Personally, I wouldn’t listen to most of those.
There’s plenty of good stuff on those lists, but also a fair amount of trash and quite a lot I’ve never heard of - bearing in mind I’m not American, and also not really much of a 70s fan. I had a listen to Joy to the World by Three Dog Night, and all I can say is I hope it didn’t mess up my recommendation algorithm.
I’m also not sure what playing chart top trumps would prove anyway. It’s conceivable that the charts can be worse by some objective metric, even if the
average of the same metric in the overall music scene is higher, if the diversity and discovery of music is wider. In essence the chart just becomes the lowest common denominator, rather than critically acclaimed music, as it may have been when what we listened to was driven mainly by a cabal of professional radio DJs.
The subjectivity of musical taste is something I mentioned twice, but intentionally tried to avoid passing judgement on because it’s essentially impossible. If a boomer wants to come along and tell an entire generation that his taste in music is superior to theirs, well that’s up to him, but it seems very old man yells at cloud to me.
The reason I mention diversity and discovery is because I figure the closest thing to an objective measurement of how good the overall music ecosystem is, is how satisfied people are with the music they’re listening to. It stands to reason that diversity and discovery is a key part of that. I’m not convinced any attempt to define an objective ordering of musical taste would be anything other than an exercise in nostalgia and elitism.