I'm not sure if this is an atypical experience with the brand or not.
I'm not sure if this is an atypical experience with the brand or not.
I have been playing for 10+ years that was a huge problem for me, but eventually your mind will adapt to dynamic nature of keeping time. I feel most people think keeping time as a singular action, but its mostly managing dynamics and spacing of music. Cymbals are fundamental to accomplish that.
I will say that I personally prefer Sabian since I am a rock/metal drummer. But Zildjian cymbals are thinner and softer they will have less volume but a brighter and more lush sound. Most of their products are designed for softer Jazz and Pop playing. If you want something in between Paiste and Meinl try to fill that gap.
I also use the Sabian AAX line and it works great. I like to play along with rock, hip-hop, and pop. I found the Sabian's to be a good middle ground for now.
Judging by the feedback I'm getting in other comments, I guess the Zildjians are not any less reliable than the Sabians (and I understand the Sabians are derived from Zildjian anyway?). I'll have to give them another go at some point.
One good way to hit cymbals properly, especially crashes, is to have them not totally horizontal and making a "woosh" movement rather than a straight attack.
Another secret about drums in general is that, counterintuitively, hitting them hard often choke the sound rather than making it louder (all about projection).
And it's the best instrument there is ;)
that said I've not seen too many people using zildjian drumsticks, vic firth, pro mark tend to be the two big names.
the cymbal thing is a whole different ballgame. if you're whacking the cymbals really hard and you're looking for a clean sound, you'd want to get thicker cymbals with less hammering that are more oriented towards hard rock playing. because yes if you have a pricey zildjian crash and you're slamming it all the time, it will crack eventually (sooner for a thinner cymbal) and that is not too abnormal of an incident. you might get more bang for your buck with a Paiste Rude cymbal.
These days I'm playing Sabians, mostly AAX. Not out of brand loyalty, just cause they all sound pretty good for what I do (loud, fast rock). But I've had a handful of Zildjians that I really enjoyed (wish I still had the 24" A Ping Ride that I broke in high school), some Paistes, a Meinl here, a Byzance there...
The "ZBT" cymbals I started on were not great (cheap, meant for beginners), but over time I've switched to the "A" series which sound comparatively great.
The "K" dry sound is even more impressive, albeit with an accompanying price tag.
If you're interested in more unique sounds from cymbals, Meinl makes some great stuff.
Recorded drums sound very different from live drums. It's just something you get used to after a while, but for years as a young drummer it really bothered me until I finally mic'd my kit and was like "oooohhhhh".
Fun fact, Vic Firth nowadays is part of Zildjian.