“Can you read? And by that I don’t just mean interpreting Logotype…” “No one uses that any more,” said Quin. “You’re talking about the symbols on your underwear that tell you not to use bleach. That sort of thing.”
“Can you read? And by that I don’t just mean interpreting Logotype…” “No one uses that any more,” said Quin. “You’re talking about the symbols on your underwear that tell you not to use bleach. That sort of thing.”
“Ignorance is king. Many would not profit by his abdication. Many enrich themselves by means of his dark monarchy. They are his Court, and in his name they defraud and govern, enrich themselves and perpetuate their power. Even literacy they fear, for the written word is another channel of communication that might cause their enemies to become united. Their weapons are keen-honed, and they use them with skill. They will press the battle upon the world when their interests are threatened, and the violence which follows will last until the structure of society as it now exists is leveled to rubble, and a new society emerges. I am sorry. But that is how I see it.”
People making an actual good argument don't front, nor bookend it with a thesis on "the nature of truth".
I like using the term thermodynamic truth myself. Such as what you would find if you ran time backwards. The problem we humans have is we attempt to put absolute truth on complex statistical systems. They don't realize they outcome they saw once was either random or by a set of circumstances that can't be replicated.
…
“Why do you suppose it became obsolete, then?” asked Orolo.
“So that the people who brought us Kinagrams could gain market share.”
Orolo frowned and considered this phrase. “That sounds like bulshytt too.”
“So that they could make money.”
“Very well. And how did those people achieve that goal?”
“By making it harder and harder to use Logotype and easier and easier to use Kinagrams.”
“How annoying. Why did the people not rise up in rebellion?”
“Over time we were led to believe that Kinagrams really were better.”
…
“Where were we?” Quin asked, then answered his own question: “You were asking me if I could read, not these, but the frozen letters used to write Orth.” He nodded at my leaf, which was growing dark with just that sort of script.
“Yes.”
“I could if I had to, because my parents made me learn. But I don’t, because I never have to,” said Quin. “My son, now, he’s a different story.”
---------------------------
That section plus Samman's little bit about the "Artificial Inanity" systems that made the internet basically unusable are hitting way too close to home these days.
2008. Stephenson is 10 years ahead of the current discourse, as usual.
We have cameras and planes and stuff. How is the idea that downtown is a burnt out hole in the ground full of rubble (or not) an actual controversy?
You can trace right-wing propaganda in the US painting cities as worse and more violent (and, specifically, overrun over by criminally-inclined immigrants who refuse to assimilate...) back to at least the early 20th century. The rhetoric from back then is uncannily familiar, as are the proposed solutions. But of course nobody who needs to realize that the "good old days of the good old days" were full of the exact same complaints (and we're all still here, everything turned out OK) will be curious & interested enough to find that out.
(The last level 9 robot that hasn't killed itself is now the Dean of NYU, and in the 25th century it hires the first man who has learned to read in 400 years – to translate the title cards in silent films. Hilarity ensues. Well, no, but there is kind of a happy ending.)
I live in the UK which has been slow compared to the USA when it comes to TV. In the 1960s, Americans were watching 4+ hours a day of colour TV, with a vast choice of channels. It took is about three decades to catch up in the UK. I think the same can be said for Europe and elsewhere outside the USA. We have just been behind with TV watching and several other American conveniences, such as driving everywhere and convenience foods.
At the start of this year I made 'reading part of an actual book' my new years' resolution. It was going well for all of six weeks (then I had to spend a log time from home, away from my books), but why did I need to make it something I was committed too with a resolution?
There was a time when I would literally fight over books, magazines and newspapers with family and friends. Before then, there was a time when, as a child, I would be reading by moonlight until the small hours.
Then, before my time, before TV, the cinema and radio, was a time when people would go out to a hall to listen to someone read the latest Dickens installment. That was 'peak book' even though literacy wasn't great for everyone.
Nowadays books have been relegated to what people have on show in the back of a Zoom call, sometimes contrived, often not so contrived. There is a long history of doing this. Middle class people used to buy books for the parlour to show they were educated, often with out of copyright classics, hardbound.
I suspect that some people read more for the 'bragging rights' than for the pleasure of reading. I also suspect that any surveys on book reading habits are going to be unreliable since it is easy to say 'year I read three books this year' and cite the three that you had to read under duress as a schoolchild.
I don’t find them useful, really, but the bigger problem lately has been complex emoji (so, not just a thumbs-up) in a size that is fine for reading the Latin or Cyrillic alphabets but useless for trying to pack a lot of info into a very pixel-limited block. If you think this sounds nuts, wait until you’re about 45 and presbyopia kicks in. It is rapid and merciless.
“Can you read? And by that I don’t just mean interpreting Logotype…”
“No one uses that any more,” said Quin. “You’re talking about the symbols on your underwear that tell you not to use bleach. That sort of thing.”
“We don’t have underwear, or bleach—just the bolt, the chord, and the sphere,” said Fraa Orolo, patting the length of cloth thrown over his head, the rope knotted around his waist, and the sphere under his bottom. This was a weak joke at our expense to set Quin at ease.
Quin stood up and tossed his long body in a way that made his jacket fly off. He was not a thick-built man but he had muscles from working. He whirled the jacket round to his front and used his thumbs to thrust out a sheaf of tags sewn into the back of the collar. I could see the logo of a company, which I recognized from ten years ago, though they had made it simpler. Below it was a grid of tiny pictures that moved. “Kinagrams. They obsoleted Logotype.”
This was from the part where Fraa Orolo was interviewing Artisan Quin about the world outside the Concent.