Babylon's Mystery Goddess
historytoday.com
historytoday.com
This includes the reconstruction of the original colours: https://en.wikipedia.org/wiki/Burney_Relief#/media/File:Quee...
I love reconstructions like these. Museums all too often give the false impression of past times as colorless, impoverished ruins rather than what they used to look like in their heyday. The Great Pyramid of Giza used to be covered in smooth, white-painted limestone with a capstone of gold [1], and the Roman marble statues that are just white today used to be painted in lots of colors [2].
There are of course objects (such as jewelry and glass) that survive more or less intact. But most often the surviving objects are just pale shadows of the originals. I would love a museum that instead offered life-sized reconstructions that you could walk around in, to bring the past to life better. The Ishtar Gate in Berlin is an example of this that really works. (I bet most visitors think it's the real thing, though. Most of it is a modern reconstruction.)
[1] https://www.openculture.com/2019/12/what-the-great-pyramid-o...
[2] https://bigthink.com/high-culture/greek-statues-painted/
So this would predate that by quite a bit.
https://en.wikipedia.org/wiki/Rod-and-ring_symbol
Gods hold it and offer it to kings, for whatever good that does them.
It might be related to 𓍶, the Egyptian shen ring:
https://en.wikipedia.org/wiki/Shen_ring
Here's the pasha.
The Dictionary of Deities and Demons in the Bible has an interesting article on Lilith, but it doesn't provide substantial evidence that this creature is the same as represented by the Babylonian carving. Lilith is attested to, most likely, in other Mesopotamian literature, but distorted by later Jewish and Christian lore.
This is one of the reasons why I find ancient Near Eastern materials so fascinating. We're always discovering something long forgotten, and then it provides evidence roping it back into other surviving literature, stories, or mythologies (the Epic of Gilgamesh being one such work).