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Well, the incentive is that he didn't want to run the tests out of laziness (i.e. he lacked an incentive to run them). He ran to Lisa to give his anticlimactic report not to be deceptive, but rather he just happened to be cycling through that part of town and just needed to use the bathroom really badly.

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The writers of these episodes were really on another level considering it was a cartoon.

Lisa's first word is still a personal favourite of mine, especially now as a father.

What's her first word?

Apparently it was "Bart". I had to look it up because I was curious as well.

I guess GP is referring to the episode, rather than the actual word . . .

https://en.wikipedia.org/wiki/Lisa's_First_Word

More incentive to watch the 20min episode if you ever get the opportunity haha

To be honest, it's difficult to tell if the subplot makes sense on purpose, or if the writers just wanted to make a joke and it just happened to end up making sense. I don't think I had ever put the three scenes together before now.

One of the first things I learned in film school is _nothing_ in a production at that level is coincidence or serendipity. To get to the final script and storyboard, the writers would have gone through multiple drafts, and a great deal of material gets either cut, or retooled to reinforce thematic elements. To the extent that The Simpsons was a goofy cartoon, its writers’ room carried a great deal of intellectual and academic heft, and I don’t doubt for a moment that there was full intention with both the joke itself, and the choice to leave the character’s motivations ambiguous.

Goofy cartoon but I always thought it was very cleverly done in parts. The laugh followed by "fuck life is actually like that" aftertaste.

The entire writing room was Harvard grads and people who went on to accomplish impressive things in the industry (eg Conan O’Brien was a writer, David X Cohen was a writer and then went on to cocreate Futurama with Groening). The early writing team was one of the sharpest ever assembled and dismissing it as a “goofy cartoon” is missing the talent behind it just like if you dismissed Futurama in that way.

> One of the first things I learned in film school is _nothing_ in a production at that level is coincidence or serendipity. To get to the final script and storyboard, the writers would have gone through multiple drafts, and a great deal of material gets either cut, or retooled to reinforce thematic elements. To the extent that The Simpsons was a goofy cartoon, its writers’ room carried a great deal of intellectual and academic heft, and I don’t doubt for a moment that there was full intention with both the joke itself, and the choice to leave the character’s motivations ambiguous.

Not everything, for example I read somewhere that chess "fight" in Tween Peaks was random and didn't adhere to chess rules because no one really paid attention to record or follow moves.

Yes TV shows especially, they are under a lot of pressure to put them out on time so stuff isn’t always thought out fully.

> One of the first things I learned in film school is _nothing_ in a production at that level is coincidence or serendipity.

Perhaps they should have taught you to be less sure of that. So many takes in movies that ended up being the best one are where a punch accidentally did land, something is ad-libbed, a dialogue is mixed up, etc.

To take an example of a very critically acclaimed show: in Breaking Bad the only reason we got Jonathan Banks in the role of Mike is because Bob Odenkirk had a scheduling conflict, and Banks improvised a slap during his audition. Paul Aaron even complained about it indicating that he would not have agreed to it.

This is a cartoon though, significantly less adlibbing, everything has already been storyboarded and scripted out etc.

Pixar's approach to making their movies is a fascinating highly iterative process going through many story boards and internal showings using simplistic graphics before proceeding to the final stage to produce a polished product. I wonder how Simpsons do it.

It seems like there is a lot of serendipitous in writing and production. That's not what it was about. The point is how much agonizing and second guessing it takes and how many alternatives explored and how many takes, etc before something, anything makes it in the final product.

The lucky break is first a result of a lot of planning and work - and it gets analyzed to death before included - and then probably re-inforced here or there elsewhere. (So that for me, I do notice when I hear movie or TV dialog as completely natural and said exactly right. It's exceptional.)

I thought his incentive was to defend the idea of miracles/faith/angels/God.

More often than not in scientific fraud I've seen the underlying motives be personal beliefs than financial. This is why science needs to be much stronger in weeding out the charlatans.

[citation needed]

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I conjecture the most common underlying motive is to embellish cv, and climb the academic ladder.

It's actually quite clever from the part of the scientist.

The incentive would be money, maybe the pay for doing this test was not good enough.

Or maybe the scientist was motivated by thirst of discovering something good for humanity like cure for cancer and didn't want to get distracted by other things. Funding is also needed but angel bones are clearly impossibility. Why even spend time on disproving that? But if she had engaged in discussion with people clearly believing in this nonsense it would have taken too much time. Saying, the tests are inconclusive lets her be distanced from all this and allow people to leave her alone, mostly that the groups will continue their disputes among themselves.

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