Studio Ghibli is Miyazaki.
It goes with him. Maybe not as a business name, but as an ethos and artisty, yes.
It goes with him. Maybe not as a business name, but as an ethos and artisty, yes.
No need to wonder: there has been, and basically all Disney 2D animation, even what little they do for the cinema, is outsourced overseas.
Basically, reverse engineering that process is probably a more expensive undertaking than most studios are willing to take. Look also at the Cuphead animated series, which was animated like a modern production (sadly).
[producer and director] had written the role of the Genie for Robin Williams, but when met with resistance, created a reel of a Williams's stand-up animation of the Genie.
The directors asked Eric Goldberg, the Genie's supervising animator, to animate the character over one of Williams's old stand-up comedy routines to pitch the idea to the actor. The resulting test, in which Williams's stand-up about schizophrenia was translated to the Genie growing another head to argue with himself, made Williams "laugh his ass off", and convinced him to sign for the role.
Williams's appearance in Aladdin marked the beginning of a transition in animation to use celebrity voice actors rather than specifically trained voice actors
The Lion King is pretty much a flawless film. And that came out 28 years after Walt Disney died.
The Jungle Book - 1967
Little Mermaid - 1989
Beauty and the Beast - 1991
Aladdin - 1992
Lion King - 1994
It's likely more a question of what you grew up with. When I was a kid I remember heavily disliking many of the earliest Disney animated movies like Pinocchio/Dumbo/Bambi but I absolutely adored the animated Robin Hood, Sword in the Stone, etc.
Rest of the films you mentioned - The Disney Renaissance the parent parent’s comment mentioned - starting with The Little Mermaid in 1989, and it seems generally accepted this lasted for 10 years?
https://en.m.wikipedia.org/wiki/The_Jungle_Book_(1967_film)#...
>I see no reason that Studio Ghibli couldn't eventually find outsized success after the death of Miyazaki.
Oh, it's not success I fear they wont find.
All of those were in my opinion excellent films and similar in style to ones made by Miyazaki, and I think fans of Miyazaki's work will also enjoy them.
Edit: The downvote is a lot less helpful than an explanation.
Sure, it’s conceivable for Ghibli to be successful again with a new talented director, but it won’t be Miyazaki’s nor Takahata’s Ghibli anymore.
Don Bluth was far superior to Miyazaki. Also, Miyazaki was a poor father and his kids movies sucked (i.e. tales of the earth sea) because he was basically forced into following in his dads footsteps.
https://www.ursulakleguin.com/adaptation-tales-of-earthsea
It really is unfortunate that this went the way it did --- I'd dearly love for Earthsea to have a film version worthy of the fact that it was one of the first books to ask the question, "Can there be fantasy which is not a retelling of _The Lord of the Rings_?" and to answer with originality and a deep insight into what fantasy has to say about human nature.
Kiki's Delivery Service, Totoro, Castle in the Sky, Arrietty, etc. are all watchable at any age.
Even the more mature films like Princess Mononoke would be unlikely to garner more than a PG rating.
I love Secret of NIMH, All Dogs Go To Heaven, etc. but let's not whitewash over history. He also did "A Troll in Central Park".
For every mediocre movie like Earthsea, there's also fantastic movies like Porco Rosso, Spirited Away, Naussica, etc - all of which I watched as a "kid".
They both had their highs and lows. Seems rather pointless to try and bench them against each other.
Porco Rosso literally reuses music, animations, etc from his other films. I enjoyed the film because a fascist pig cassanova was a fascinating premise - but it's very much derivative.
I bench them against one another because my partner is obsessed with Miyazaki and finds Bluth films to be mundane in comparison. Miyazaki has far more cultural capital today than bluth - which is absurd since more Americans grew up watching the land before time than they did watching anything Miyazaki made.