I don't believe Kubrick had particular problems with the British Board of Film Censors.
The BBFC never censored A Clockwork Orange, for example. They passed it without cuts, though they had seen a pre-print of the first completed half of the movie as was the custom, and had been concerned that it might not get certification. The censor commended the final movie.
Kubrick personally pulled it from distribution in the UK, after they had passed it and it had a limited release.
https://www.bbfc.co.uk/education/case-studies/clockwork-oran...
The BBFC do not and did not edit films. They are not a government body. They did once call themselves censors (the words of the acronym changed in the 80s), but the point of the BBFC was that the film industry was censoring its own work proactively, and maintaining their own certifications, to avoid government doing it. Similar to what the MPA(A) did.
They still sometimes suggest edits that would keep a film within a particular certification.
In the case of Eyes Wide Shut, it wasn't the BBFC that made any decisions to edit and cut that film; Warner Bros themselves did, based on the US classification they were aiming for.
> Kubrick died within a week of the film release, perhaps he knew too much, perhaps not.
Or perhaps, after a stressful filming, editing and production schedule, a 70 year old man had a heart attack in his sleep.
Ghislaine met Jeffrey Epstein the year Robert fell off the Lady Ghislaine. She did so because she was in NY schmoozing socialites because Sir Bob had bought a paper -- NY Post was it?
Robert Maxwell was a strange, multi-faceted bloke, a sort of chaotic-neutral crook and spy, and yet he really most likely just fell off his boat after having a heart attack, because he was a very large (by 90s standards) and very unhealthy old-looking man who didn't listen to advice about diet, exercise, health and risk, and was stressed out by being in unprecedented debt. He would not have committed suicide; not his style.
There's no big story to link the two, apart from the fact that Ghislaine wouldn't have been there at all mingling in the high-end social scene in early 90s New York if she weren't the daughter of a media baron who had just bought a paper.
If anyone did "whack" Robert Maxwell it had nothing to do with Epstein, who was at the beginning of his career as a blackmailer, grifter, influence broker and deviant. It's not even clear they met.
It would have had more to do with all the people Maxwell upset in his long, storied life as a potential triple-agent, spy, fraudster and bully.
Just wanted to respond to the idea that the intrigue, such as there is, around Robert Maxwell’s death is logically connected to the intrigue around Ghislaine.
The central disease of QAnon/BritAnon thinking is the belief in omniconspiracy, when it’s entirely normal for notable people to be connected by only a handful of degrees of separation, just like everyone else is.
Every now and then the omniconspiracy touches on something a bit unusual —- this, or a dead staffer, say —- and uses mere proximity to establish a connection that doesn’t exist, and then uses that connection to magnify and anchor the conspiracy.
If so he did that in 2001, whereas Kubrick died in 1999.