Do you happen to know the basis of state of the art reverb algorithms such as the one used for the Bricasti? Are there any clues as to how they work, or are they completely proprietary black magic?
It's a discussion of some of the finer (and coarser) parts of reverb design and includes comments from Casey Dowdell (Bricasti), Sean Costello (Valhalla DSP), Matt from LiquidSonics, Urs Heckmann (u-he), Chris from Airwindows, Stian (Acon Digital) and other top-notch audio DSP gurus. They're not giving away trade secrets but there are fascinating discussions around reverb design, topology, theory, and of course perception.