(A significant fraction of) musicians are certainly upset about this. I know a few who feel like their smallish income is threatened by this.
It is clearly plain to anyone who is a musician or hangs out with a lot of musicians that the independent music world is livid about this stuff. Everyone I’ve talked to, from acoustic songwriters to metal singers to circuit-bending pedalheads are united in their absolute hatred of this technology.
(Yes, follow-up commenter, I’ve seen the Timbaland interview)
They should not be worried if they aren't generic sounding independent musicians already.
Lastly, and a historical case in point, this whole conversation is a repetition of the anti-Sampler movement of the 80s and 90s. Look what that techno-leap brought us.
A new technology brings new sounds, if we all stopped treating a megalithic search engine as a personality, we'll move forwards with a lot less drama.
Needs significant human involvement to make it interesting.
How long that remains true is another question…
Apples to oranges. samples them selves were just another tool. The music was still handmade.
> I for one welcome
Sorry I can’t tell if you are being sarcastic or not.
The sarcasm is irrelevant, my use of that term is more a nod towards this platform and historical replies in past discussions, in regard to similar situations. I'll make an effort to excise any superfluous attempts at humour in future posts!