LibriVox
librivox.org
librivox.org
They have quite a few historic stereo-views scattered around their open source pic site, I always enjoyed browsing those with my 3d shades on:
https://etc.usf.edu/clippix/search?q=stereoview (They had more than this search would suggest; hopefully they're still around...)
https://librivox.us/search.jsp?search=reader%3A%22Elizabeth+...
There is a professional-quality reading of it by Tabithat:
https://librivox.org/little-fuzzy-by-h-beam-piper/
which I recommend highly.
Unfortunately, the quality of the readings can vary widely, and my family has often been unwilling to put up with a poor quality recording on long trips.
That said, I use their app on my phone while doing boring tasks at work, and greatly appreciate the project.
For my part, I'm grateful that folks volunteer their time and energy, and when there is only one reader for a given text, accept it.
It's sad that the best tech projects are not useful to normies.
Do you think a girl wants to deal with you trying to get your torrent streaming system working with your TV? Hell no!
I want to contribute a reading of a book someday in my native tongue, as it is slowly dying (less than 1k speakers). A way of preserving it.
It's within the EU though
I contributed to a Robert Lynd project on libravox many years ago, and I still remember saying these intros.
(Lynd was a wonderful essayist, if anyone might be interested).
David Clarke does a very good narration of many Sherlock Holmes stories.
On the one hand, there’s going to be a lot more, potentially high quality audio books in its repository, on the other hand it goes against the spirit of the project itself.
On one hand, a well curated/edited AI recording might be great but a lot of people will (try? Idk their policies) to upload AI slop (no proof-listen, no checking, just laziness).
Importantly, the recording should indicate whether it was human or AI generated.
This is all that's necessary. Sometimes I'm fine with mediocre TTS; sometimes I want an actual professional; librivox is somewhere in between, but should clearly specify whether I will be getting an amateur human or a robot.
Historically, being told that a voice recording is AI generated would be enough to tell you to expect basic TTS robotic voice, but with advances in AI voice generation we're approaching the point where AI can sound as good as real humans - it's not yet to the point where it's easy to generate an audiobook as good as a professional reader, but that point will come in the not too distant future.
And equally on the other side, something being recorded by a human doesn't automatically mean it has the quality of a professionally-read audiobook. This is something LibriVox has always had to deal with, by gatekeeping which volunteer recordings to either give feedback requesting improvements to or to not use at all.
In some but not all cases, an amateur human reader can already be as good as a professional, that will soon be true for AI. For both AI and humans it will remain the case that some efforts are not as good, but the line between them (for quality) isn't going to be whether or not they are AI - though I do agree that AI or not should also be labelled.
For an example of a professional audiobook, check out Rob Inglis' version of The Lord of the Rings.
But I disagree with you when you write "it simply doesn't have the information to improve beyond sounding like a human reading words fluently" - it has the same information when reading it as a human does, meaning that the best implementation would have to not only adapt tone to explicit instructions like "... she shouted", but also read between the lines / make subjective choices to suit the different characters.
AI is already capable of doing sentiment analysis on text, and text to speech models are getting better at being able to simulate moods/emotions rather than just speaking flatly, and I don't think we're many years away, if that, from those two sides being paired together in a way that produces the sort of quality output we're talking about for the first time without human involvement. Add to that the fact that AI can train on the many good examples of humans reading things, they may get to the point of emulating not just the core accent but also how each accent should adopt to what meanings in the text and arrive at a great solution without even needing to go through the steps of analysing what the text means to use that to know how to modify the voice being generated.
To take an example, here's an iconic line from the Fellowship of the Ring:
> The wizard swayed on the bridge, stepped back a pace, and then again stood still. ‘You cannot pass!’ he said.
If you think that is a command, you should shout it like Ian McKellen in the movie. If you think it's a statement based on superior knowledge (see https://acoup.blog/2025/04/25/collections-how-gandalf-proved...), you should probably state it with certainty and fatigue. And if you're making a movie with a ton of crazy special effects and swelling music, you should probably make whatever choice goes best in that context.
Even if a model could make some consistent choice there, I wouldn't be all that interested, because the reader conveying their interpretation of the character to the listener is what matters. Sure, it might get enough Spotify plays to make some money, but it's not art.
I just close the tab when I realize it is AI. Not sure how long I can do this.
Something like NotebookLLM seems shockingly good at first, and gives me hope that eventually we'll have machines that are nearly as good as humans at this; but after listening to it for an hour or so the novelty wore off and the artifice of it now seems galling and distracting.
The best experience I've ever had with audio books is John le Carré reading his early novels (not in public domain). He uses a different voice for each character and they are SO pulsing with life it's breathtaking.
Along those lines, there is a great 2007 unabridged audiobook[0] of Frank Herbert's Dune that is read by Simon Vance for narration, but other characters are dramatically performed by other voice actors. It's excellent, but sadly a tad bit uneven and inconsistent in production. It's like they got 3/4ths of the way through the project and some of the original voice actors couldn't complete the project and Vance had to pick up the slack. Regardless, it's still one of my favorite audiobooks.
"Call For The Dead" and "A Small Town in Germany"
Listen here:
FWIW The three novels in the "Value Collection" are abridged:
https://www.amazon.com/John-le-Carr-Value-Collection-audiobo...
this is the way.
The book was long and boring, but at least the narrating was good.
It's horizon-broadening. Lots and lots of interesting reads/listens I never would've picked up otherwise. 1800s ghost stories, darkly racist novels like The Leopard's Spots (good luck getting through the first 10 pages). My favorite is Havelock the Dane: A Tale of Old Grimsby, first written circa the 14th century but thought to be much older. When you listen to it, it is apparent that the author and the intended audience know 100x more about nautical things than you do. It's also charmingly simplistic; the main character is sort of like Conan the Barbarian. He'll do things like "lift a stone the weight of an ox and throw it the length of two men." You imagine the audience being like, "Oh my fucking god.... that's amazing."
Sure, Eleven Labs isn't anywhere near as good as professional narration (yet), but it's better than your average Librivox reader for sure.
At this point, it's just a matter of throwing money at the problem (and not that much money at that), and that's usually easier than finding talent.