It is clear that the animators factored in the colour changes from the original media to 35mm, so it seems a disservice to them to re-release their works without honouring how they intended the films to be seen.
https://wackoid.com/game/10-pictures-that-show-why-crt-tvs-a...
This is totally bonkers, because the VHS format is crippled, also color wise. Many modern transfers are just crap.
An infamous case is the Buffy the Vampire Slayer tv show. The Blu-ray (edit: and streaming copies) went back to the film source, which is good, but… that meant losing the color grading and digital effects, because the final show wasn’t printed to film. Not only did they get lazy recreating the effects, they don’t seem to have done scene-by-scene color grading at all. This radically alters the color-mood of many scenes, but worse, it harms the legibility of the show, because lots of scenes were shot day-for-night and fixed in post, but now those just look like they’re daytime, so it’s often hard to tell when a scene is supposed to be taking place, which matters a lot in any show or film but kinda extra-matters in one with fucking vampires.
The result is that even a recorded-from-broadcast VHS is arguably far superior to the blu ray for its colors, which is an astounding level of failure.
(There are other problems with things like some kind of ill-advised auto-cropping seeming to have been applied and turning some wide shots into close-ups, removing context the viewer is intended to have and making scenes confusing, but the colors alone are such a failure that a poor VHS broadcast recording is still arguably better just on those grounds)
There's a fucking lot of things that are not worth it monetarily, but worth it for the sake of itself. Because it's a nice gesture. Or because it just makes people happy. Not to sound like some hippie idealist, but it's just so frustrating that everything has to be commoditized.
In modern tech circles, the utilitarian mindset is going strong, now that the hacker ethos is dead and it’s all about being corporate friendly and hireable.
It's always easy to complain about others not being generous enough with their time, but we always have an excuse for why we won't do it ourselves.
You can't, at least not if you want an acceptable result.
In photography, if you have a JPEG photo only, you can't do post-facto adjustments of the white balance, for that you need RAW - too much information has been lost during compression.
For movies it's just the same. To achieve something that actually looks good with a LUT (that's the fancy way for re-coloring, aka color grading), you need access to the uncompressed scans, as early in the processing pipeline as you can get (i.e. before any kind of filter is applied).
Honestly, by weakening copyright protections. People who love the works will do the work to protect them when they don't have to fear being sued into bankruptcy for trying to preserve their own culture.
> You think a kid is going to notice two pages? All they do is look at the pictures.
I’m quite sure bean counters look at Disney kids movies the exact same way, despite them being Disney’s bread and butter.
With Star Wars you have a dedicated adult fan base that’ll buy up remasters and reworkings. Aladdin? Not so much. Especially in the streaming era, no one is even buying any individual movie any more.
The Disney of yesterday might have been a bit more Jobs than Gates, compared to the Disney of today.
I agree it was likely Disney being cheap, but there are tons of people who'll buy up disney movies on physical media in the age of streaming. Not only are there disney fans who'd rival the obsessiveness of star wars fans, but like Lucas Disney just can't leave shit alone. They go back and censor stuff all the time and you can't get the uncensored versions on their streaming platform. Aladdin is even an example where they've made changes. It's not even a new thing for Disney. The lyrics to one of the songs in Aladdin were changed long before Disney+ existed.
I think there's a discussion to be had about art, perception and devotion to the "original" or "authentic" version of something that can't be resolved completely but what I don't think is correct is the perception that this was overlooked or a mistake.
> During production, we’re working mostly from computer monitors. We’re rarely seeing the images on film. So, we have five or six extremely high-resolution monitors that have better color and picture quality. We put those in general work areas, so people can go and see how their work looks. Then, when we record, we try to calibrate to the film stock, so the image we have on the monitor looks the same as what we’ll get on film.
But they didn't do a perfect job (the behavior of film is extremely complex), so there's a question- should the digital release reflect their intention as they were targeting these calibrated monitors or should it reflect what was actually released? Also, this wouldn't include other artifacts like film grain.
Except, as they say, the high grade monitors were calibrated to emulate the characteristics of film.
If we can show that D+ doesn't look like the film, then we can point out that it probably doesn't look like the calibrated monitors either. Those army men are not that shade of slime green in real life, and you'll have a hard time convincing me that after all the thought and effort went in to the animation they allowed that putrid pea shade to go through.