There are a slew of HDMI extension systems, some that even use ethernet with hardware encoding/decoding. Grandparent commenter hasn't worked in the industry in at least a decade if they're talking about DVI.
There are a slew of HDMI extension systems, some that even use ethernet with hardware encoding/decoding. Grandparent commenter hasn't worked in the industry in at least a decade if they're talking about DVI.
(It's "passthrough" and not "uncompressed" because DisplayPort may use DSC depending on the resolution and frame rate.)
US$500 for an optical cable can be a lot cheaper than paying for HDMI extender sender and receiver boxes.
There's plenty of HDMI2.0 compliant "video over ethernet cable or fiber things" which are the ordinary COTS products that may not be sufficient for serious video editing needs.
People on video editing workstations these days are using higher end monitors that can be trusted to work in 10bit color and to match a certain color space grading.
On the other hand it's a lot easier these days to have a relatively quiet video editing workstation that has 8 to 16TB of local, pci-express bus attached NVME storage for work space, and that same workstation can have a not-very-expensive 100GbE NIC in it attached to some large/noisy storage elsewhere.
We had those, the problem is that they loose bitdepth. They were also fucking unreliable. We had a lot HDMI extenders and they worked for 1920x1080, and sometimes 2k if you were lucky.
we used them for the "prosumer" LCD projectors we had the in the review rooms. They didn't work so well for the massive christie projectors. (I seem to recall they abused 3g-SDI to get resolution)