Alain Delon has died
theguardian.com
theguardian.com
It's been a while, I should rewatch it
https://www.entrevue.fr/de/brigitte-bardot-exprime-son-inqui...
Couple that with very good acting skill, good luck on some stellar directors of that time and you end up with timeless pieces which are very watchable even after 50-60 years.
When living in Geneva I've secretly hoped to bump into him by a chance on some lake promenade walk or in restaurant, just to show my respect for him. Oh well, there goes another legend of my youth.
French people know essentially every American movie star but there is almost no culture flow in the other direction when it comes to film.
Some might suggest that there is a language barrier since French is not as widely spoken as English internationally... Yet I was surprised to find out that, for example, a lot of Russians above a certain age know about French film celebrities. The language barrier does not seem to have been a problem in that case.
I think maybe it's partly because most Americans will refuse to watch films with subtitles whereas people in most other countries who don't speak English are used to it.
While watching a retro-Soviet russian program, I was amused to see a videotape on a desk clearly labeled «Эммануэль» — "Emmanuelle".
(I'm pretty sure Americans could watch that even despite subtitles?)
EDIT: come to think of it, both france and russia (as well as bits of africa?) used SECAM, which probably helped cultural exchange a great deal. Back in the day, it was easier for us to get not-broadcast-in-the-US anime than not-broadcast-in-the-US BBC programs, despite the language barrier, because the former were NTSC but the latter PAL.
Sting has a great story about watching Soviet children's programming while at uni (probably explaining his lines "I don't subscribe to this point of view / It'd be such an ignorant thing to do / If the Russians love their children too"), but I kind of wondered if his friend who built the SECAM decoder had, at least originally, been more interested in picking up cross-channel programming than cross-iron-curtain?
i'm pretty sure everyone had a copy of emmanuelle on vhs at some point, but very much within the cultural sphere i was talking about in op. like speaking of emmanuelle, there was a handful of porn movies that the entirety of europe, france and late perestroyka su watched, that americans never heard of.
the secam bit might be relevant, but i distinctly remember pal/secam switch on both the tape player and the tv. i think maybe the technical followed social, La tulipe noire was played in soviet cinema in the 60s and it was a huge huge success.
He became a huge international star in 1960 with Purple Noon, the first (of many) adaptations of Patricia Highsmith's The Talented Mr. Ripley. He was 25 and from that moment onward was recognized the world over as the sexiest and most handsome man alive. He continued to work with some of the most acclaimed European directors and starred in over 80 movies.
It's probably difficult to handle that level of fame and stardom if you're not prepared for it (or even if you are).