My favorite AI songs are those that have been created with human intervention and creativity, not just button mashing
Basically, what we’re seeing is the personalization of media.
Early Udio generated songs when run through a stem splitter were horrible to listen to and you could hear how it was just generating the frequencies with none of the texture—like a simulation of the frequencies an instrument would produce.
At the very least they should be re-recorded with real instruments and vocals or using the existing digital tools. Slop is one word; I like to use mush, as that is what it sounds like when you really listen closely.
The sound is amazing if you’re doing it right. I produce music using the old fashioned way, with a DAW, and have done for decades, and there are some songs that I’ve made with AI that I go to again and again because they sound great.