's more in terms of harmonic content than the pitch fundamental. There are more harmonics from a thing with sharp transitions than there are in a thing with rounded transitions regardless of the fundamental pitch. Compare harmonic content of a pure sine wave (it's just the fundamental) with that of a square wave, which has an infinite series of higher harmonics.
Babies are also smaller, which means higher fundamental pitch.
> "kiki" is not just higher pitched, it is also "shaped" differently if you look at the sound envelope, with, as expected, sharper transitions.
Exactly!
EDIT I think this is interesting: it also applies to images as well, not just sound. You can "low pass filter" a photograph and it'll reduce some of the detail, smoothing out transitions (typically used for noise reduction). Detail is high frequency information (or high frequency noise depending on whether you want it or not.)
Hens make it occasionally when laying eggs, but it's also the rooster alarm sound. The "cock-a-doodle-doo"/crowing sound is more the all-clear/I'm-a-rooster-here-I-am/flock-assemble cry.
When there's a threat, the rooster switches to a loud, BAWK BAWK BAWK alarm.
Formulating theories is all nice and dandy, but it ain't science.
Does the original paper (I couldn't find it in the article) explore this a bit more ?
It's actually nice if the effect can be studied on chickens, they are definitely less expensive and more plentiful than human babies.
Formulating theories ain't the whole of science, but it's a big part of it.
And where did you get that from? In non-tonal languages the pitch conveys almost no information and people speak at very different ones (and for instance a male saying "kiki" will say it at lower frequencies than a woman saying "bouba" most of the time) so I find your affirmation very dubious.
> and it's no mystery why the brain associates one with the other.
Specialists of the field find that mysterious but some smartass on HN disagrees.
> And where did you get that from? In non-tonal languages the pitch conveys almost no information and people speak at very different ones (and for instance a male saying "kiki" will say it at lower frequencies than a woman saying "bouba" most of the time) so I find your affirmation very dubious.
You misunderstand the post. It has nothing to do with the voice of the speaker.
Long drawn-out sounds have lower frequency components than short-lasting sounds. A pin drop is REALLY high-pitched; a moan has at least some low-pitch components (but may still be high-pitched, too - more often called a "keening" than a moan). It's not about intonation; it's a mathematical consequence of the relationship between frequency and time-domain incidents, typically measured with Fourier transforms.
I have to admit I'm super skeptical there's not some stupid mistake here. Definitely thought provoking. But I wish they'd kept iteratively removing elements until the correlation stopped happening, so they could nail down causation more precisely.
This group does a lot like this https://www.dpg.unipd.it/en/compcog/publications … so that’s tempting to think they keep trying things until something odd happens (kind of like physicists who look for 5th forces… eventually they find something odd but often it’s just an experimental issue they need to understand further).
I think this is a misunderstanding of the arbitrariness of the sign. Arbitrary doesn't mean "random" or "uniformly sampled." The fact there are systematic tendencies among languages in how things are called doesn't negate the arbitrariness of the sign, they could have been called other things. We can also decide to refer to things by another name and we can use any arbitrary name we like! There is no limits on what names we can use (besides silly physiological constraints like having a word with 50 000 consonants). But, of course, there's much more to language than just labels!
For me, the interesting thing in this paper vis-à-vis language is that it shows how much innate structure in cognition must shape our language.
To some degree these words type sounding language are doing the same thing. Some sounds will irk, some will soothe, and it would affect this 'evidence' found.
But I guess it's about why so we associate those with spiky shapes, though surely it's because they represent sharp immediate changes in frequency?
I'd be interested on results of shapes imagined when you take the source as musical or other non speech sounds.
I think the why just got a lot tricker than we imagined. Because we failed to replicate this experiment on other primates, we couldn't avoid a semantic suspicion about those associations. Now we probably have to set semantics aside or let it get a lot weirder, because we can replicate across ~300My.
>surely it's because they represent sharp immediate changes in frequency?
Maybe, and I think "multi-sensory signal processing" is the best framing, but the representation could also carry harder to think about things like "harm".
It's also super cool because the bouba-kiki effect framing was chosen due to methodological convenience for linguists and cultural anthropologists and their experimental bounds, not neuroscientists or signal processing folks. We could potentially find other experiments quickly, since chicks are a model organism and the mechanism is clear.
Things could move fast here.
Sure, but it's a very abstract connection between objects being sharp in vision and frequencies changing sharply in hearing. There's no guarantee any given organism would make the connection.
I think you're imagining an entirely too limited set of objects.
https://www.legrand.com.gh/en/catalog/products/arteor-push-b...
Except for the organ drawbars?
References here https://evolang.org/jcole2022/proceedings/papers/JCoLE2022_p...
It must take some strange things to survive co-evolution with humans for several thousands years
> We tested a total of 42 subjects, 17 of which were females.