I wonder if audiences can appreciate these movies more than you give them credit for?
Let’s try a few more
- Death of Stalin (94%, 79%) has the pattern you’ve predicted.
- O Brother Where Art Thou? (78%, 89%) has the opposite of the pattern.
- Grand Budapest Hotel (92%, 87%) was appreciated by both, like American Fiction.
I’m just not seeing a pattern here. Looking at comedies that fit your description the critics and audience scores don’t follow a predictable 95%, 70% pattern.