I would think there's a point where, if you want this level of creative control and image quality, you go back to a mirrorless camera, which now costs less than iPhone Pro. But I guess the convenience is hard to beat?
I would think there's a point where, if you want this level of creative control and image quality, you go back to a mirrorless camera, which now costs less than iPhone Pro. But I guess the convenience is hard to beat?
If the old man Process Zero comparison is fair, it shows that sometimes this pretty clearly makes the photo worse and there's room to tweak the processing to get a "better" photo. The difference to his skin colour and shadows across his face is astonishing.
For travel photography, I went from carrying around a Sony full frame, to a Fuji XT3, to hoping by iPhone 19-20 that I can sell all my bodies and lenses and just rely on the iPhone.
The Sony felt like a chore - from carrying around a big camera and lens, through to the editing and photo management. The Fuji was a breath of fresh air - a bit more compact, and the film sims allowed me to cut the editing process out. But there was still lugging around a camera, and then the photo transfer etc.
With mobile phones' improvements in photography, coupled with the endless opportunities for apps, I can't wait to rely on it as my sole camera.
The tradeoffs will fundamentally be the same. You're not getting a > 100mm^2 sensor (with the glass lens required to image on it) on the iPhone anytime soon (or anytime ever really, unless the form factor of the iPhone dramatically changes).
I don't think we're getting a f/1.78 lens on the telephoto anytime soon. The widest aperture the tele's ever had was a f/2 on the 12 Pro, and that was back when the tele was a 2x (52mm equivalent, so not even really tele...). Maybe f/2.4 or f/2.2 (what the ultra wide has)? That'd already be a significant improvement.
The next big upgrades on the ultrawide/tele for the 19/20 generations will likely be larger sensors - they're currently 1/2.55", compared to 1/1.28" for the wide lens. I don't think they can fit three 1/1.28" sensors in there, so plausibly 1/1.7"? But that might mean that effective aperture remains constant.
(and yet none of that will beat an equivalent focal length lens on your XT3)
If I go and grab my full-frame mirrorless, every pixel of the image will be usable at 1:1 crop. "Taking photos indoors and wanting to zoom in and crop" is not an extreme test. The usability of 1:1 crops from cell phones is limited even in daylight.
But yeah, if you look at a photo taken in good light with no cropping and at screen display resolutions, it looks pretty close to the output from a pro mirrorless. My only point is that you get maybe 3-5 good megapixels, not 45+.
And that's before we get into dynamic range, bokeh, etc, all of which phones more or less need to fake to approach the look and feel of photos taken with grown-up cameras.
(Try taking a photo of the moon with an iPhone. You can't do it, not even with Halide.)
The lenses are also different and direct lighting can cause annoying internal reflections. I don't know this area as well, but lenses are more important than sensors for photos.
https://mastodon.social/@heliographe_studio/1156653713048409...
(taken with BayerCam.app, not Halide, but Halide can capture the same raw Bayer data)
It's not an amazing photo by any means. But it is a photograph of the moon - the seas are all well delineated, Copernicus/Kepler/Aristarchus/Grimaldi are visible/recognizable.
A test that smartphones did not pass a few years ago.