But Why a Penguin?
daily.jstor.org
daily.jstor.org
> Inspired by the existing Albatross Books, Lane’s nascent company wanted an animal for their mascot. Many years after the fact, designer Edward Young explained (as quoted by Hornsey) that after a couple hours of fruitless brainstorming, “we were in despair. Then suddenly the secretary’s voice piped up from behind the partition (her name, it should be recorded for posterity, was Joan Coles). She said, ‘What about Penguins?’”
(Unless you mean why Ms. Coles thought of it, but that probably is beyond reasonable hope of answer.)
> Off went Young to the London Zoo, where the “fiercely modernist” Penguin Pond exhibit had opened the year before to general acclaim.
As the article pointed out, Penguin started with a bit of left bias, and modernism (and futurism) were associated with and inspirational to the left as they embodied change, as opposed to the conservative stance of the right. While that has nothing to do with the animals themselves (who tend, like all animals, to be pretty conservative) one can imagine how, when visiting such an exhibition, the architechture could establish a philosophical penumbra for Young, especially given the times we're talking about.
The covers of the first Penguin Paperbacks, with their austere Gill Sans typography are, of course also iconic, to the extent that they are often mimicked in products like notebooks and other book-like products offered for sale.
Okay, but if you ask what particular kind of person a penguin resembles, isn't "guy in a tuxedo" way ahead of all other answers combined?
If you want to be in black and white..
Tbh, I thought the original article would be another tech journalist rediscoveting the history of Tux.
More ; https://web.archive.org/web/20040401161253/http://www.linux....