The constraints of not being able to color-grade the whole film with a slider or two, of every cut in the edit taking time to do, and of effects that weren't in-camera being relatively expensive, tended to lead to better and more-interesting filmmaking, even in middling films.
I appreciate what the right people can do with modern tools—I enjoy and even love plenty of newer films, and it's undeniably brought some cool stuff within reach of smaller, cheaper productions—but overall I see it as making cinema worse.
"We did it in a computer" being the answer to every "how'd they do that?" isn't movie magic, it's boring as hell. It's why even a film that tries to avoid that to some degree, like the new Dune duology, is in some important respects—though setting aside overall quality of the film on some other dimensions—just less interesting than broadly similar films like Lawrence of Arabia or Star Wars (or even, if I may be so bold, David Lynch's Dune).
I think this sort of opinion is fairly common among film-fans of all ages, due to interest in film making itself as much as output of the process per se. Not sure most movie watchers care, and they may well prefer the newer stuff because of the ultra-fast editing and tuned-to-be-cotton-candy-appealing color schemes and unconstrained video-game camera of fully CGI scenes and all that.
> I prefer 1970s music. Autotune is for whippersnappers.
Hard agree. I can't friggin' believe the heavy-handed autotune in children's media, especially (Daniel Tiger! Fred Rogers would be so unhappy with it). Let's teach them that natural human singing voices, like their own, sound wrong and bad. WTF.