What I learned about deploying AV1 from two deployers
streaminglearningcenter.com
streaminglearningcenter.com
It would be cool if one day (if not already today?) you could use AV1 as a drop-in replacement for h264 for recording with OBS, smoothly editing without proxy clips and rendering out highly disk size efficient videos that look good.
DaVinci Resolve's free version on Linux does not support h264 but apparently does support AV1. Kdenlive supports both. AV1 sounds like it would be a great solution for Linux if the above is possible.
For what it's worth, AB-AV1 [1] is a pretty awesome tool written in rust which compares random samples from a file at different parameters based on their VMAF score [2] (algorithm from Netflix for human-perceived visual likeness), choosing optimal parameters to save as much space as possible with the loss you're willing to stomach, on a file-by-file basis.
Small plug: I made a nice little python GUI wrapper for ab-av1 [3].
[1] - https://github.com/alexheretic/ab-av1 [2] - https://github.com/Netflix/vmaf [3] - https://github.com/Loufe/AB-AV1-GUI
Every form of lossy compression deleted data. Yes AV1 is more efficient but only when working off of high quality originals.
H265 already deleted a ton of data. It can never recover the quality loss. Compressing even further can only worsen the image.
The most common “artifact” of AV1 is to make things slightly more blurry for example. A common H.265 artifact is “blockiness”. I have re-encoded H.265 to AV1 and not only gotten smaller files that playback better on low-end hardware but also display less blockiness while still looking high-resolution and great colour overall.
I always encode 10 bit colour and fast-decode for re-encoding to AV1, even if coming from an 8 bit original.
A lot of movies have purposeful noise, blurriness, snow, and fake artifacts to represent flashback scenes. One level of compression often keeps them okay-ish (like you can tell side by side that it's different, but only when you know what to look for). But these are the scenes that get especially ruined by two layers of compression.
As long as you are going from high quality sources, you should be fine. The issue is each transcoding step is a glorified loop-(find something we think humans can't see and delete it)
In other words: the AV1 encoder in your example works by finding 47GBs of data TO DELETE. It's simply gone, vanished. That's how lossy compression works, delete the right things and save space.
In my experience, this often deletes purposeful noise out of animation (there are often static noise / VHS like effects in animation and film to represent flashbacks, these lossy decoders think it's actually noise and just deleted it all changing the feel of some scenes).
--------
More importantly: what is your plan with the 50GB BluRays? When AV2 (or any other future codec) comes out, you'll want to work off the 50GB originals and not off the 3GB AV1 compressed copies.
IMO, just work with the 50GB originals. Back them up, play them as is.
I guess AV1 compression is useful if you have a limited bandwidth (do you stream them out of your basement, across the internet and to your phone or something? I guess AV1 is good for that) But for most people just working with the 50GB originals is the best plan
With that reasoning, lossless compression of .wav to .flac destroys >50% of data.
In actuality, you can reconstruct much of the source even with lossy compression. Hell, 320kbps mp3 (and equivalent aac, opus, etc) are indistinguishable from lossless and thus aurally transparant to humans, meaning as far as concerns us, there is no data loss.
Maybe one day we'll get to the point where video compression is powerful enough that we get transparent lossy compression at the bit rates streaming services are offering us.
> In my experience, this often deletes purposeful noise out of animation
AV1 specifically analyzes the original noise, denoises the source then adds back the noise as a synthetic mask / overlay of sorts. Noise is death for compression so this allows large gains in compression ratio.
If said noise still exists after H265.
And there's no guarantee that these noise detection algorithms are compatible with H264, H265, AV1, or future codecs H266 or AV2.
1. the prediction tools of AV1 are better than those of h265. Better angular prediction, better neighboring pixels filtering, an entirely new chroma from luma prediction tool, an intra-block copying tool, more inter prediction tools, non-square coding units.
2. If the prediction is better, the residuals will be smaller.
3. Those residuals are converted to frequency domain with better tools for AV1 as well (more options than just DCT), so that you have a better grouping of coefficients close to the DC component. (Less zeros interleaving non-zero values.)
4. Those coefficients compress better, with a better entropy coding algorithm too.
You can have exactly the same video quality for h265 and AV1 yet still have a lower bitrate for the latter and with no additional decision made to “find out what humans can’t see.” The only place in the process where you decide to throw away stuff that humans can’t see is in the quantization of the frequency transformed residuals (between step 3 and 4) and the denoising before optional film grain synthesis.
To be clear: you can of course only go down or stay equal in quality when you transcode, due to rounding errors, incompatible prediction modes etc. That’s not under discussion. I’m only arguing about the claim that AV1 is better in general because you throw away more data. That’s just not true.
If you must delete, delete starting from the 50GB+ original BluRays if at all possible, or some other very high quality source. That way the compression algorithm has the best chance of saving the important scene data.
And keep an eye on the known hard to encode scenes. A lot of the typical shots of a movie are handled well on one set of settings, but suddenly screw up on other scenes (or other animation styles. Anime vs Cartoons vs 3D vs Live Action can have subtle differences leading to quality issues).
It's not easy, and AV1 is our best bet at doing this well so far. But when the future algorithms come out, you need to start over from the best sources of you want AV2 to have a chance.
You should *Never* double compress. (Blu-ray -> H265 -> AV1). This is horrible for the quality. You'll get better results from BluRay -> AV1 by a large margin.
Maybe if you're going to a lower resolution it would be fine (ie: going from 4k 265 to 720p AV1).
I started looking into converting stuff to AV1 but only confirmed that my gpu doesn't support AV1 but does support hevc so I stopped there...
Put VLC on them. See if it works for your AV1 videos.
AppleTV with Infuse can direct stream and software decode AV1 at 4K 24fps. Not sure about AV1 HDR though.