All good musical instrument product development requires iteration.
So this aspect should not necessarily be viewed as dis-innovative.
Where they ‘revolutionized’ the ‘evolutionary iteration’ of product development, is they made affordable copies of other products that had already been through a few classic iterations.
>Cheap/Price/etc.
There’s the rub. First, it has to be affordable to the target audience. Second, it has to be available: i.e. can I just walk out of the shop with it right now?
Cheap Behringer gear fits many a budding rock stars’ meager budget. Behringer has capitalized on their reach by developing that market at a clip which far out-paces the bigger/prestigious brands.
What’s great is how much Behringer is agitating the Superbooth universe. It is so fun to see folks of all ages learning the old synth classic architectures, even if it is on re-implementations rather than the old planks, themselves.
Synthesizers, thanks to Behringer and other players in the market, are now not so esoteric and inaccessible as they once were, but rather well established as a 21st century musical instrument standard.
There is much mirth to be gained from observing a 9 year old kid figure out how to make the JUNO/SH101/etc. architecture do extraordinary things, without worrying about the drink-spill factor, or other antiquated notions.