The Cognitive Design of Tools of Thought (2014) [pdf]
gjgreenberg.bol.ucla.edu
gjgreenberg.bol.ucla.edu
https://consc.net/papers/extended.html
This idea is also one of the many interesting facets of my favorite novel, "Jonathan Strange and Mr. Norrel".
I'm speculating now: There are probably smaller loops within the brain that allow you to ruminate on a topic to think through it, but those loops don't give you access to as many neurons or have the same fidelity between iterations. The alternative to this sort of self-stimulating recursion, is that everything we reason about can be done in one pass from sensor to motor, which I find unlikely.
The idea of applying multiple passes of the same networks using memory to hand off between iterations also explains why memory and other aspects of intelligence are correlated in humans, when they needn't be. A machine has FLOPS independent of it's memory capacity for example.
Relying on the technical mystique of precicely defined jargon in a context where it doesn't apply should indicate that there is a lack of substance in the ideas being presented, which is why the author feels compelled to obfuscate it.
* That which thy fathers have bequeathed to thee, earn it anew if thou wouldst possess it. — JWvG (as quoted by ISR)
And in song and words.
> Some ancient outpourings of thought ...
And oral histories.
So, using media to help with cognition. Odd that they don't mention oral media.
(I wonder if the different temporal aspects of delivery also play into other aspects of style? For instance, I translated an italian art critic once whose prose style was heavily pyramidal: every so often, at the beginning of a paragraph, he'd introduce a crisp new thought, and his language would steadily get more elaborate and flowery after that, until I often was struggling, but just before he seemed about to leave the plane of actual semantic meaning behind, he cycled back to the next crisp thought. My hazy understanding of latin oratory is the opposite: it was supposed to be all flowery at the outset, and steadily tighten to conclude crisply.
If this be a true distinction, it'd make sense in the light of media consumption: more people read a hed than lede, more the lede than anything after, but presumably orators attract listeners, so more people hear the conclusion than prepatory statements, and more the prepatory than the prefatory?)
That's a rich vein for development. It could be generalized and optimized.
Because states of consciousness are so central to our ... everything.
And it's a subject that's difficult to discuss. I imagine well-designed models rendered with nice animations.
We could discuss drugs, dreams, focus, meditation, fiction...
Anyone know of a publicly-accessible image in this genre?
(Laumer's Corps Diplomatique Terrestrienne[sic] has gone so far as to give each facial expression an official alphanumeric code, but I doubt he bothered to substructure, or even hold consistent, the coding scheme)