R.I.P. Ray Bradbury, Author of Fahrenheit 451 and The Martian Chronicles
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In high school, we had a literature class where there was a list of a couple hundred books we could choose from to read each month. At the end of the month, the teacher had a canned test she had purchased somewhere for each book, that we would take to prove our comprehension. For those of you who haven't read Martian Chronicles, it's a series of around 30 stories with mostly independent characters and story lines.
The test I was given was a "match the character to their description" test. Not only am I normally bad with names, but with 30 stories featuring unique charters, I had no idea on a majority of the names.
So, I flipped over the multiple choice test, and wrote an essay about how I read, comprehended, and loved the book,but this was an outrageous assessment, and a poor way to judge my aptitude.
Although I scored less than 30/100 on the multiple choice, the teacher gave me an A on the test.
I learned to think outside the box, and the power of reasoning and discussion. All the credit in the world to my teacher for having an open mind.
...Anyways, totally off topic, but it's something that will always stick with me. Bradbury was a great author who will be sorely missed.
The horror.
Similar arguments hold for most forms of fiction, which is why I'm always unimpressed with people who don't read fiction because they "only want to read things that will help them grow". The fiction I've read has provided more avenues for personal growth than almost all non-fiction I've read.
The idea that all stories must have a moral in order to be legitimate is modern. Conventional wisdom gets in a self-righteous huff over how the different Inquisitions censored books. It would surprise modern people to see what books those old-time moral guardians did not censor.
Daphnis and Chloë, by Longus, has a frank scene where a married woman teaches a teenaged boy how to have sex. It was first translated into a modern vernacular by a Catholic bishop and was considered a perfectly good book for teenaged girls.
The Metamorphoses of Apuleius—better known as The Golden Ass—is the oldest extant novel. It contains explicit scenes of adultery and pagan worship. St. Augustine of Hippo, the greatest of the Western Fathers of the Church, cited that novel as a partial inspiration for his own work, The City of God. None of his contemporaries faulted him for this.
I'm going by memory, so I don't have citations for some of the above claims. I have a few ideas about the origin of the modern mentality of "every story must have a moral." Those ideas center around the rise of Calvinism on the Protestant side and the rise of Jansenism on the Catholic side of Europe.
The Tale of Genji is now generally considered to hold that title.
To her credit, she thought about it and publicly acknowledged my correction in a subsequent class.
Also to her credit (and/or the school's): They offered a class on science fiction!
He managed to overcome this by gifting the teacher a dog eared copy of Dune stating "it's an allegory".
The book went unread for some time, but a year later the professor looked him up to let him know that he had read Dune, found it intriguing in how many subjects it touched, from social issues to ecology to economics and called it profound. He asked for some more recommendations upon which he rapidly became a fan of Clark, Heinlein (who he had read before, but now again with new eyes) and a few others.
I was with my classmate one day years later at a grocery store and this professor saw him and walked up to say hi. A short conversation later and the professor mentioned how he had turned into quite a fan of the genre and regrets he had spent so long ignoring it. Some of the works, he said were "silly" but a few were some of the most profound descriptions of the human condition and where we're going as a species, coupled with some of the only explorations of the changes to the ethical landscape as technology transforms the world in literature...etc. etc. Before he left he said he had recently started reading some of the old Cyberpunk works and found himself sitting up at night with the realization that many of the things described in the books were coming true now, decades later.
It was really interesting to see a man, who must have been in his 70s by this point, catch the sci-fi religion like that.
Note that this is not my idea and many, many wars of words have been fought over it so you don't have to believe it.
"Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot."
I've heard it attributed to Hemingway.
Also authors have a subconscious.
Sadly, behind the paywall: http://www.newyorker.com/reporting/2012/06/04/120604fa_fact_...
RIP
Update: indeed, just saw this G+ post by The New Yorker: https://plus.google.com/107786469140133631773/posts/hxnZD124...
"People ask me to predict the future, when all I want to do is prevent it. Better yet, build it. Predicting the future is much too easy, anyway. You look at the people around you, the street you stand on, the visible air you breathe, and predict more of the same. To hell with more. I want better." -- Ray Bradbury, "Beyond 1984: The People Machines", 1982
RIP.
There are probably a few others I could mention, but they have a nasty habit of not coming to mind when I make a conscious effort.
For Vinge, I would recommend particularly A Deepness in the Sky and (prequel) A Fire Upon the Deep.
For Brin, the second and third books of his Uplift Trilogy, adding also the first for context. The second and third are Startide Rising and The Uplift War. Also, his book Earth, which stands alone.
P.S. Gibson and Stephenson. Gibson's Neuromancer and the two subsequent; after that, I couldn't continue (so, another "Card-esque" experience?). Also Gibson's collected short stories, Burning Chrome.
I've quite enjoyed several Stephenson novels -- I guess they might tend to be his "older" ones. I tried The Baroque Cycle and could not stay with it.
I wonder how much the economics of publishing and personal financial need figures into declining quality of (some) authors, musicians and other artists.
Sadly, the building is now closed, but I do hear occasional rumblings of it being reopened.
One for my local library, and one to the Northwestern University Library, of which I am an alumnus. This is a nice benefit, I must say.
Bradbury gave a talk and did a book signing at my local library in Fullerton, CA. It was crazy inspirational. I loved how passionate he was about books and about public libraries in particular. I loved how he described his writing process, and his general storytelling ability. My father and I discussed that visit this past weekend when I was visiting from Vegas, and it was interesting to hear the details stuck stuck with him, especially since I've started writing novels of my own just recently. I was very sad to read of Bradbury's passing today.
For some reason I thought he would never actually die. And now that he has, I can't help but feel that the world is lessened by his loss, and that we all have a responsibility to try to live as fully and inspirationally as he did.
In tribute to a great man.
http://latimesblogs.latimes.com/jacketcopy/2012/06/ray-bradb...
“No person ever died that had a family.” ― Ray Bradbury, Dandelion Wine
http://en.wikipedia.org/wiki/Death_Is_a_Lonely_Business
Very evocative mystery/film-noir style
Most students in the US probably read Fahrenheit 451 in high school, but I enrolled in a literature course at the Naval Academy that focused on science fiction. The Martian Chronicles was a main text for the class. IIRC, the professor had a very special connection to Bradbury, but rather than get it completely wrong, I'll just state that I think the professor (who was a USAF officer) was the curator of a collection of his works.
I might try and re-read 451. I think his words will be even more powerful and prescient now.
It only took a few years, a few real world experiences and one re-read of one story for me to see the depth in his writing, the metaphors about today's and yesterday's societies, and his open questions about the future. It led to many re-reads and a lot of appreciation of his work.
Stories include:
"And The Moon Be Still As Bright"
"Mars is Heaven"
"The Veldt"
"Dwellers in Silence"
"Zero Hour"
"To the Future"
"Marionettes, Inc."
"There Will Come Soft Rains"
A few years ago, I started reading science fiction again and reread The Martian Chronicles. The degree to which it's themes about family and community connected was stunning.
RIP
"And we lived in a world that [...] was like a great black ship pulling away from the shore of sanity and civilization, roaring its black horn in the night, taking 2 billion people with it, whether they wanted to go or not [...] to fall over the edge of the earth..." (Don't recall the story this is from...)
Sidenote: Eric Johnson went on to play the young Brad Pitt in Legends of the Fall, and Lana Langs boyfriend in the first season of Smallville. I hated him in junior high - he was exceptionally rude to everyone. What's weird, is I was still happy for the guy, whenever I saw him in something new.
I thought that was a wonderful idea, but how did you do it?
The next day, being driven home by my father, fresh from the funeral, I looked down at those carnival tents and thought to myself, "The answer is there. He said 'Live forever,' and I must go find out how to do that." I told my father to stop the car. He didn't want to, but I insisted. He stopped the car and let me out, furious with me for not returning home to partake in the wake being held for my uncle. With the car gone, and my father in a rage, I ran down the hill. What was I doing? I was running away from death, running toward life. ..." ~ http://www.raybradbury.com/inhiswords02.html
Today CATO released an interesting story about Ray and the form of censoring he faced which is one many here would never consider. That being authors being coerced to include or exclude groups based on influence they exert within society. We even see that today with big name authors, most common is when their works are brought to screen and characters take on new traits; physical or otherwise; to fit politically correct norms.
My favorite quote of his, from "Zen in the Art of Writing":
"And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is gift and a privilege, not a right. We must earn life once it has been awarded us. Life asks for rewards back because it has favored us with animation. So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all."
Fahreneheit 451 is a book that I consider one of the most influential I've ever read (along with Nineteen Eighty Four), and I also enjoyed Something Wicked This Way Comes, and all the other Bradbury works I've read. There are still quite a few of his works that I haven't read, so maybe I'll pick up something else of his and read it soon as a tribute.
I will miss Bradbury.
Bye Ray.
He will be missed.
I suppose now would be a good time to expand my single-item Ray Bradbury collection.