Sainsbury Wing contractors find 1990 letter from donor
theartnewspaper.com
theartnewspaper.com
Excuse my ignorance, but, uh… what stops the bricks from just falling down (onto peoples’ heads) when their surrounding mortar/cement fails?
When doing a bathroom repair I needed a few additional tiles that would be impossible to find (was an old house). Guess what I found when we busted open the wall… the leftover tiles from when the house was built like 70 years prior! I could almost feel some tile layer from generations prior giving me a little smile and pat on the back.
https://alsyedconstruction.com/what-is-attic-stock-in-constr...
B) that page must be ChatGPT authored, right?
That said, it's a generic company website, the owners and their website building company will put a lot of general information and padded fluff on sites like this to try and increase SEO.
Not very useful to find once you've crushed up half the existing tiling.
Breaking up the 50 year old concrete pad near my house, I found old 1970s crushed beer cans buried under the concrete (the kind that predate the attached pull-tab). Kind of a neat link through time, imagining them sweating in the same sort of heat that I was.
Of course, it might also explain some of the other 'questionable' issues in the construction that I keep finding...
Our main character drives up to a pub/bar/restaurant of some sort, sits by the counter and orders an alcoholic drink. Proceeds to drive elsewhere later as though DUI laws didn't exist.
As long as you’re not chugging it, drinking a 12oz 4.5% ABV beer probably won’t be over the limit.
Add to it that, in the XIX century, "functioning alcoholism" was basically the norm for most men.
Obviously things are different today: alcoholic drinks are now built explicitly to get you drunk as fast as possible, and hence are increasingly incompatible with modern living and working practices.
Impressive on the rabbits end, pretty infuriating on the builders end.
Makes me think of those old razor blade disposal slots.
They were basically a slot you shoved used single-blade razor blades to dispose of them... into the interior of the wall.
On the other hand, much nicer to the garbage men.
EDIT: https://duckduckgo.com/?t=ftsa&q=razor+blade+wall+slot&iax=i...
I use something like this which is the same concept, though not integrated into my house: https://www.amazon.com/Feather-Styling-Razor-Disposal-Case/d...
Thanks for the correction!
Note that they are absent from this render: https://images.adsttc.com/media/images/6352/6d02/da69/b45e/2...
> located on the ground floor near the former cloakroom, halfway between the street entrance and the stairs and lift leading down to the basement. Three adjacent structural columns have needed to be retained.
That's most appropriately a "phobia."
> may take away that fear.
I'm also not aware of any materials that suggest a way to deal with generalized megalophobia is by adding by false lobby columns everywhere you go.
My first site meeting with the contractors we were standing across the street and looking at the massive new columns they installed on the side street holding the transfer beams for the building above. And I am not saying anything looking, just looking at the structurals and back at the building and counting the columns. Not wanting to make a fool of myself, but there was no way of avoiding it, but there was one more column on the structural drawings than on the building.
So I mentioned it, and the head contractor goes pale and cancels the meeting. The next time I went to site there was an extra column. Redundancy is not just there for phobias and earthquakes.
https://cdn.sanity.io/images/cxgd3urn/production/0a733d1463e...
Here on one side of the argument is a rich guy who's giving you millions, and on the other a glorified hired hand who's looking to be expressive or whatever. Money talks, usually, I'm surprised how the architect got away with this one back in the day.
https://stackoverflow.com/questions/36327382/git-precommit-h...
Essentially here’s the reason we “had” to do this. Subtext: here is my blessing to revert this when it’s not necessary anymore.
In a way it’s my Chekov’s Gun. Load the weapon, leave it lying around and wait for the third act.
// TODO: evil hack!! refactor this // TODO: Print this code out and burn it.here's a recent story about the work to add this entry
https://www.theguardian.com/artanddesign/2022/nov/06/nationa...
That doesn't mean the columns did not have a purpose. Columns can create points that organize spatial experience. Columns are cultural iconography (e.g. the Parthenon vs Johnson Wax).
There are certain ironies in the fine article:
1. The criticism of the non-structural columns for non-functionality in the context of an art museum.
2. If Venturi and Scott Brown had designed a duck (very common among museum commissions) removing the columns would have been difficult or impossible [1].
For context, Charles Windsor's architectural opinions are contrary not just to the ideas of Venturi and Scott Brown but to the aesthetics of the last 150 years.
[0]: https://99percentinvisible.org/article/lessons-sin-city-arch...
[1]: Architects with functional dogma will incorporate structural columns into their designs to achieve iconography and spatial organization because structural use justifies their inclusion.
>The criticism of the non-structural columns for non-functionality in the context of an art museum.
The letter reads as if the columns are criticized not for lacking structural purpose, but rather for being unnecessary obstructions. "We [will] live to regret our accepting this detail of his design." That would have to be because the columns are either ugly or a hindrance.
But to be clear, Venturi and Scott Brown’s distinction is in the context of architectural practice. Learning from Las Vegas started as a studio in Harvard’s GSD. The radical idea was looking at actual buildings built for ordinary reasons in ordinary ways…the radical idea was valuing the study from contemporary vernacular architecture.
The last factoid in the tour of his house was how he removed a load bearing wall from his sister’s house and did not replace it.
That whole tour was supposed to be for Wright fans but it just made me loathe him with every fiber of my core. Can you tell I’m an applied sciences person?
His more public work is another matter. I was struck by the color of the sky against the blue roof the first time I passed Marin County Civic Center from the highway. And Florida Southern in Lakeland is spectacularly good.
Flashbacks to every McMansion I ever had a client at. It's always gotta have columns. Just jammed in. No sense, no style, no awareness of the form, just "put a column there for no reason."
Columns used to represent something that was _difficult_ to build and place and often carried artwork and detail of their own. The days of them being iconographic lobby structure are long gone.
> Columns can create points that organize spatial experience.
These columns are ugly, do not match their surroundings, and are sat right in the middle of a transition that has no point in being divided. They're also sat in a pair side by side in what is possibly the worst arrangement of column I've seen yet.
> had designed a duck (very common among museum commissions) removing the columns would have been difficult or impossible [1].
This is a wing on the campus of an already existing historic building. Which itself has traditional columns. In an appropriate and iconographic style. I'm with the author, the wing's columns are gaudy and completely misplaced.
The columns have been there for thirty years and one of the learnings in Learning from Las Vegas is designing for that kind of lifespan is a reasonable architectural practice (thirty years is a typical mortgage term in the US). I think it is particularly relevant that the columns are in an ancillary space. Foyers get reconfigured every time a building program changes (e.g. signage and graphics as shows come and go). Now that Elizabeth Windsor is dead, it is ok to change the design she dedicated.
a wing on the campus of an already existing historic building. Which itself has traditional columns. In an appropriate and iconographic style.
Or it's kitsch. Beloved kitsch, but kitsch nontheless. Villa Rotunda was centuries old when the National Museum used its domestic idiom for public purpose and Palladio had already looked back a millennium for the Villa Rotunda’s kitsch back then. The original building made the same claims as those McMansions you hate. Or the Caesar's Palace Venturi and Scott Brown wrote about.
I have a half-developed theory that the reason NIMBY and excessive use of listed building conservation are so popular is that most people don't like the aesthetics of postwar architecture. They not unreasonably assume that anything new will be ugly and/or user-hostile and campaign against it.
(London managed the extreme of user-hostile architecture, a building that could set random onlookers on fire https://londonist.com/london/history/walkie-talkie-death-ray )
I also think the "decorated shed" category is unnecessarily dismissive of good decoration. St. Pancras station, famously saved by John Betjeman, count as a "decorated shed" by this categorization.
The Venturi columns seems to lack entasis https://en.wikipedia.org/wiki/Entasis
Even though they had likely possessed a fax machine for quite some time already.
Not meant as a explaining type of response, merely as a "this is an interesting piece of useless information."
I always leave stuff for future remodelers or archeologists when I do remodeling or building.
Mostly coins, I throw a few in the concrete mix or inside walls for future generations to discover.
It’s always a treat to find long forgotten artifacts when remodeling old houses.
A little treat for people working on something I built 40 or 400 years in the future.
EDIT: Someone downvoted me, so I should say I grew up in England until I was 14 so I'm allowed to say this! Downvoting itself is a form of passive aggression
I find myself regularly thinking about this sentence
Haha classic
Oh, that's great!
And now, I want to go back and reread some of that turgid text!