Lessons in creating family photos that people want to keep (2018)
estherschindler.medium.com
estherschindler.medium.com
1) Photos you look at when the subjects are still alive
2) Photos that you remember people by and cherish people for
1 = are all the typical family group pics, lots of posing
2 = the photos where the subjects may not even know that they are being photographed, while doing the things they are cherished for by others. Sometimes they might not even like the presented actvities, but everyone else around them appreciates it .
- Photos of people repairing their family's gadgets
- Photos of people doing mundane tasks, ironing their clothes, cooking dinner for everyone, being exhausted, reading to others...
- This is what prevails while people are still alive who remember you. What you will be remembered by. Mostly what you did for other people and how people observed you.
Take photos of your parents and loved relatives during daily life and their tasks. You will be far more moved and inspired by these pics, than by typical family group photos.I have also done what the OP is describing, scanning all my family’s negatives. I wanted to devote the amount of time it takes me to scan and color correct a frame to a scant few of the images. My family liked to take “snaps” of places and vacations (think non-descript cornfields or national park visitor centers) and hostage photos of the kids clearly taken against our will.
I taught myself how to shoot on film to learn what I was doing, but going to the community darkrooom was the real education. I learned how good photographers used the light and saw the world by watching them develop and seeing the end product. Photography is just like any other endeavor, you get out of it what you put into it. For your kids and your kids kids, don’t just put into it some AI-computationally adjusted selfies and snaps of the tops of kids heads. Put some effort in, figure out what good light is, and take candid photos.
I have some friends that seem able to snap these perfect moments effortlessly.
A professional should be able to get good results without it, but also when you are a professional, the incremental benefit of having the equipment available and using it where appropriate is more than worthwhile.
(But then again, my sister especially recommended to me to choose my partner as she would look very good on pictures, I replied I have other priorities, but ended up with her anyway)
This is probably the best way to get a good photo regarding the people in it. Composition, lighting are important as far as they make the picture "readable" if what you're looking for is the memory of the person. You'll still look kindly on a dark, blurry photo of a very authentic moment rather than an exceptionally well composed photo that's so staged you can't match it against the person you knew.
Staged photos aren't all bad, they're just usually unrealistic if you knew the people. Many group photos have a bunch of upright poses and stiff faces that maybe those people never had naturally. So you recognize the face but not the person, it's not the memory of them you would keep.
If you want to capture the memory of a person, take photos of them doing whatever they were usually doing, with their usual expression, lighting and composition be damned.
I agree with you, I basically never take the staged photos (don’t have a self timer on my cameras anyway) but just snapping the shutter when people are doing things isn’t enough. I have boxes and boxes of photos of my family that I’m not even spending the time to scan and color correct because it’s not worth it. The great ones combine good light, technically correct, and an interesting subject.
You're just on a different, more professional rail. Talking about professionals doing professional stuff. You don't warm your tires before you go for a drive just because that's why F1 cars have so much more grip in slow corners.
Capturing the perfect moment in the perfect technical conditions is perfect. But that doesn't happen very often in real life with family moments. Most of those perfect moments will be absolutely serendipitous and you'll capture them however you can. Not a single non-photographer looks at the snapshot of the perfect moment and thinks "different ISO would have been so much better, and look at those harsh shadows".
One of the photos most dear to me and my entire family was taken at the light of a low-power infrared heater. Which is to say just enough light to not accidentally poke a finger in your eye. The details are only barely visible but you can tell who's there, everything is as noisy as you can imagine and more, and the brightest thing in the picture is the glow in the dark pacifier between the 2 figures. And no amount of good lighting would have made that picture better without ruining the moment.
In fact almost all of the "most memorable" pictures in my album are technically crap. Over- or underexposed, crappy film stock or digital resolution, bad framing, bad focus, motion blur, fringing, the list goes on to tick all the mistakes one could possibly make. They're all subjectively better than the technically superior shots because the moment they captured was better. If you talk about family it will always be the moment. If you can make it technically good, go for it, it's just icing on the cake.
I am not a pro, so far from it. I'd be embarrassed to even let a pro see my work. I don't want to advocate for needing things to be technically perfect, what I was advocating for was taking a single class, reading a single book, studying a couple blog posts or something. The little changes you can pick up can add so much to a photo. Say you move a little so the sun isn't behind your subjects, or you have the camera out explicitly in the winter mornings when the light is streaming into your windows and hitting a light curtain over the window... you've got yourself a free soft box. Or you've got the camera out in the hours before/after sunset and sunrise.
Little changes to behavior, your position, use of light that can put the extra thing on a photo that would already be great because it was a great moment.
I have another probably simplistic insight.
I've gone on vacation and taken photos of the sights. wow, look at that beach/mountain/breathtaking view, etc. Later viewing them, they are usually kind of dull.
But if you put a friend or family member in the landscape, they become 1000x more memorable. keepers. Like your advice, unposed and just in the frame can be more powerful than a posed image.
I don't want to claim that maybe it's the surroundings that are mundane, because I don't find that true. One of my favorite films is koyanisqatsi, which is, really, just industrial film of earth. As mundane as it gets.
I suppose I cannot fathom this yardstick you describe.
I travelled a lot circa 2008-10 in and around Asia and recently I've been uploading all those old travel photos to Google Photos simply because every day it randomly pops up pictures from a place I once visited.
Even the bad photos I took back then (I didn't have a great camera) are way better at keeping those memories alive than I would have expected, they may not be the best, but I was there and I took them.
I blog about it. It isn’t for anyone else’s benefit but mine and I doubt I get any traffic to it. It’s more of a public journal. I pay $5 a month for MicroBlog. Our travel season is usually between March and October.
The blog is a much better way to remember trips than just static pictures.
Google photos pops a reminder of somewhere most days for me with a photo slideshow of somewhere I've been.
Yah, I discovered that, too. Now I always try to get a person in the picture.
My favorite is the one of Bruce Springsteen sitting on his motorbike. I'm going to try and recreate it.
I've seen various photos of Keith Richards. What's amazing is he's not a handsome man, but somehow the photos of him are incredible.
It's not the subjects, it's the context that is cherished.
I'm 59 now. In the 1990s I started taking VHS videos of family events. Sometimes I would walk around "interviewing", sometimes I would walk around and try to normally talk to people while holding that huge recorder. (That didn't work). I even set it up on a tripod and just let the recorder run while my parents and others visited.
This past year I've ripped a couple of dozen DVDs out of all of those tapes. In the past two weeks I've then ffmpeg'ed them to mp4s and loaded on an SD drive and put in a e-picture frame.
Now we have 30-40 hours of "family memory TV" playing constantly in our living room. It is one of the most amazing things I've done with technology. I can't describe the feeling of looking back 30+ years to see folks who are long gone -- or now adults with their own kids!
God I'm glad I didn't record all of this on a cell phone or use social media. It would have been impossible to have the patience and time to scale all of those walled gardens for this project.
Best videos? The "family interview show", where I ask questions and everybody performs some kind of art. Wish I'd done one of those every year. Second best? Just setting the cam up and letting it run. Third place are videos of family members doing things that'll never happen again, like watching a sonogram of a new baby on the way.
Worst videos? As I know (and knew at the time!), a bunch of videos and pictures of things we were looking at that were interesting to us at the time but stuff you could find online in a couple of seconds. Unless it has audio commentary, it was a pointless exercise.
Now that they're older, she gets it. I can Google a dolphin, but I can't Google my oldest's reaction to seeing one.
Could you share more details about your setup? Do videos play continuously in your living room, or are they triggered by presence? Is sound muted or do you just have it at a lower level?
Why? I've done data takeout from multiple social media sites. It's much less tedious than babysitting VHS->digital transfer (which I've also done).
My next project is exactly what you mention: using takeout. This project is involving going through hundreds if not thousands of videos with names like "45437905_521345565468507_6881371949495794958_n_10156232738427354.mp4" all stuck in one big folder. 10-30% of these are probably memes or other throwaway stuff, mostly because there is little to no curation going on (until now). Even if I sort keep from delete, there's still the issue of generalized topic. (FB Takeout, for instance, gives all the files the same date) Assuming I could go through them all in some automated fashion, I'd still only end up with categories an automated system could provide. That's far too reductionist to actually work, eg who wants pictures of the dinners you ate, but that one time they made the 17-layer cake, oh yeah, don't want to forget that. These edge cases are part of what makes the curation so personalized and special.
Feed-based sharing is not the same activity as recording for the future. There are different goals, audiences, situations, etc. More specifically, I'm probably going to end up with 4-7 huge hunks of hundreds of impenetrable filenames from different services, each with their own nuances -- and that's after going through takeout.
Starting in on that next project today, yikes, the last thing I want is thousands of small randomized videos from my life. You could conceivably do that by wearing a GoPro around and coding a bit. That would be a terrible (and egocentric) thing to inflict on house guests.
I love taking pictures. In particular, candid moment-capturing portraits that reveal something about the subject. Also, technically challenging ones with really long exposures (eg around a campfire), or narrow depth of field (eg of my kids playing in the backyard). I like to think I’ve taken plenty of “good” photos of my family over the years.
But something I’ve found is what I go back to the most are those poor quality, poorly edited, silly little videos I take of my family just living life. I used to avoid video because the outcome was just too hard to control. They would never turn out “good”.
But flipping through my digital albums now, I wish i took more videos. A poor video can capture a lot… maybe even more than a great picture. So I find myself taking a lot more videos now.
She's had it for almost 3 years now and it's been one of her longest lasting toys and is, without a doubt, the most meaningful. It gives "seeing the world through her eyes" a whole new meaning.
Electronic forms are so much less durable than physical.
My 4yo child recently received a $10 digital camera at a generous birthday party and independently has figured out how to take videos (in addition to photos). Some self interviews, some videos of his sibling, his family. It really is amazing to see things from his eyes.
I also suggest taking a few candid snapshots and putting them into a book at some point. Video is good, but there's something special about a physical album that you can pass down for generations. If you distribute several copies of the books to various relatives, I'd be willing to bet they'll outlast the videos in the long run.
If you now rushed to click "reply" to say that yes, of course there is, right here, hold your horses. You probably do not understand the problem.
Good photo archival software would let me keep my photos in formats that will be readable 25 years from now. It must not rely on any company being in business or offering any service.
It must support storing the same picture in multiple formats. It must support assigning dates to pictures that are not the same as the file date nor the EXIF date. It must support assigning imprecise dates (just a year, or ideally an interval).
It must support storing multiple files as part of the same "image", and I do not mean multiple versions/formats of an image here. Examples: front and back of a scanned paper photo, or 24 scans of a large format picture that are then merged together into a resulting stitched image.
All that information must be preserved in ways that will let me recover it even without any software (e.g. files in the filesystem).
I used many solutions over the years, and got royally screwed by most, the most recent one being Apple shutting down Aperture (which did most of these things pretty well). I am now close to writing my own software.
EDIT: to all those who respond with "just store it as files" — yes, of course they should be stored as files. But that's not an answer. You do want searchability, nice visual access, and other niceties on top of the basic plumbing.
For true durability, you've got to embrace the lowest common denominator.
Those rare features you can only get from Software X will lock you into Software X. If you want your archive to outlive Software X, you gotta do without them.
It will store everything locally, keep your folder structure, every metadata is inside a sidecar XML, allows for various notions of "date" and more.
Not affiliated with them, just a happy user
That's actually a fundamental requirement.
Mylio stores “Live Photos” as Photo.extension <- the “photo” it shows in the interface Photo.xmp <- all the metatdata Photo.myb <- everything else
Literally the myb is just a zip of everything else associated with the photo. So in the “Live Photo” case that would be the associated video file. If you have edited the file in Apple photos that also includes the XML Apple uses to non destructively perform the edit. As well as a copy of the original photo.
In your case you could just manually create the myb file by zipping up all the associated extra photos and changing the extension. However the interface would only show the single main photo.
It's open-source, so no worries about a company shutting it down, and it handles a lot of the stuff you're asking for. It’s designed for organizing and managing research photos, but it has features that fit archival needs pretty well.
Open and future-proof: Metadata is stored in JSON-LD, so even if Tropy disappears, your data isn’t locked up. It doesn’t modify your files either, so your originals are safe.
Flexible metadata: You can assign custom dates (even imprecise ones like "circa 1920" or a date range) and add other metadata fields to fit your needs. It’s not tied to EXIF or file timestamps, which is a big plus.
Related files: Tropy lets you group multiple images (e.g., front and back of a photo or parts of a large scanned image) into a single "item." Relationships are preserved, and you can see them all in the same context.
Search and organization: It’s way better than just dumping files into a folder. You get tags, categories, and a solid search interface to make your archive usable.
Perhaps I got the wrong impression, but I do not want to get locked into yet another product that will disappear in a few years.
That said - I used to rigorously tag photos for the event, place, and people in them, but it's just too much work. Some tooling around batch and auto tagging would be great, so long as it wrote back to the original image EXIF.
The thing about family photos that's most important is to have THE NAMES of everyone in the photo, not "mom" or "lucy"... actual full names, so that someone in a generation or two can actually understand who is who. My wife's family had that... but then the photos were ripped out of the album, and all context was lost. 8(
As much as possible, I've got every face tagged in my photos so sproutlet has something useful when the time comes.
This, this, this, and this!!!
My mother is the one that takes the initiative of taking pictures of people during events (whether important or just small outings). What she has a hard time understanding is that you must spam the trigger. She tries to frame the picture perfectly, and everyone on their most photogenic faces. Then, she takes ONE shot and oh... somebody closed their eyes a bit. "Let's go for another one, everyone go back in place!"
What she doesn't understand is that the best and most memorable pictures isn't the one where people are smiling straight into the camera. It's when people are doing something they enjoy and don't even notice the camera and don't do a perfect model pose.
I'm lucky if I delete only 9 of the 10 photos I took!
For me, I found having hundreds of photos on my DSLR’s SD card a daunting task and the raw photos would sit for months before I’d get around to reviewing them (if I even bothered at all).
Sitting down and spending an evening developing/scanning/converting negatives, however, I find rather enjoyable.
To each their own; I think the important thing is to find a workflow that works for you so you can capture as many memories as possible!
My view is that striving for a perfect shot is counter-productive as you will better reminisce the memories by having taken a random picture of someone doing a goofy thing with a weird face.
I usually take 10 seconds after taking the pictures to discard those that don't deserve to be saved. In contrast, my mother, who strives for perfect pictures, has a lot more duplicate pics than I do.
> This, this, this, and this!!!
Except that time is a huge cost. Merely taking the photos is quick, but sorting through them is slow and mind-bogglingly boring. The more photos you take, the larger the chaos is (and the more space gets wasted). If you are the kind of person who diligently categorizes photos right after they are taken, then sure, go ahead spamming the trigger; otherwise you'll just end up with with exhausted storage, and less and less motivation (over time) to start sorting through that ever growing heap of manure.
I said this in another comment, but after a typical shooting it takes about 10 seconds - not more - to sort through everything. We don't take hundreds of pictures...
The alternative is taking only one picture and calling it a day - whether you made an ugly face or not. A couple of times I've asked people to take a picture of somebody else and me, and sometimes they only take one picture and either me or that person makes an ugly face... If he pressed the button 4 times I'm sure there would have been a fine picture.
This is my issue. Social media has made this much more difficult for me, people generally want to look good in all the pictures. I never post them anywhere, maybe to a small group chat, but still it's the natural instinct many people have when they see a camera out.
So I find people getting self-conscious or otherwise uncomfortable/annoyed when I try to get candid shots. But I know they will appreciate them later, and often do, but it's hard to push past this initial reaction.
These threads have been helpful and motivating -- I will try to reference them later with family to explain why I'm taking all these pictures, and why they shouldn't stress too much about how they look.
It isn't that big of a deal. I'd do it for pay for other people if someone absolutely needed it, but it isn't that hard. 100GB including the static gallery site I set up, currently in glacier and on two NAS.
good to see there's a competitive negative scanner in the sphere, now!
i could have sworn i mentioned it was a photo scanner, specifically, but i didn't. Luckily i mentioned it elsewhere recently and it was in my browser history. I have 0 complaints for what i used it for, which was to immediately and finally back up all of my family photos.
One proviso to this - it's a travel record.
The next picture is a couple standing at the door to an apartment... but where is it... 'oh yeah Paris; your mother and i visited college friends. Forgot we'd even been there'.
Sure, way better with a person on the frame, but recognisable landmarks can still have utility in a photo collection.
I was working through my parent's slides and found pictures of St.Marks square -- didn't even know they had been to Italy.
For capturing memories, try to think about photos in small series... Family at a Metro stop Generic Eiffel Tower photo Family at Eiffel Tower Family eating a baguette walking down a random street Etc.
As you say, they all provide context and often tell more of a story than a single candid of the family.
After doing some in-house scanning I sent a bunch of stuff out. At the time, there was a company in CA that put stuff on a pallet to India. A bit butt clenching but it was great and I wrote a review for CNET where I was in the Blog Network at the time. https://www.cnet.com/tech/tech-industry/reviewing-the-result...
Was probably more selective than you. And agree that a lot of the day-to-day stuff outside of the house in particular simply wasn't recorded. No photos of my mother's chemistry lab for example.
I've thrown a lot of stuff out but could probably get more scanned but not sure after looking at it if another pass is worthwhile.
As for "include the photographer": unfortunately the photographer (aka me) is usually the only one who reads these articles. Whenever I ask someone else to take pictures of me they ask me to strike an artificial pose and then take a full-body shot. Hopefully one day my nephews will say "we don't know what uncle probably_wrong really looked like, but his pictures were great".
As for the suggestion: I stick to the rule "do not make albums with more than 36 pictures" which is the number of photos a roll of film used to deliver reliably. If you take 300 pictures and stick to the top 1% you'll quickly learn which pictures are worth keeping. Your friends and family will be silently grateful.
Completely transformed our catalog of memories. When you weave scenery with experiences and people, something magical happens.
Our recent trip to Taiwan: https://youtu.be/7LWxVzZco0A
That said, two advantages for the Osmo Pocket:
- footage is not clogging up your phone storage, which can be particularly annoying if you are often unable to backup to the cloud
- it is literally pocket-sized, a nice form-factor compared to GoPro, and pretty quick to get out and use. > A decent phone with good stabilisation can handle that though.
The Osmo Pocket 3 has much better low light capabilities owning to the built in gimbal compared to even top end phones (a couple of good vids on YT comparing them).The ability to offload to removable SD is huge, especially when shooting 4k@120fps.
By the time you add a gimbal and external storage (on iPhones, only the highest end phones), that rig is pretty unwieldy!
I have a phone gimbal but haven't used it in years, so I don't disagree there.
My hassle beyond the iCloud backups when out of range is that I usually want to upload IG stories as I go, and picking through the Osmo stuff is painful enough that I just don't do it. So, for a brief time, I'd shoot everything twice which kills any personal moments (hiking with the kids, etc). And then I stopped. The Insta360 was even more limiting: smaller card, hard to tell if you were recording or if you'd run out of space, etc.
If the area has a no drone sign, I won't use it. If it has an active denial in the app, then it can't be used without authorization. I've only run into two of those places while at the south of Taiwan (turns out there were power plants nearby).
But honestly, the drone is best for remote places to begin with, IMO so it tends to work out for my use cases.
I've had one of smaller DJI ones, but reality was, when looking back, even with simple quick recordings I was annoying to rest of the family since it takes a lot of time to set it up, fly, and put it back again. I've donated it to Ukraine army cca directly when russia started the war, hopefully they did put it into good use.
Make great memories, sure, but do it with respect to others and laws.
Youtube/TokTok/Insta folks are similar. I'm at Mesa Verde and this guy is getting cranky because he can't get a picture of the sign, because people have the nerve to actually be there...and those people get to hear him take the 4th take of his intro...."what's up youtube"
The simpler, more candid, more off-the-cuff images and videos were gold. A drone by definition has setup and teardown time and is impossible to ignore for those being photographed.
Ethically, drones also break Kant's universalizability principle.
The setup and teardown for the newer DJI drones is quite miniscule, IMO. Even for the Mini 3 it's no more than 2 minutes to set up. Usually I'll do it while we are just enjoying/taking in a sight. Most of our destinations involve hiking so it works perfectly with a break and some rest.
This shot, for example (00:02:04 mark) really captures the moment my wife and I were standing alone on this massive breakwater in a way that nothing else could: https://m.youtube.com/watch?v=eixbTpEeVwg&t=124
I don't know how I could otherwise capture the full experience of that moment and place in a photograph or on a handheld video device.
Snapped a photo of my room first thing.
"it's not hard, just pay someone to do it for you"
I get the sentiment though. I've spent countless of hours trying to read up on digitizing our VHS collection while the proper thing would've been to just have a company do it for me. The main concern for me though is that they might just run the most basic settings and I'm telling myself that doing it myself will allow me to future proof the format a bit better.
The point I was trying to make (which I think you understood) was that it was _surprisingly cheap_ to outsource. In the range of ~$100 for our entire collection.
I should mention that this project was undertaken because a relative's house burned down and, with it, all their family photos. So my comment is meant as encouragement for anyone sitting on a treasure trove of family photos who is thinking to digitize: do it! And to inform that this process that I thought would be very painful/tedious is something that can be outsourced for relatively cheap.
There are things I really like, e.g. that you can restrict access per user.
But there's no comment/chat/discussion facility, so you cannot easily get feedback on your photos.
There's also NextCloud, but I think the solutions there are a bit more rudimentary. However, if you already use NextCloud (or a similar solution like a CMS for example), you could look for a plugin. https://nextcloud.com/
My lesson is I don’t take photos. I realized long ago that I never look at them again.
I'm not even going to argue coz something tells me it's going to be futile.
I just don't like thinking about the past and the feelings they often bring up. Whether that's guilt over not talking to relatives that have passed, or the sadness from remembering how a good relationship ended badly, or even the good times that my current life doesn't allow to continue because people have gone their separate ways.
I don't know if it's healthy, maybe, maybe not. But it lets me go through the days a bit easier.
We take a lot of photos, both of family/friends/pets, but also landscapes and nature, and when curating the photo library, i often find myself deleting the landscape photos of 10 years ago. We don't need to keep 200+ photos of sunsets. Yes it was a pretty sunset, but there are hundreds of those every year, and unless it includes photos of our family or something else "special", the photo doesn't stand out, and will eventually be a candidate for being deleted.
I just finished the years curating, and have deleted almost 60,000 photos from the library. Sunsets, blurry photos (that doesn't have any other value), screenshots, and lots more.
Eventually i will however have to curate it even more. When our kids eventually "inherit" the photo library, they'll most likely be overwhelmed by the sheer size of it, and simply discard it. On the other hand i don't want to leave them without photos of their childhood, and who's to say what matters to them as memories.
DSLR photos are for art, not memories. I use only my Android phone for memories (among other things).
I have a daily job that transfers photos from my phone to my PC.
Once a month, I copy all the photos/videos of the previous month into a directory. I fire up a simple Flask web app I wrote that builds a page showing all the photos/videos that are in a directory. Under each photo/video, I have:
- A checkbox on whether I want to keep it
- A textbox for putting a caption. Here I write whatever was going on that day (or when I took the photo)
- A field for entering tags (plain text, tags separated by commas).
When I hit a button:
- It copies all my selected photos/videos to another directory.
- In a static site generator, it creates entries for each day there is a photo/video. It adds rich text (e.g. Markdown) to the SSG entry with links to the copied photos/videos, and "captions". The tags I had entered apply to the blog entry/day (not to the individual photo).
That's it. I'm done.
Separately, I have a daily cron job to build the site, and make a new page showing me all entries for today's date (i.e. all photos/videos taken on Jan 27th). This way I can see what I was doing on this day 4 years ago, etc.
I keep whatever I want. If I go for a monthly book club meeting, I take a picture of the building it's in and note down what book I read.
It's very manageable. At one point I had a bug and didn't update it for several years. When I finally got around to fixing the bug, it didn't take long to catch up on that backlog.
I don't curate my DSLR photos. No time for that. It's why I don't use it for memories.
I bit peculiar and specific but came to mind and may save some person's geotagging.
https://github.com/nextcloud/android/issues/14409
Fortunately (I think?) the auto-upload seems to become unreliable in general so people are more likely to notice that funny things are happening.
Dear lord, yes. My in-laws have just boxes and boxes of photos, some going way back into the late 1800s. The old ones are mostly people and faces. But we have no idea who these people are. My in-laws think they are related to them, otherwise, why would they be kept? But not a clue who this person is.
It's terribly sad in a way. My spouse doesn't want to throw it all away, it's family history presumably, but we have no idea if it'll ever be a history we know.
And so they sit in an attic, waiting for some magical technology to rescue it.
Labels matter.
I second most of this, but would like to offer a different opinion about triage. In my experience, doing the triage often takes as much time as digitizing the slides. "Mindless" mass digitization where I just optimize for throughput has been a good strategy for the collections I've worked on.
Instead I'm more careful of what I choose to post process after I digitization. I haven't been throwing much away yet, I usually just don't process the stuff I don't find interesting. Storage is cheap these days.
Right, it's the same kind of pictures mentioned in the article. Life happening. The kids helping you cooking, mom goofing around, the family hiking etc etc.
It's not the landscape, some flowers, fireworks, a beach usually. What you care about are people and the moments you spent with them.
gone are the days when ektachromes are considered the cheaper options.. now they are one of if not the most expensive 35mm format films
I suspect the process of making photos meaningful and surfacing gems will continue to improve.
So yes, take certain kinds of photos but more than anything capture photos (and video) in highest possible quality when it doesn’t disrupt experiences.
Just kidding..! But damn, a lot of my photos are of the scenery...
There is no need to see 50 photos of each vacation or birthday, but it's nice to see 3-5 and have the ability to dig deeper if you want to.
> I bought a heavy-duty slide scanner to help me process the images. It’s a Canon CanoScan 9000F. I like it, in case you’re shopping for an affordable unit; in particular, I do not loathe the built-in software, which sets it apart from other scanners I’ve used.
I hope this is not unwelcome as it is admittedly tangential to the actual topic of this post, but this line makes me want to throw out an unsolicited recommendation for VueScan from Hamrick Software: https://www.hamrick.com/
I am not affiliated with them in any way aside from being an extremely happy customer. Easily the most value I've ever gotten out of a piece of shareware, perpetually licensed, supporting Windows, Mac, and Linux. I got into it to revive a '90s scanner whose software wouldn't work at all on modern computers, and I've come to prefer it over all OEM software even on my newer gear. Truly the great equalizer that makes the hardware features the only things which matter.
I currently use it with a Microtek ScanMaker 9800XL (when I want CCD+CCFL scanning and/or large-format scanning) and an Epson PerfectionV700 (when I want CMOS+LED scanning). It supports the film/transparency scanning features of both if you have the appropriate expansion lids. Here's a random screenshot from my shots folder, not of transparency scanning but it's what I have on me. It does have a lot of built-in cleanup options which I use with about a 50:50 mix of cleanup in Photoshop CS3. I especially like its built-in debayering https://i.imgur.com/xfBwZq8.png
> Include the photographer. I have few pictures of my father, because he was always the guy behind the camera. When he did ask someone to take a picture it was always posed, such as “Mom and Pop standing in front of the Grand Canyon.”
In my experience as a frequent traveler of the US West, it's rare now to even be asked. For me probably fewer than five times. I don't know if people these days feel uncomfortable asking due to how damaged and low-trust society has become thanks to those who need us all to hate each other so they can stay in charge, or if people have just been out of the habit for so long that they never had that example and thus don't even think of it.
I've started keeping an eye out for groups of people posing for photographs, especially when they are visibly families vacationing with kids, and I will ask them if they want a group shot if I read them as amenable to it. Some people say no, even once in a while aggressively so, but the acceptance rate is incredibly high and it makes me happy to be able to give them those memories. It probably helps that I am visibly non-threatening in a privileged way that society does-but-should-not enable, and that I'm usually carrying a chonky mirrorless camera on a strap so people are less likely to think I'd steal their phone lol
> Even though I spent much of my childhood writing letters, there is only one photo of me with a pen in my hand — and that was taken by a friend at summer camp. Yet my friends and family all recall me with a book or pen within reach. My father never captured that essential part of who I was.
It's interesting to see the way the human mind works here. We take photos on vacations and of unique events due to their novelty making them feel like something that can't be re-experienced, and we don't photograph the day-to-day activities because they are so familiar to us while we're in those stages of our lives. Turns out it's the other way around: the Grand Canyon will always be there, and the people won't :/
> Crop photos closely. My father took a lot of photos of “Mom in front of a pretty vista” but in the long run I care more about Mom’s expression than the expanse of mountains in the background. Thanks to iPhoto I can zoom in, but a lot of detail is lost.
These days when we're all digital and not paying per roll of film, I take both. Zoom with your feet. It doesn't have to become an overwhelming number of photos — just two. Tying back to my earlier comment, when I offer to take a photo for people I usually tell them I'm going to take one of the scene and then walk forward and take one more. I did this just two weeks ago for a very appreciative family at the National Museum of Nuclear Science & History at Kirtland AFB. One wide landscape shot of them where you can read the building façade and tell where they were, and one tight portrait shot of just them :)
Strangely, the thought that my porn collection will be dumped is more unsettling
I should probably look at writing to bluray at some point.
There's a deep point here about approaching life as it pertains to all the things we say we'll do after we retire.
Maybe it will get better in time, but for now it isn't really helping me organize my pictures.
I have a daily cron job that shows me the entries for this day in past years (i.e. all Jan 27 entries).
Yes, videos are more fun to look at.
But people don't have the patience to watch more than a minute or two at a time. They can quickly scan 20-30 images and focus on the interesting one(s). But if they see 10 videos, they'll start a few, and after a number of seconds start "seeking" forward to see if there is something interesting.
Or they'll watch the first 1-2 videos completely, and skip the rest.
So take both types!
For example, compare at this image: https://i.imgur.com/pmfMUYc.jpeg
To this video containing the same moment: https://www.youtube.com/watch?v=-UdsVO7HaJg
Look at the player's emotion in the image. What he feels in that split-second, the look in his eyes, gets lost if you just see the video.
Look at the out of focus area. The boys in the top-right hugging, the older couple in the older couple in the top-left who can't believe their eyes, the other players reacting to the home run.
Look at the bat, suspended in mid-air with no motion-blur. The object which kicked off the celebration completely frozen in time. Everyone in the photo is looking at where the ball went, but the player is looking at the bat.
TL;DR: Because it (generally) takes much longer to look at a photo than it does to actually create a photo, there's a time dilation that goes on. You can freeze a single moment, and then take the time later to absorb everything which goes on in it.
When the horizon's at the bottom, it's interesting. When the horizon's at the top, it's interesting. When the horizon's in the middle, it's boring as shit!