There's a lot of constraints that either remain due to the restrictive power supply requirements on top of tradition or people building off designs from the 90s that were hand assembled and took BOM golf to the next level.
There's a lot of constraints that either remain due to the restrictive power supply requirements on top of tradition or people building off designs from the 90s that were hand assembled and took BOM golf to the next level.
The op-amp oscillation the article is talking about occurs in the radio frequency range. Tiny parasitic capacitances induce 180° phase shift at some very high frequency where the op-amp's open loop gain has dropped to unity.
You can't hear this directly since it's not in the audio range. It brings about distortion. The amp may pass audio signal, but the oscillation prevents it from performing properly.
I wasn't trying to assert anything about the article, just responding to a comment about desired op amp imperfections in guitar effects. It's fairly common practice to bandwidth limit high gain op amp stages to avoid the issues discussed in the article, amongst other things.