I also found the symbolism a bit distressing, because it takes the general worry I’ve felt about AI’s impact on art and music and animates those worries very literally.
Most AI/tech proponents are quick to point out that the original forms of expression aren’t going anywhere. But this felt uncomfortably close to “where we’re going, you won’t need these things anymore”.
And the thing is, I’m a big fan of the iPad and it’s incredibly useful as a companion to these artistic endeavors. But I’m not a fan of the idea that it supersedes them.
Watching a musical instrument get crushed is like watching a pet getting tortured, and it's probably not something non-creatives would understand.
https://cellomuseum.org/the-photographer-and-the-cellist-doi...
https://en.wikipedia.org/wiki/Lucille_(guitar)
https://www.theguardian.com/music/2020/feb/20/it-feels-like-...
https://psmag.com/economics/the-benefits-of-bonding-with-a-m...
Let's not pretend you didn't say "Watching a musical instrument get crushed is like watching a pet getting tortured".
That is what just happened, right on queue.
You're thinking about what reasonable people would say and mean, but these people actually want to say that seeing a trumpet getting flattened in a commercial is the same as watching your own pet be tortured. Why that is, is anyone's guess. Maybe to seem sensitive and deep.
Though there are some "barcades" popping up these days that focus on classic arcade games to appeal to older the older crowd.
I'm definitely more into the 90s and early 2000s era of arcade games than 80s stuff (and the seat-friendly JP cabinets are nice) so I enjoyed the opportunity to play games that are hard to find here, and bring back memories of wandering (relatively lackluster) bowling alley arcades with a pocket of quarters.
Much, much love to anyone who worked on this gem, or work to preserve it.
This seems to be a major point that’s missing from the discussion. If a lot of this is stuff that was fake or already headed for the dump, it completely undermines the argument that perfectly good equipment was destroyed.
[1] https://vi-control.net/community/threads/apple-destroys-vint...
No amount of "but we only rendered it" is going to fix it. It speaks about values the company holds.
Also, the focus on how these devices are increasingly consumer only instead of me being able to use my device to create
Disclaimer: one of my goals is to build apps for my machine on the machine itself. I had this working on the now defunct Firefox phone OS (Its apps were deployed as Zipped HTML/JS and related resources -- I cobbled together a dev environ out of a few browser based tools).
TL;DR: I'm a tool-using creator-type species, The modern "CONSUME ONLY" device craze makes my eye twitch; Ads that reinforce destruction of tools make me want to join fight club.
Having a locked down tool that is so dumbed down is annoying. For example, I'd love to make a custom unit converter so that I can quickly and unobtrusively convert between metric and imperial without being online/etc. that also displays the answer with closest drill size
But there's a reason they are disappearing. They're old and obsolete. While they may have value to a niche group, they are overall viewed as mostly worthless.
Secondly, there's a very simple solution to disliking what someone else does with their own property. Purchase it before they do whatever you dislike. Either from them or by beating them to the punch and buying it from the previous owner before they do.
Old and obsolete doesn't mean worthless, if people are collecting them and spending a lot of money on them then they're not worthless.
If they truly had market value, then people other than the collectors themselves would be making a business out of finding and restoring these cabinets, in order to sell them to the collectors. But no such business exists — because there just isn’t the demand to sustain it.
I’m reminded of a recent YouTube video about MadCatz gaming peripherals. The video’s author had to spend thousands of dollars buying the few remaining controllers on the used market to use as examples. Why so much? Not because of high demand. Because of limited supply — they were so valueless (mainly due to just being awful products even when new) that every owner of one had long thrown in away; no gaming store wanted to buy any used (being seen selling such brands was a mark against the quality of a store!); and even thrift stores had long dumped them for lack of interest. These gamepads and flight-sticks had value to this one guy making this one video — but literally nobody else.
A one-time purchase, does not a market-clearing price make. The market is still just as illiquid after such a purchase as before it.
Eh, "high demand" is meaningless on its own in this case. There's high demand relative to the supply.
And not everyone recognizes value in an old cabinet and throw theirs out (further reducing supply), but that just means the market isn't efficient, but that's true of the market for most things.
Just like that iPad will be in a couple of years.
I think this kind of sums up why it was a bad ad.
"Don't be mad, you could have just outbid me" isn't a great thing to have to be saying at the same time you're asking the same person to get hyped about a new product.
I can't find any existence for the game "Space Imploders" though.
1. A part of me just does not like waste. I'm keenly aware of our rampant consumerist culture's slow and continuing march towards collapsing our biosphere, and one of the ways those thoughts manifest themselves is being really upset with people buying products simply to turn right around and destroy them, while barely using them, usually for profit in the attention economy but sometimes seemingly just because they're wealthy and bored.
2. And another part: growing up poor, I'm keenly aware of how valuable things can be for people like me, who didn't grow up with much. Maybe that old computer that works fine that you're going to run tannerite through for a YouTube video means nothing to you, but I vividly recall many points in my life I could've really used it, and I know I'm the absolute opposite of alone in that fact.
The "artistic" angle that a lot of the outrage this is drawing didn't really hit me as hard as these things did, but that's just my subjective experience. I respect people who love these beautiful things and don't want to see (probably) completely functional, or even repairable, useful things destroyed so a multi-billion dollar company can sell more products. (And let's be honest, given the nature of video production, the ones we actually saw destroyed were likely a fraction of the ones actually destroyed.)
The artistic angle I do understand though is if it's done for something like a movie, it doesn't hit the same for me. When it's done to make other kinds of art, even schlocky hollywood crap art, at least that has... a result, I guess? It's destruction to create something. This was destruction for... another fucking ad. That will be forgotten in probably 2 weeks.
Edit: The more I've thought about it, the more gross it feels, and I find myself really sympathizing. Times are pretty tough right now and artists have it rough during good times. How would you feel if you, as a piano player, who hadn't gotten to play in years (or maybe even ever!) on a piano like that, how would you feel seeing Apple buy one that at least looks to be in perfectly good working order, and smash it, in the service of selling you a stupid iPad? I really think this is impossible to comprehend without taking into account that everyone is hurting right now: inflation, Bidenomics, whatever it is you want to call it: people are broke, our expenses are going up, and our salaries remain the same. Yeah, I totally understand why this ad in this cultural moment hit a nerve: a whole ton of people, especially creatives, are struggling right now and here's Apple, buying up a ton of awesome things, and smashing em to bits and being like "here, you don't need a piano, you need an iPad!" Yeah, no shit people are upset.
I remember Obama's "Cash for Clunkers" program where people were paid to pour sand in engines and run them to destruction.
This was all supposedly in the service of replacing them with more fuel efficient cars. The trouble was the numbers weren't run. To equal the emissions from manufacturing a car, a car would have to be driven 20,000 miles. One can easily see that the increase in fuel economy didn't add up.
Then there was the "create new jobs" fallacious reasoning, akin to the broken window fallacy.
Instead, imagine an ad extolling the virtues of public transport by blowing up cars in a parking lot. It sends the complete opposite message than what was probably intended.
I don't want to just program a song on an iPad. I would like to perform it on a piano, which means I can't crush my piano and replace it with an iPad.
But maybe the ad is saying - you're no longer programming a MIDI track, the AI piano player in Garage Band or whatever is just going to be indistinguishable from a real piano.
I wasn't initially bothered by it, but I think the people who are have a fair point especially about the generative AI implications of replacing real creative tools.
if you spend your weekends polishing your car, buying aftermarket addons for it, modifying it, and/or considering which car to save up for next, then yeah, it's gonna fucking hurt if you watch a movie and see them blow up a car like the one you long for, especially if you think they did it for real instead of using cgi. and that's true whether that car is a lamborghini countach or a low rider
Many people own cars, but only a small number of people are deeply into cars, and for one of those people I can definitely see a vintage car getting destroyed on screen causing a negative emotional reaction.
Many people own homes, but it's their own home that they get really attached to, not the abstract concept of a home.
My wife is a lifelong, fervent string musician and I have been with her in a film where she shouted out in pain when a string instrument was brutally destroyed. OP is talking about having that kind of attachment to an artform, not about causal ownership of objects.
I think there's a difference between showing items getting damaged as a depiction of some sort of chaos or violence versus lauding it as being obsoleted by technical progress.
Option 2: destroy something for a movie that gets regarded as a classic and people watch for decades
But a generic virtual facsimile on a video? That’s silly
I'm betting mostly CGI actually.
Some bits are obviously physically impossible, so definitely CGI.
I can be persuaded that some shots are real+CGI, and squished into the larger CGI view. They might have crushed a few "things" to see how they would fail, and then CGI'ed up a final version.
The wide shots do not look real. The lighting is not believable. The failure modes of many individual items are not believable. The whole pancaking effect of the big crush is not believable.
I understand the discomfort at seeing wanton destruction. It bothers me to see great old houses or cars get wrecked for movies, for example.
Nowadays, most of that is fake.
And I think almost all of this ad is fake as well.
But most artists are starving, and we live in a world where waste like this isn't really morally acceptable.
The difference is subtle. In the first case, a single real trumpet. Only worth a few hundred bucks. In the advertisement, the crushed trumpet is a symbol representing everything around trumpets: lessons, spit valves, centuries/milennia of history, inherited instruments, afternoons afterschool marching around on a football field with childhood friends.
Ce n'est pas une pipe.
No wonder everyone on this site complains about loneliness and therapy and this and that. Most humans aren't 'distressed' by this stuff. I always did wonder about the oddly neurotic opinions expressed here. Now it makes sense: people have little to no emotional resilience here. Everything is the end of the world.
I mean, I guess just having an iPad can get you laid somehow these days in the very stupid world we live in, but the guys in the band with actual musical skills are probably getting way more action.
My first thought was the exact opposite: watching the specific ad without being distressed, shows an emotionally damaged human being. Especially the last part where the toy gets crashed screaming is really messed up.
No one is traumatized. It's just unappealing and tone-deaf that's all. Showing a harmless little toy head and face getting squished and then popped, and presenting that as cool and fun and good, just makes you wonder about the person who produced that imagery and thought it could possibly have those associations, that's all.
Showing a bunch of mixed colors of paint oozing down the side of something is not "emotionally distressing", it's just unappealing, especially to Apple product customers, who buy Apple products precicely because they are sleek and minimalist and clean. Steve's & Ive's entire universe was clean & sterile.
It's remarkable because Apple are supposed to be the KINGS of exactly those sorts of intangible things like impression & subconscious reaction, where things like a 0.1mm or 0.1degree difference in a shape actually matters.
For me it was a different reaction: They literally replaced a bunch of colors with grayness. In a gray factory. Under a gray slab.
This is very different from what Apple used to mean and advertise.
In stead of "think different", this ad seems to suggest "think the same - get rid of your individuality and skills and just get an iPad instead".
Hopefully you'll help!
If you don’t see how, maybe it’s time to get off the screen? Stop consuming and try creating for a bit?
The worst part was that you can have a super effective ad simply by reversing the video.
Everything now springs out of the iPad and nobody is thinking about whether anything got crushed.
I see a bunch of cheap knock offs being crushed but I cannot say all of the items were.
https://www.youtube.com/watch?v=IJrE4nxDsSw
Quite a lot less sparkles, smoke and explosions than the ad.
Really? I play the trumpet and felt nothing watching this ad. My trumpet wasn't being crushed, so who cares? It wasn't a rare Stradivarius, nor even a high-end Schilke or anything... Even if it was - why care? They can make more trumpets after all...