https://en.wikipedia.org/wiki/The_Temptation_of_St_Anthony_(...
"pentimenti, or correction marks, a common indication that “a painting is not a copy, but an original work created with artistic freedom.”"
How often are they analyzing copies made by 12 year old. Is a 12 year old more likely to have made errors or drifted from the source during the process of the copy? Could the corrections be attempts to bring the painting closer to its source, because it wasnt close enough?
The remarkable thing about the early painting/symphonies isn't the absolute quality of the work, it's that they showcase the artists' intrinsic baseline talents, which they would then leverage as their skills improved with maturity to become some of the greatest artists of all time.
In 1946, 11 surrealist painters were asked to submit a painting to be used in a film (Albert Lewin's "The Private Affairs of Bel Ami"). Among the contestants were Max Ernst (who won), Leonora Carrington, Dalì, Stanley Spencer, Dorothea Tanning. Among the judges was Marcel Duchamp. The painting is then shown in color - the only color scene in an otherwise black and white movie.
I think the reason why they specifically wanted the temptation of Saint Anthony had to do with censorship, but sadly I can't remember the details
There have always been wolf-in-sheep’s-clothing stories about The Devil too, it’s just a separate category.