On a US national basis it is basically true. Median weekly earnings for full-time workers is $1,192[1]. Median hourly pay for a software developer is $62.58[2], which, assuming a 40 hour week, is $2,503.20.
[1] https://www.bls.gov/news.release/pdf/wkyeng.pdf
[2] https://www.bls.gov/ooh/computer-and-information-technology/...
That may not be a fair comparison to the extent that software devs are concentrated in high CoL areas, though, so you don't see a ton of us out in the cheaper and poorer regions. The effect of that is somewhat ameliorated by taking the median instead of the mean, but not fully.
Very often they are making less than a career in a lucrative field would bring but still more or at least equal to a median job. And they have a lot of benefits that are just not very easy to put a price on (freedom to do what you love is priceless for some).
I think there is a distortion coming from the "bottom of the barrel musician" that spends way too much time complaining instead of trying to improve (or moving on to something else if they don't have what it takes). The reality is that the vast majority of music produced/performed is so bad it has absolutely no value commercial or otherwise.
I don't think the software craft is very comparable, it's just not the same incentive and constraints at work...
But if we are being realistic, if your stuff is truly great and unique, it will blow up. You just need to realize when you are not part of the great that you can do this just for your own pleasure, with no intention of success or anything like that, a hobby like any other...
But you are right if you want it to succeed then you need to chip in. We sell an album for £7 digitally, or £30 for vinyl + digital, but it’s basically just donating to us to say “please keep recording stuff”. We’ve made more off selling a single vinyl than all our combined streaming income
i've taken to terrestrial radio for true discovery and bandcamp for digging into a genre.
I don't know the answer, considering I don't want to find room to store CDs or carry around a discman, but that's the problem.
Honestly, I would rather listen on Spotify and Venmo the band $5 towards their next track. Not sure what that looks like in a scaleable way.
Went to see Pete Doherty not long ago, and bought some hand typed (and signed) lyrics sheets/art from him - felt like buying something quite personal.
Agree about the principle though, I try to buy merch at every gig I go to. Makes me feel slightly less bad about using Spotify.
And I understand about the movement to digital - I typically rip the CDs as FLAC files and put them on a hard drive.
I'm in my own weird state of mind where I prioritize collecting physical over digital to the point of neglecting digital-only releases - digital is always going to have a copy somewhere I can listen to or purchase, but physical is limited and there's no guarantee I'll be able to get a copy later. This is probably an overly materialistic view, though.
Something like an NFC-equipped greeting card (maybe more than just a cover; pages can be inside for fun stuff that used to be in the CD inserts/jackets/etc), that I could set on a stand which would then interface with the card and start playing music. Pull the card, playback stops. You get the idea. I just think something like that would serve both purposes - look and display nicely, while giving a conversation piece and more content from the creators; but not prone to damage causing issues with playback and as durable as you want them to be (could be more like HID Prox cards; plastic instead of cardboard. Or even more "exotic" materials. Lots of room for creativity).
Today, I only buy physical media and from Bandcamp. The younger generation seem happy to pay subscriptions for Spotify and Apple Music. I think this has to do with mobile OSes hiding filesystem access and banning P2P apps from the walled garden.