This requires a serious mastery of the art that allows to obtain exactly what's envisioned.
It also rubs many artists the wrong way, because they want to be led by the art, ideas, concepts, etc, and not by external riders. OTOH most great masters of the past worked under such conditions, with notable success. Michelangelo certainly had a rather detailed list of requirements for the Sistine Chapel paint job.
From what you do at work or say to your friends to whether you break a writing rule or whether you jump a fence.
When you observe people in their element, you can tell apart the people who know know when to break rules and who haven’t figured it out.
Also, I don't think you have to censor words here in general.
We’re an adhocracy that uses votes, and profanity doesn’t win votes…simple math…
Better than the piece. Better than the essay about the piece. They want the summation of the essay of the piece. Preferably with an associated pic of a cute art goth pixie.
Ah art.
My dad is an accomplished artist but never wanted to play the art scene and mostly spent his career as a professor. He once produced an entire storage shed of metal sculpture than he later recycled for lack of anything better to do with them. I could only fit two in my house.
The rubric also put a ton of points on the technical report which seemed like an after thought for most people but at the end of the day it was an engineering competition so the whole point was the technical portion and the dog house display itself was kind of just the fun bit. We did really well just because we bothered to do all the requested calculations on life cycle cost analysis, heat losses, carbon balance, etc.
Our final product looked like a tank, but it won by a long shot.