1999 is considered by many enthusiasts as a peak movie year. It was a great cap to a great year.
https://www.imdb.com/search/title/?title_type=feature&releas...
https://www.imdb.com/search/title/?title_type=feature&releas...
Also tried 1973 — same (The Day of the Jackal, Soylent Green, Westworld, The Wicker Man, Papillon, American Graffiti, The Sting, Serpico, Mean Streets, High Plains Drifter, Don't Look Now, Badlands, The Long Goodbye, Jesus Christ Superstar, The Three Musketeers, Fantastic Planet, etc.).
I think they simply made better movies decades ago.
It's Christmas, I shouldn't be so negative.
I think I'll indulge in Alastair Sims' version of "A Christmas Carol".
The other lazy writing is the lack of conflict resolution enabling a continuous source of needless conflict, making an entire show out of a situation that could have easily been resolved if there had been a single ‘adult’ in the room. This has the added problem of normalizing the extreme confrontational or evasive communication styles as opposed to productive engagements. I guess this is what happens when TV raises a generation and then that generation goes on to make their own TV shows, each cycle worse than the previous. As bad as ‘engagement’/‘rage bait’ YouTubers are now I shudder to imagine what the next generation would bring.
But the elevator lobby shootout from Matrix -- that scene ruled my home theater configuration for at least a decade
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I watched Dark City years after watching The Matrix (on opening in the cinema) and I enjoyed it very much, have watched it multiple times over the years.
Here is Dark City’s director Alex Proyas: “Alex Proyas on: The Matrix copying Dark City” https://www.youtube.com/watch?v=ytxjsetVIRM
And this is a juxtaposition of some scenes with background music: “The Matrix vs. Dark City.” https://www.youtube.com/watch?v=moW17YHl6B8
This is Mr. Hand [Richard O’Brien] talking in ”Memories of Shell Beach”:
> It was a very groovy movie, you see?
> I remember saying to Rufus Sewell [who played the protagonist], I said, you know, it actually, truthfully, it really doesn’t matter, does it, whether it’s a box-office success because we’re going to get paid as actors anyway, sorry Alex [Proyas] but this is true, we’re gonna get paid as actors anyway and isn’t it nice to be part of something which is groovy?
Existenz was another unique underappreciated movie of that year and whose theme never got picked by any other movie. When Jude Law realizes that the Chinese food he is eating can be put together to assemble the gun my mind was blown.
Saw all of them in 1999 / 2000, my career direction was decided in that brief period.
Many consider 1994 the best single year for movies ever.
I got really lucky that that was also my peak movie going year.
Pulp Fiction
Lion King
The Mask
Four Weddings and a Funeral
Dumb and Dumber
The Crow
Speed
True Lies
Interview with the Vampire
Natural Born Killers
Ace Ventura
Stargate
Clerks
The list goes on. Lot's of movies that turned out to be classics or cult classics, or the start of some great careers.
This was a time when movies were on VHS tapes, and there was a bit before the start of the movie that said something like “have you seen every movie ever made?”[1]
And at the time it certainly felt like we had watch nearly everything that store and one other had over the previous five years.
1. https://youtu.be/VfuzebAAesk?si=z3-HYkZwJK6mmtWP - I think there was at least a couple variations