For example if diving or gymnastics was purely objective, you wouldn’t need multiple judges (or any). Track and field is a lot more straightforward in most cases.
I would even go as far to say the “criteria” the judges are looking for have some analogous counterparts in poetry.
I think breakdancing was a sport for this Olympics, so poetry doesn’t seem like much of a stretch. Maybe it’s just not “exciting” to modern people?
There has been some discussion of moving to computer vision analysis for these portions.
While one could easily judge poetry by equally objective metrics, I don't think it's hard to imagine what the result would be once the min-maxers get into the game.
Love! love love love love love poet,
love! hate no! love love love throw it.
.,!.,!.,,..,,,.!!!!.,.,,.,,!!..,.!
rhyme time lime slime mime mime love,
a a a a a a glove
o o o o o o o o o o o o o o o o o o o o o love.Funny to think that the Olympics started out as LARPing ancient greece. Tradition old and new at the same time
> 95%
Maybe no emotion will come out of it, but writing a sonnet with perfect rime riche an two alliterations delivered with perfect pitch and with the accuracy of a metronome will certainly win gold.
The rulebook will say something like "technique A is worth 4.5 points; subtract 0.1-0.3 points if the arms aren't straight throughout the whole technique...". The judges role is then to judge if the arms where in fact straight or not. These sports are a lot more objective than people think.
Once you have finished writing the rulebook for Olympic Poetry, do you think the poetry that would result from people going through that rulebook and min-maxing their poem would actually be interesting.
Their point was that it would likely produce uninteresting poetry, not that poetry can't be judged by some set of metrics.
giving it a score based on the judge's interpretation on how the technique is scored in the rulebook — there have been plenty of unpopular interpretations over the years