different hill, but one I would die on is: as the letter "c" should make the "ch" sound, the letter "c" serves no purpose not already handled by "s" or "k" otherwise
For example, in Year 1 that useless letter "c" would be dropped to be replased either by "k" or "s", and likewise "x" would no longer be part of the alphabet.
The only kase in which "c" would be retained would be the "ch" formation, which will be dealt with later.
Year 2 might reform "w" spelling, so that "which" and "one" would take the same konsonant, wile Year 3 might well abolish "y" replasing it with "i" and iear 4 might fiks the "g/j" anomali wonse and for all.
Jenerally, then, the improvement would kontinue iear bai iear with iear 5 doing awai with useless double konsonants, and iears 6-12 or so modifaiing vowlz and the rimeining voist and unvoist konsonants.
Bai iear 15 or sou, it wud fainali bi posibl tu meik ius ov thi ridandant letez "c", "y" and "x" -- bai now jast a memori in the maindz ov ould doderez -- tu riplais "ch", "sh", and "th" rispektivli.
Fainali, xen, aafte sam 20 iers ov orxogrefkl riform, wi wud hev a lojikl, kohirnt speling in ius xrewawt xe Ingliy-spiking werld.But we'd still be arguing about how to pronounce "ᵹif"
Catalans seem to pronounce "caixa" fine, so I think they _could_ say "Shabi"... But this does back up your larger point about "x" -> "sh" in Catalan.
cent / sent / scent
ceiling / sealing
cite / sight / site
colonel / kernel
carrot / karat
cue / queueHow is it that you can say these words without confusion?
Language is context sensitive and you understand the word based on the context around it. Likewise, you understand homographs based on the context. Because of this, spelling isn't as important as it might appear.
practice / practise licence / license
Most don't bother because context is nearly always sufficient.
Exceptions to this are generally loan words, particularly from French (eg chaise, which sounds more like "sh"). Others are harder to explain. "Lichen" springs to mind. Yes it technically comes from Latin but we're beyond the time range to truly consider it a loan word.
There are also some "ch" words of Greek origin (IIRC) that could simply be replaced with "c" or "k" (eg chemistry, school).
"Kh" on the other hand I think is entirely loan words, particularly from Arabic. Even then we have names like "Achmed" that would more consistently be written as "Akhmen". "Khan" is obviously a loan word but I think time has largely reduced the pronunciation to "karn" rather than "kharn" if it ever was that.
But I can't think of a single "kh" word that pronounced like "ch" in "chair".
"Sh" doesn't seem to crossover with any of these pronunciations.
that last one is hardly fair - gist and mirage are french words. might as well complain about the silent letters in rendezvous or faux pas.
So surgery is full of -ectomies instead of -cut-outs.
I wonder do German brains work on a much longer context window because of the language?
b) the official title of the law was "Gesetz zur Übertragung der Aufgaben für die Überwachung der Rinderkennzeichnung und Rindfleischetikettierung", so how again is it that English "gets to use a sentence" and German doesn't? German has the choice depending on context, sometimes having one word is convenient.
The composed word also has a specific meaning that the same words with space between doesn't. For example "das rote Kraut" – "red herb" and "das Rotkraut" – "red cabbage". Also suppose "red cabbage" was grown in abnormal conditions, so it doesn't have the color pigments, it is still "red cabbage", but not "red" "cabbage". This is awkward to state in English, but no problem in German.
Maybe, but more due to the spelling of numbers and long sentences. Compound words are not an example of this, since Germans can parse these words just fine as different things. It just means that the lowest "tokenization" in everyday use is not the word, but subcomponents of them.
Do English native speakers "tokenize" expressions in words? Do you see it as '(labelling) (of) (minced)' or '(label)l(ing) (of) (minc)(ed)' ?
I can't speak for most Germans, but the algorithm I think I use is just greedy from left to right. This is also consistent with how mistokenization in common puns works, so I think this is common.
In primary school we trained to recognize syllable boundaries. Is that just a German thing, or is this common in other countries? You need to know these for spelling and once you know these, separating word components becomes trivial.
Not entirely true. English, as any other Germanic language, still likes to compound words to produce a new meaning, the main difference is that, as opposed to most other Germanic languages, spaces are usually retained in writing. But this is just a spelling difference, the underlying process is the same.
Let's consider "scheepskapitein", "Schiffskapitän" and "ship captain". All three are formed the exact same way and mean roughly the same thing, but it's customary in Dutch and German to spell it without a space and in English it's considered correct to have a space in between. Note, that there are no spaces in speech, it's simply a writing convention. So, how many words are there in this example?
Sure, linguists can dissect everything and should, but how does the English laymen perceive it?
(To put it another way, most native speakers treat "ts" as two sounds but not "ch")
Luckily there are other wasted characters, like "x" and "q".
j -> dzh is more weird than anything.
Vowels, of course, are a cause of war between dialects; nobody can even agree how many there are.
Esperanto has a nice trick where they reserve "x" as a modifier letter, so if you can't use diacritics you write "cx", "sx", "jx" etc; but it does not have a sound value of its own and can never occur by itself. We could extend this to "tx" and "dx" with obvious values, and also to vowels - "a" for /æ/ vs "ax" for /ɑ/, "i" for "ɪ" vs "ix" for /i/ etc. Using "j" the way it is today feels somewhat wasteful given how rare it is. In the x-system it would probably be best represented by "gx", and then we could have a saner use for "j" like all other Germanic languages do. Which would free up "y" so we could use it for the schwa.
One thing that occurred to me the other day is that "x" is also a diacritic, so we could just say that e.g. "sx" and "s͓" are the same thing. Then again from a purely utilitarian perspective a regular dot serves just fine and looks neater (and would be a nice homage to Old English even if ċ and ġ are really just a modern convention).
Vowels, yeah... I think it's pretty much impossible to do a true phonemic orthography for English vowels that is not dialect-specific. As in, either some dialects will have homographs that are not homonyms, or else other dialects will not have the ability to "write it as you speak it" because they'll need to use different letters for the same (to them) sound. In the latter case, it would become more of a morphological orthography. Which would still be a massive improvement if it's at least consistent.
OTOH if you look at General American specifically, and treat [ə] and [ʌ] as stress-dependent allophones, then you can get away with 9 vowel characters in total (ɪiʊuɛəoæɑ). That's pretty easy with diacritics.
Maybe as a fun pet project someday!
-- Caeser, seizer of the day
It's funny you use "tube" as an example though, as in my British accent I pronounce that as "chube", whereas I believe many Americans would use a "t" sound for that word. Not sure how you settle on a spelling in those cases.
That aside, what you describe is a distinction between yod-dropping and lack thereof, and whether and where it happens is highly dialect dependent.
What’s the ch sound? My intuition from German class is that ch represents a throaty hhhh. Somehow that got spoiled into k in most English words.
Every c in Pacific Ocean is pronounced differently. C is a silly letter.
It varies between dialects. Swiss German speakers tend to stick out to Germans because we pronounce the ch in a much scratchier way than is accepted in Standard German.
If you mean the standard German from Germany, there a two variants. At the end of a syllable it is like you described (kind of throaty hhhh). For the beginning of syllables think of sh and open your mouth.