Infinite Proofs: The Effects of Mathematics on David Foster Wallace (2012)
lareviewofbooks.org
lareviewofbooks.org
Michael Harris -- a mathematician who wrote a review of the DFW Infinity book -- has a book called "Mathematics Without Apologies", which I liked, though it's non-fiction. There is also "Birth of a Theorem" by Fields medalist Cedric Villani which is an interesting read -- not fiction, but it is experimental in many respects and I would say worth a read.
[1] https://www.thehowlingfantods.com/dfw/images/enmerrata.pdf
If he can’t understand a limit it really puts a question mark on whether it’s worth reading his insight into the subject.
As a DFW lover whose day job is as a mathematician... that book's a clunker.
I was doing fine until formulas started showing up more than very-occasionally. I’m basically dyslexic when equations enter the picture.
I'd imagine there will also be a gap between what mathematician's think of novelists writing and what novelists think of real math. So there's that too.
I think you will really enjoy this book if, like me, you:
1. Enjoy David Foster Wallace's literary style
2. Have a good mathematical understanding of set theory
Unfortunately, the intersection of these two conditions might make for a very small target audience!
Like in TPK, 0/0 is Infinity and in IJ, Pemulis explains differentiation completely incorrectly, also that stuff about the mean value theorem is irrelevant?!?
Still one of the greatest authors; deep technical correctness is more of a Pynchon thing.
Would like to read but I dont know math.
I am also too addicted. I have had a book on my shelf for 2 years unread.
I listen to 1h of audio book and I love it and then I stop and loose the plot.
oh well.
another artist whose work may be more rigorous in representing ideas from math is Arvo Pârt. even though there are more concrete things in his work than DFWs that you can logically decode, derive, and then transform and expand on them, much of what I've read[1] is still a bunch of woo that uses talking about "math" as a kind of mystical jibjab to elevate other ideas. Pärt worked as a sound and radio engineer and there is some reason to believe he used that practical knowledge in composing, because the logic in the music is very explicit. (visible triangles and linear functions, he has provided sketches of, etc)
there's a difference between writing something that is a metaphor for a mathematical idea as a vehicle for something else, and something that directly encodes the idea where you could derive it again from the thing you've produced. Maybe DFW did that with the Sierpinksi gasket, but I don't get the sense from anyone that he did. I am not a mathematician at all, but I do think if the idea is not independent of the language or representation it's made in, it's just another metaphor and a vehicle for the author.
[1] https://www.cambridge.org/core/books/cambridge-companion-to-...
regarding some of the less thoughtful comments on this thread, I'm sure those were the best they could do, but the original article was way more handwavy, and his appeals to the sophistication of math to elevate other ideas seem pretty consistent with my suspicions. why should anyone be surprised that some people operate on systems of belief as systems the way we do with games and software.
> In the early 1990s, Wallace was in a relationship with writer Mary Karr. She later described Wallace as obsessive about her and said the relationship was volatile, with Wallace once throwing a coffee table at her as well as physically forcing her out of a car, leaving her to walk home. Years later, she claimed that Wallace's biographer D. T. Max underreported Wallace's abuse. Of Max's account of their relationship, she tweeted: "That's about 2% of what happened." She said that Wallace kicked her, climbed up the side of her house at night, and followed her five-year-old son home from school.
Reference: [0] https://en.wikipedia.org/wiki/David_Foster_Wallace#Abuse_all...