New Content-Delivery Tech Should Be Presumed Illegal, Says Former Copyright Boss
yro.slashdot.org
yro.slashdot.org
The "former copyright boss" is saying nothing of the sort. Here's what's actually happening:
Aereo is a company that streams NY broadcast TV over the Internet, capturing the broadcast signals and proxying them over IP to users. They are, unsurprisingly, being sued by every NYC television company, including PBS, because their product repackages broadcast TV in a product that lets users skip ads by default.
As I understand it, the suit is early days. But as is typical in cases like this, the content producers moved for a preliminary injunction to shut Aereo down while the case runs. The trial court refused, and so the content producers appealed.
Ralph Oman, who stopped working for the government before the dawn of the commercial Internet, filed an amicus in the content industry's appeals request to impose an injunction on Aereo.
Techdirt read Oman's amicus and reported sentences in the brief taken out of context. Techdirt's reading of Oman's amicus doesn't even make sense; the courts dealing with this case have no ability to create a "guilty until proven innocent" standard, nor can they require that technology produces consult Congress before launching products.
Oman was making an inside baseball argument to the court hearing the case. One element that recurs in all complex policy cases: how do judges resolve the (often contrary) forces of precedent, Constitutional principle, and the statutes enacted by legislatures. What Oman is arguing is not that the judge should apply some new restrictive rule on technology; rather, he's arguing that should the judge refuse an injunction on such a clear-cut case (his sentiment, not mine), that judge would in effect be creating a new policy of exempting technology companies from vicarious liability out of whole cloth, ignoring both precedent (thus his citation to a case where copy shop owners had been held liable for misuse of their property) and statute.
Obviously, Oman is a copyright hawk. I'm "conservative" as copyright goes, and even I don't think Oman is making a strong argument. This is obviously a very "leftist" forum, but that doesn't free you to make up entirely new and ridiculous arguments and stuff them into some random guy's mouth to create a straw man.
Finally, as straw men go, this is a pretty feeble one. This guy doesn't matter at all. He stopped managing copyright policy before the advent of CU-SeeMe.
You know when I was watching President Obama's cover of the hit single "Call me maybe" [1] I was thinking the same thing.
Kidding aside though, the two things that the Youtube spoof and this have in common are taking snippets of actual "stuff" and mashing them together into something that the person making the mashup finds useful/amusing/entertaining. As HN and Reddit and slashdot before them seep into the journalistic consciousness there are pretty clear efforts to craft a message based on selective sampling. By drilling into the sources for all the clips (unnecessary of course but bear with me) used to compose the 'call me maybe' video its clear that the President never set out to make this video or even knew the lyrics (probably does now though :-) and this slashdot article appears to be a lesser instance of the same effect. Pull a few bits out of context, wrap them together into a choice sounding narrative and blam! you've got a "story."
So to answer your question the 'telephone' you mention is simply 'spin doctoring' (to use the 20th century vernacular) and it will continue as long as people make long enough sound bytes in their communication that they can be re-purposed for spin without setting off too many alarms in the readership.
Patrick rightfully called me out the other day for creating out of whole cloth this 'other' which could be held up and criticized. Is that what you are doing by saying "... we are O.K. with this,"? Who are the 'we' in that context, I don't like it, you don't like it, so it isn't you and I but is this group of 'others' some great uncritical mass of readers? And then to go one step deeper are you railing against, 'their' agenda or this technique of spinning?
"Pandering to the crowd", "Preaching to the choir", and other colloquialisms for providing positive feedback on a system of beliefs is as old as humans. Maybe older. I suspect its in our nature to have self doubt and to seek out re-assurance of our beliefs. It takes practice and introspection to catch yourself being 'sold' rather than 'educated.' For some people that effort doesn't pay sufficient dividends to invest the effort.
I find these human driven belief systems to be some of the most intriguing from a systems analysis point of view. I feel compassion for folks who are unwitting participants, and I feel anger towards folks who manipulate them to their own advantage, and admiration for folks who manipulate them for the greater good of the community.
Perhaps I should note that vicarious liability[1] was invented by the courts, so worrying about whether or not they are creating new policy here seems a bit ironic.
[1] http://en.wikipedia.org/wiki/Secondary_liability#Vicarious_l...
Vicarious liability is a basic principle of common law. It was not "invented by the courts". You can be vicariously liable for all sorts of things, not just copyright infringement. People mix this up because they've only heard of vicarious liability in terms of copyright infringement, and then in the context of famous court cases.
It's hard for me to say that common law was not invented by the courts, given that it derives from a lot of old court decisions: http://en.wikipedia.org/wiki/Common_law
Though it's fair to point out that congress did enact laws to codify the parts of it we wanted. That said, one of the few surviving bits is copyright-related (the "hot news" doctrine):
http://en.wikipedia.org/wiki/Common_law#United_States_federa...
In fact, I dare say that copyright law is one place the courts like to make up new stuff. See, e.g., Capitol Records, Inc. v Naxos of America Inc.
http://www.groklaw.net/articlebasic.php?story=20050412225604...
Whenever possible, when the law is ambiguous or silent on the issue at bar, the courts should let those who want to market new technologies carry the burden of persuasion that a new exception to the broad rights enacted by Congress should be established. That is especially so if that technology poses grave dangers to the exclusive rights that Congress has given copyright owners. Commercial exploiters of new technologies should be required to convince Congress to sanction a new delivery system and/or exempt it from copyright liability. That is what Congress intended.
Translation: "The courts are in business to protect us, not you". This, broadly, has been their position from the beginning. It's ridiculous, sure, but predictable.
Now most objections to the copyright regime, including my own, are with the spirit of the law. I don't think it's right that copyright protection should extend to a work for an entire lifetime after the death of the author, or for longer than the typical human lifespan. Nor do I think it should be extendable retroactively. I'd prefer to see copyright terms similar to patent ones, of 20 or 30 years. That requires making pretty low-level changes in the law, which is a difficult and tedious process involving a great deal of opposition - which sucks. On the other hand, I don't think it'as acceptable to a) infringe freely because you think it's the morally superior course - whether you agree or not, people who choose to rely on the law as it is currently written to manage their assets are entitled to do so, or b) try to circumvent the spirit of the law by reaching for ever-more obscure technicalities - 'the law doesn't explicitly prohibit laser-light transmission through water, so if I spray my DVDs before ripping them I'm not breaking the law!'
Of course, this makes for a more restrictive world in the legal sense, because it's not that easy to get laws changed when there are powerful economic interests aligned against one. However, subversion of the law by technical means is basically trickery, and my experience is that that either leads to harsher laws or ends in absurdities. We've seen what happens with harsher laws - because of indifference and intransigence on the part of the internet community, we've ended up with monstrosities such as the DMCA, with its wildly excessive penalties for sharing media, which are designed to offset the low probability of enforcement (employing an economic concept known as an indifference curve, which has a sound theoretical foundation but depends on people being rational utility maximizers...which they're not, most of the time). As for absurdity, you get things like eruvs, in which Jewish Rabbis get around ancient religious prohibitions on activity during the Sabbath by redefining the entire local neighborhood as a single dwelling place, which involves setting up a corporation to own a loaf of bread and paying people to walk around once a week to ensure that all bridges and other infrastructure are still standing (see http://www.jweekly.com/article/full/28452/wire-to-wire/ for a full explanation).
If we want to really remedy the copyright situation, the best way forward is not to invent ever more obscure and devious ways to transmit files, but to automate and smooth the process of granting and administering copyrights. There is no reason that a copyright holder cannot waive some rights voluntarily, which includes partial waiver: I could paint a picture and specify that it is copyrighted until today's date in 2017, at which point it enters the public domain, say, or offer any number of creative licensing terms. The problem is licensing is that it's tedious to read and administer unless you're a lawyer, which is why the Creative Commons thing has taken off so well. Now if we automate that, there's no reason that we couldn't see shortened copyright terms emerge voluntarily as market equilibria; the law would still offer long copyright terms by default, but in a world of automated licensing such maximal terms would correspond to an excessively high price, and demand would flow towards competing products with more favorable terms. If this can be demonstrated to yield more lawful economic activity than copyright maximalism, then it's more likely to be formalized in law and provide copyright licensees with more rights than they currently enjoy.
In other words, the burden rests with the one exploiting a new technology that invades someone's copyright. He is not saying that the burden of legality rests on the new entrant, just that the burden is there when it requires an exception to someone else's already-legislated rights.
If you want an exception you have to ask for it, you don't get one by default. That does not mean the new technology is illegal. If Disney says no Mickey Mouse in holospace, then no Mickey Mouse in holospace, but you're still going to be free to post holos of your local street corner mime doing his thing.
What he's really saying is that he doesn't like that some technologies are actually legal (like Aereo), not because they're new, but because they fall under fair use conditions. And so he wants to kill them by making them "illegal until proven legal".
As for Aereo, I like what they're doing (and wish it were available in more places), but even so, I think they're navigating a fine line between the letter and the spirit of the law.
On the other than, this is a case involving a product that has no purpose other than the one that the content producers say directly infringe their rights; in other words, it is at first blush a better than average candidate for an injunction.
But then back on the other hand, he's making general points, not points narrowly tailored to cases like Aereo.
I don't agree that he's saying that. The issue is that (leaving DRM circumvention tools aside) standard copyright law doesn't prohibit distribution technologies at all, just infringement. Hollywood doesn't like that -- they want to be in charge of what distribution technologies people are allowed to create, regardless of what they're used for. So their end run around it has two parts: 1) They refuse to sanction the use of the new technology for their own content, and then 2) they argue that because it isn't sanctioned by the major players, substantially all use must be infringing and dissemination of the technology itself (regardless of use) therefore induces that infringement and has no substantial non-infringing use.
It isn't about Mickey Mouse and the local mime. Aereo doesn't pick which channels its users watch. Its users can use the technology to watch PBS broadcasts (e.g. of your local mime) that are distributed under Creative Commons or other permissive licenses, or Presidential speeches that as U.S. government works fall immediately into the public domain, or use the technology to record video that the users have negotiated a separate license for with the copyright holders, or make a variety of legal fair uses of the plaintiffs' copyrighted material. Or the users can use it for blatant infringement, e.g. to record sitcoms and burn them to DVDs to sell in the street. But that's all between the copyright holders and the individual users. Aereo is just providing the technology -- and Hollywood is trying to stop the technology, not the infringement.
They're asking for a veto -- not on using new technology to distribute Mickey Mouse, but on using new technology for anything because someone could (and probably will) use it to distribute Mickey Mouse.
I'm not clear on how it's different. If the product is solely intended for infringement then it gets enjoined, right? So they're arguing that by default, unless the vendor can prove otherwise (the vendor having the burden of proof), the product should get enjoined on request.
From a consumer's point of view, seems very reasonable and convenient. A Dropbox for public TV of sorts.
As an admittedly poor analogy, the police can follow you around without a warrant. They can't, however, slap a GPS tracker on everybody's car and follow ten million people around simultaneously. The law is interpreted by people, and they consider things like scale, scope, automation, intent, etc.
I tend more towards your perspective, for whatever it's worth.
I am excited about Aereo as it is a service I would subscribe to, as well it or something like it will force copyright to offer live local channels via the web.