Medium format film (120, 6x6), Hasselblad cameras. I personally think we're barely starting to match the quality of medium format film with modern medium format sensors
https://airandspace.si.edu/collection-objects/camera-hasselb...
https://airandspace.si.edu/collection-objects/camera-hasselb...
While this is true now, it took a surprisingly long time to get there. The dynamic range of professional medium format negative films is still respectable. Perhaps not so much in a low light, but it's very immune to overexposure.
Also, you can buy a cheap medium-format camera in a good condition and experience that "huge sensor" effect, but unfortunately there are no inexpensive 6x6 digital cameras.
Technically larger than 6x6 film sensors have existed since the 80s or 90s at least but are typically only used for government things… Some digital aerial systems use huge sensors.
Can you say a little more about this? Modern lenses boast about 7-elements or aspherics, but does that actually matter in prime lenses? You can get an achromat with two lenses and an apochromat with three. There have definitely been some advances in glass since the space program, like fluorite versus BK7, but I'm wholly in the dark on the nuances.
Sony's "run of the mill" F2/28 can take stunning pictures, for example. F1.8/55ZA is still from another world, but that thing is made to be sharp from the get go.
The same thing is also happening in corrective glasses too. My eye numbers are not changing, but the lenses I get are much higher resolution then the set I replace, every time. So that I forget that I'm wearing corrective glasses.
Even back in their prime, haha, the Cooke lens leaned into their glass manufacturing by calling it the Cooke Look. All of the things that gave it that look are things modern lenses would consider as issues to correct.
All boils down what you want to achieve and what emotion you're trying to create with your photography. Film emulation has gone a long way, but emulating glass is not possible the same way (since you don't have any information about what happened to your photons in their way to your sensor), and lenses are important part of the equation, and will forever be, I think.
We all prefer different toolsets due to our differing needs and preferences. Understanding it removes a lot of misunderstanding, anger and confusion from the environment.
But, reaching there requires experience, maturity and some insight. Tool suitability is real (you can't drive a screw with a pair of pliers), but the dialogue can be improved a ton with a sprinkle of empathy and understanding.
Edit: this is just for prosumer style cameras. If you look at phone sized optics that’s a whole other ballgame.
Even on shittier cameras, like a Holga 120 leaking everywhere with a plastic lens, the results with medium format film is always surprising and gives you a lot of leeway.