PTZ - pan/tilt/zoom camera, that much I understood. The rest? Uh… can I get an ELI5 please?
Even though I’m clearly not in the target demographic, I’m eager to learn more..
Edit: ok, clicked through to GitHub, now I (kinda) got what it’s for :)
PTZ - pan/tilt/zoom camera, that much I understood. The rest? Uh… can I get an ELI5 please?
Even though I’m clearly not in the target demographic, I’m eager to learn more..
Edit: ok, clicked through to GitHub, now I (kinda) got what it’s for :)
In this case, there are multiple points of interest on the stage which are sometimes used, and sometimes not. When an area of the stage is unused, the microphone(s) at that location are manually muted to eliminate unwanted noise. The remaining unmuted microphone is at a location of interest, which is also the logical thing for a motorized camera to point toward and zoom onto at that moment.
This project uses the muted/unmuted states of microphones as a cue for camera movement, although it takes some upfront work to set it up. It also could cause trouble for looser or more improvisational shows where such rigidity might actually get in the way.
[1]: https://www.behringer.com/series.html?category=R-BEHRINGER-X...
This allows them to be programmed as general purpose computers.
I understand how the automation of "point at stored location when something happens there" could be useful on some sets, but it also looks like you could do the jog button automation with this toolkit. Vary the speed of the movement with a volume slider, use fade in and fade out to smooth out the motion...
To paraphrase Malsow, I suppose it is tempting, when the only tool you have is a customizeable digital mixing console, to treat every problem as if it were an audio channel!