To address your example: Why were the arrow keys on those particular keys? Who put them there? hjkl are on the home row, and touch typists end up having the movement keys under their right hand’s resting fingers. That’s suddenly quite convenient.
To address your example: Why were the arrow keys on those particular keys? Who put them there? hjkl are on the home row, and touch typists end up having the movement keys under their right hand’s resting fingers. That’s suddenly quite convenient.
This is false, h isn't in the resting place. So go back and spend more time trying to explain that historic tidbid of design before trying to defend it (I'd also be curious to know why they shifted left instead of using resting places)!
Or don't and use this obvious principle directly and change keybinds to jkl;
Or go with the muscle memory of inverted T and use ijkl
But whatever you do, prioritizing the original design is a common bad heuristic because there is no reason to think that the original designer was great (not perfect!, don't twist it), so trying to understand the original reasons is a waste of "productivity" time (but if you're curious, it's not a waste of regular time)
They were placed on those particular keys by Lear Siegler who made the ADM-3A terminal Bill Joy was using at the time he made vi. End of story.
← ↓ ↑ →
makes a little sense to me. ← ↑ ↓ →
would be way better, IMO.Not only because the most used used direction (↓) would be closer to my "neutral" finger position, but mainly because the the keys for progressing "back" and keys for progressing "forwards would be grouped together.
Honestly, I wouldn't even mind having them spread across two rows, like U I J K
↑ ↓
← →
or something. (Personally, I have global WASD-like arrow mapping bound to IJKL through capslock combo in AutoHotkey, since sometimes cursor keys are really inconveniently far away when typing.)I don't know what your mean by "Not only because the most used used direction (↓) would be closer to my "neutral" finger position" - what is your neutral finger position?
I also got lost in the sentence about "back" and "forwards" - what is back and forwards?
Sorry, I didn't realise that was unclear. By "back" and "forwards", I mean movement through the flow of text relative to the cursor position. Given any reference point in linear text, all surrounding content either precedes or follows that point. Moving through preceding content is "going back", and moving through following content is "going forwards". When we move to the preceding line (↑) or preceding character (←), we're going "back". When we move to the following line (↓) or following character (→), we're moving "forwards". My point was that ← ↓ ↑ → effectively represents "back one character — forward one line — back one line — forward one character", which feels counter-intuitive to me.
> strongest finger, the index finger.
Interesting. As far as I now, middle finger is usually considered stronger than the index finger. Index finger might be more dextrous, though (?). Personally, I also slightly prefer the middle finger for rapid pressing over the index finger, but cannot see strong definitive advantage of either one. (I guess most of us use the middle finger for regular ↑↓ keys, as well as W/S in WASD bindings in games/project just fine, and using index finger in that context instead would feel odd.)
> what is your neutral finger position?
Mostly index finger on "K". (So I guess I'd prefer having "down" (being the most frequently used when VIM binding is involved) on "L", where my middle finger usually dwells, and "K" for moving up, if I had to invent it from scratch.)