Standard Ebooks' 1,000th title: Ulysses
standardebooks.org
standardebooks.org
Well, Joyce did say that it was just a lot of jokes.
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Episode 14 - Oxen Of The Sun
DESHIL HOLLES EAMUS. DESHIL HOLLES EAMUS. DESHIL HOLES Eamus. Send us, bright one, light one, Horhorn, quickening and wombfruit. Send us, bright one, light one, Horhorn, quickening and wombfruit. Send us bright one, light one, Horhorn, quickening and wombfruit.
Hoopsa, boyaboy, hoopsa! Hoopsa, hoyaboy, hoopsa! Hoopsa, boyaboy, hoopsa.
Universally that person's acumen is esteemed very little perceptive concerning whatsoever matters are being held as most profitable by mortals with sapience endowed to be studied who is ignorant of that which the most in doctrine erudite and certainly by reason of that in them high mind's ornament deserving of veneration constantly maintain when by general consent they affirm that other circumstances being equal by no exterior splendour is the .....
how about some other well-known novels and their scores?
A lot of John Stuart Mill and John Dewey
Moll Flanders Tristram Shandy Gulliver's Travels Robinson Crusoe
Yeah, that's a very unnecessary misuse of AI.
Is there an open-source human rating site for serious books, in how difficult they are to read—how tedious, how erudite, how much pain you have to go through to get whatever reward you think you get at the end? With Ulysses near the edge of one axis, Moby Dick demarcating another... Surely this is all common knowledge to bookish people, but, where do they write it down?
https://en.wikipedia.org/wiki/Flesch%E2%80%93Kincaid_readabi...
https://chatgpt.com/share/c1e700bc-7353-427e-a953-1e234f5e96...
I *get* that my opinion is an unpopular and minority one, so I accept the downvotes and ridicule, fine. This is the minority viewpoint I hold, I stubbornly stand by; and the hill I will die on. That it's disrespectful to users to inject unvetted machine scoring into book reviews; it's a malfeature and should not be a socially accepted practice. Treat the human user with awed respect; where you can help them, help, and where you don't know, say nothing—don't let loose some talking Python script. The user doesn't know the limitations of your script; the user doesn't know the language you posted on your page isn't authoritative language and is prone to major errors.
Very, very far from being unvetted. This algorithm has been used, unchanged, for the 50 years since Flesch–Kincaid was developed. I've used this metric for my entire life as a rough indicator of difficulty, and it is widely accepted. But it's a limited metric: it has two factors for difficulty that generally rate text as more difficult if it has more words per sentence and more syllables per word. It's a good heuristic, but as with all heuristics, there will be edge cases, and Ulysses is one of them.
As I do with all critiques, I guess I'd ask you to make a better suggestion for Standard Ebooks. Given their resources, and the available alternative of "have a panel of diverse humans read every book and grade its difficulty", your position is dangerously close to letting the perfect be the enemy of the good. Is your argument that Standard Ebooks would be a better product if they didn't include reading ease metrics? If so, I respectfully disagree.
> Treat the human user with awed respect; where you can help them, help, and where you don't know, say nothing—don't let loose some talking Python script. The user doesn't know the limitations of your script; the user doesn't know the language you posted on your page isn't authoritative language and is prone to major errors.
I don't think this is fair. Reading ease has flaws, but is widely accepted (although seemingly poorly understood, despite its simplicity). The guy who runs readable.com (DaveChild) responded to a post on Reddit about reading scores a few years back (that thread was also filled with tons of misinformation about how this is some black-box AI algorithm that's making everyone stupid), but his comment was quite well-grounded:
> Readability scores are fairly crude, almost by design, because they were all created at a time when they had to be worked out without computers. But they do give a decent idea of the overall readability of a piece, and that helps you to see if your content is too wordy. They are not, by themselves, an indicator of quality. They are not a substitute for proofreading and editing. But they are a useful tool to have in your arsenal.
This is a balanced, practical opinion. Life is filled with proxy metrics that are flawed, from insurance risk and credit ratings to SAT scores and the ability to do whiteboard-coding. In context, I think Standard Ebooks made exactly the right choice to incorporate some measure of reading ease in their offering, even if it doesn't get it 100% right 100% of the time.
I mean that the instance is unvetted: the machine score is generated automatically, and placed on the website automatically, and no human in the loop checks if it's reasonable or not. Not that the general algorithm is un-reviewed.
- " But they do give a decent idea of the overall readability of a piece, and that helps you to see if your content is too wordy. They are not, by themselves, an indicator of quality. They are not a substitute for proofreading and editing. But they are a useful tool to have in your arsenal."
This is very fair.
- "Life is filled with proxy metrics that are flawed, from insurance risk and credit ratings"
And a lot of them are very rightly illegal to score algorithmically in the EU (for important decisions), without manual oversight, because of the possibility of egregious and unaccountable machine error. The trend of abdicating human agency is not overall a wholesome one.
I'm coming from a place were I do read books (despite the fact I write HN comments like an illiterate stoned baboon, I'm trying my hardest really I am), and they come lovingly edited by obsessed people who put probably thousands of hours into editing each one, individually, with commentary essays that are up to 50-100 pages long, fastidiously crafted to guide the novice explorer. Standard Ebooks is neither a publisher not attempting to replace publishers. But: it's viscerally disturbing to me to see robots taking the hallowed place of human scholars in annotating—in this narrow example, scoring–books, and when they go badly wrong like this Joyce example, it's very upsetting, and makes me (irrationally?) think there's some terribly dangerous cultural normalization for replacing authentic human intelligence with fake, stupid, hopelessly lost machine imitations. And we'll lose many valuable things and our humanity in the process.
I sincerely apologize to anyone I've annoyed with this (I infer I've annoyed a lot of people). I'm just very upset with seeing fake machine stuff everywhere.
https://www.goodreads.com/review/show/6752242 https://www.goodreads.com/review/show/4827595524
1. Telemachus. Difficulty : 0 2. Nestor. Difficulty : 0 3. Proteus Difficulty : 9 4. Calypso. Difficulty : 5 5. The Lotus Eaters. Difficulty : 4 6. Hades. Difficulty : 3 7. Aeolus. Difficulty : 5 8. The Laestrygonians. Difficulty : 5
etc.
It's filled with interactive notes that are very useful for understanding the linguistic and cultural references.
Here's my reading method that I found effective:
1. Read a section on paper.
2. Go through the same section on the site.
3. (Re-)read on paper.
I toggled between 1-2-3, 1-2, or 2-3 depending on my mood, and it worked really well.One may think "It's fine, I'll simply read the text and then, if I have questions, absorb some scholarly articles on it." Trust me, you will enjoy it so much more when you understand Joyce's intent and clever writing as it happens. You simply can't take it all in post-factum, too much would be missed.
It's a bit like reading and studying the Bible if you're not religious. Will you come out having read and studied one of the foundational texts in English literature, able to approach later texts with fresh eyes to the unending allusions it spawned? Yep. Will it be 'worth it', though, in a revelatory sense? That's up to you in the end.
The second half of the book (chapters 10 to 18 although page-wise it's more like two thirds) is especially satisfying. Each chapter is written in a vastly different style: imitation of music, a romantic novel, a play, the historical development of style in the English language, how a bad writer writes, a technical text, and a couple of others.
It's challenging and might not be satisfying if you're looking for plot (there is none). I suggest to read a chapter and then the accompanying text in https://www.ulyssesguide.com
> Standard Ebooks is a volunteer-driven effort to produce a collection of high quality, carefully formatted, accessible, open source, and free public domain ebooks that meet or exceed the quality of commercially produced ebooks.
I'm looking at doing that for calculus made easy by sylvanus Thompson but I need to overcome my lazyness first
I haven't used calculus in a decade, but I use things I learned from working through that book pretty much every day I write code.
I'll be supporting financially when I can, but until then if anyone involved is reading, please accept my heartfelt thanks and appreciation for your noble efforts.
Are these two organizations otherwise not on friendly terms, and able to exchange ebooks?
What differs though is the mission. Gutenberg generally wants accurate digital translations of the original source texts, whereas Standard Ebooks tries to balance that out with better readability. Both are valid approaches, and there’s space for both of us.
Can you actually share the full .EPUB file, or do they object to the expanded size with bundled fonts and formatting, resulting in identical HTML but otherwise different content in the ZIP?
I talked with them about adding an index of authors, and were open to the idea. I put probably 5 hours into getting it running correctly and figuring out how to get it to work. They then were at the time unwilling to restructure their data into a way that made it feasible due to how they have books are structured for multiple authors.
I've worked on hundreds of PHP apps over the last 20 years, and it's frankly one of the weirdest. It could benefit from even just a little SQLite db or something.
Or by rating: https://openlibrary.org/search?q=id_standard_ebooks%3A%2A&mo...
Or by first published! https://openlibrary.org/search?q=id_standard_ebooks%3A%2A&mo...
I created an issue to kick off another import: https://github.com/internetarchive/openlibrary/issues/9372
Please can we stop gatekeeping somebody enjoying a book that's known to be highly inaccessible. However one chooses to engage with Ulysses is perfectly fine.
It's not that there was nothing of value in it. Sure, there is! It's more that the return on investment just wasn't worth it. My experience was like walking through a desert to find a candy bar. Even if it's a good candy bar, that's way too much of a hassle to go through to get it.
I do hugely appreciate Standard Ebooks, though. Such a wonderful project!
Verdict: meh. Revolutionary for its time, maybe (100 years ago).
Computing analogy: It's like seeing that someone wrote "fizzbuzz" using a microservice architecture, quantum computing, multiple LLMs, and some custom hardware. Bravo! Cool that you pulled it off and made this monstrosity! I don't want to use it though, nor do I care to see the details of every bizarre choice, and I'm not impressed at the number of references to COBOL that you shoved into the diode layouts of the CPU you invented for it. I can see why other people would find it fascinating. I am not one of them.
Having not read Ulysses, nor having ever moved in the kind of circles where many if any acquaintances had, I can't really vouch for whether it has any specific literary value. Not am I really that interested in finding out for myself, from what I do know of it. But the idea that there's some grand cultural conspiracy behind it sounds just a little bit paranoid.
I don't mean to attack you personally, I don't know you and if I had more time I'd write a more sensitive post. I just wanted to make the Rand connection because I see little mention of her villains when she's brought up, and your post reminded me of them so strongly!
I don’t actually think that’s what happened. However, if it came out that it did, I wouldn’t be entirely shocked. It’d be less “I knew it!” and more “huh, that explains a lot”.
Whats this obsession with beauty in language among some English-first speakers? Aren't meaning, insight and import of more consequence than beauty? Every single time I hear someone wax poetic about beauty and elegance in things it immediately sets off my bs meter. If you haven't got much of anything substantive to say, you use flowery artifices to mask it.
Also non-English-first speakers, do you see this to be a very English-thing or is this sort of fixation if not fetish with beauty in language and other things present in your current day language too?
I can't at all explain how or why it works, but certain kinds of writing style have an almost magical effect on me. This feeling of well-rounded beauty, even when the content is barely relevant, is just amazing. One could maybe describe it as a kind of brain hacking, which is also what drugs do.
I consider flowery artifices to be the opposite.
That’s completely fine, but hopefully you can take people’s word on that it can be very beautiful to them.
It feels a bit like saying “if you don’t have meaningful lyrics, why even sing a song”: Different people can appreciate different layers of literature differently.
However, I see this 'pragmatism in all things, including art' perspective quite a bit on hackernews, and rarely enough anywhere else. Most often concerning fiction, but also contemporary and modern art. I'm not sure if it's a neurodiverse perspective, or a philistine one, but I can confirm that it's missing the aesthetic function of art. i.e.: the pleasure many people obtain from creating and experiencing it. There seems to be a frustration that some people who don't or can't engage in producing or enjoying certain kinds of art have - that becomes a denial of the value of the work altogether. 'I don't get it, so there's nothing there to get'.
Specific to Joyce and the modernists is an absolute mastery of the complexity and nuance of a wide breath of kinds of English (and in Joyce's case numerous other European languages). To a native speaker with a strong grasp of language, and a love of words, reading Joyce or TS Elliot, or Yeats etc, is like listening to a complex piece of classical music. The use of reference, of meter, of onomatopoeia, the play with homonyms and antonyms, and at a higher level with the structure of stories and narrative traditions etc - all give the reader pleasure. In the hands of a truly great writer, like those above, they also serve to create layers of meaning in the way a koan or painting can contain complex fractal patterns of meaning. Reading a great writer, working with the nuances of language and narrative can literally lift the reader into a state of heightened consciousness. A place where new realisations about society, the self, the emotional depths and nuances of other people are elucidated in a way that's genuinely mind expanding.
It's absolutely fine if you don't find this in literature - whether in a second language or your own. It's naive to assume that it doesn't exist because you personally can't perceive it. Aptly enough - that's a contradiction many writers have explored. Our tendency to diminish the inner lives of others, or the worth of things we cannot appreciate. One piece that springs to mind is David Foster Wallace's essay 'This is Water' - https://fs.blog/david-foster-wallace-this-is-water/
> Different strokes for different folks
Don’t you think you’re exaggerating? I would imagine there are fans of written language in every language. English isn’t special in this context.
Far too many of these supposed greats works of literature get an easy pass from uncritical also-rans of the world, who just want to move on in the name of different-strokes-for-different-folks without ever calling out the bs for what it really is. I'm not saying there aren't valid detractors of these works - there are - but far too often they're drowned out.
Far too many of these works hide behind the crutch of 'fiction' to spew utter hogwash without making an ounce of sense to the regular, impartial and non-dyed-in reader.
Far too many of these books - when coupled with a lackadaisical populace in general who are more concerned about seeming non-fussy - get that stellar mythical hallowed status and lore.
I'm not saying that there are not enough people who genuinely get entranced with these works (although if you run that through a fine comb your results may vary) - its that the gatekeepers of education seem to be entirely made up of these uncritical clowns who will nod away in affirmation, decade after decade in cementing the undeserved status of these works.
You are close to setting up a false dichotomy here. It isn’t those qualities or beauty, it’s those qualities and beauty.
I first experienced it when I read Michael Ondaatje’s The English Patient. I was able to enjoy the book on the usual axes of plot, character, etc… but there was another level that had me rereading pages because every chapter, paragraph, and sentence felt perfectly constructed. Some of it I read out loud to myself because the rhythm of the words and sounds were musical. It is a great story, beautifully told.
That said, I’m not a fan of Ulysses and I’m sure a lot of people here would call me an uncultured rube for enjoying Odaatje’s writing like I did.
I wish I could remember the edition.
There are books I prefer in one language or other. English tends to feel like it has a "darker" texture to me (no, it makes no logical sense) and so the same book - Lord of the Rings is an example I've read in both English and Norwegian - will hit me very differently emotionally depending on language.
Sometimes I'll read something just for the beauty of it. Other times I just want to get at the ideas.
It is very different, indeed possibly the opposite of a show off of cleverness. It is beautiful because it feels that it's just the right way to do it.
This is all to say that Ulysses is a book written for people who like the idea of a Rube Goldberg machine of literature. I happen to be one of those people, but there are brilliant literary scholars who hate the book.
Meaning the context for what I was reading, my understanding, went back about that far.
So I basically experienced it as "word soup" with some identifiable parts in like the last page, that I could sort-of kind-of divine a narrative from, somewhat.
Fairly easy my foot!
This rating aside, thanks for a great project.
I’ll look to see if there’s any obvious reason why this is being marked as fairly easy, but it’s probably an issue with the standard algorithm we use more than the code.
As someone who is fascinated with the textual history of Ulysses, this is going to raise some hackles.
It took me six attempts to get through Gravity's Rainbow (and it was worth it). My record is still just about halfway through Ulysses before I put it down for a year or two. Still worthwhile.
Is this not standard?
https://standardebooks.org/ebooks?page=1&tags%5B0%5D=philoso...
I just hate trying to google search to get an epub.
On that page I'm not finding that is the 1,000th title, and browsing around the site I can't find a counter either. I trust the OP who choose that title is right, but there is any title counter on the Standard Ebooks website?
How do you choose which books to do?
"O, rocks! she said. Tell us in plain words."
It's interesting when China introduced Ulysses years ago, publishers and reviewers often mentioned that how challenging the novel was. Often cited reasons included extensive use of stream of consciousness, long and complicated inner monologue, multiple languages and idioms used, and large vocabulary.