Liu Cixin's War of the Worlds (2019)
newyorker.com
newyorker.com
This journalist seems so intent on making everything political (from the beginning to the end of the article) that it reads like they have no interest in anything he's actually written. The author of this article never describes a single genuine question about his works that it honestly makes me a bit sick. So many quotes are taken so wildly out of context that they contain a few words placed awkwardly in the author's wall of text and opinion instead of representing genuine conversation.
One of my favorite parts: "Liu’s posture slackened slightly as we ate. The drinks had warmed him, and the heat of Sichuanese peppercorns seemed to stir him from his usual reticence. I decided to inch the conversation toward politics, a topic he prefers to avoid." The author reads as genuinely manipulative, and it was clear Cixin already stated he wasn't interested in discussing politics in the authors previous attempts... Maybe have some decency and respect?
Yeah. Viewing The Three-Body Problem merely as a metaphor for China-US relations shows a limited perspective, as the novel addresses the fates of civilizations across different solar systems and the fates of the living beings in the entire universe. In such grand scheme of things, China-US relation is really nothing
(I'm not sure why people always need to bolt on those interpretations, they are maybe eventually more true with Tolkien as he definitely took some experiences into his fantasy, but also believing him that there were not any allegoric intentions, just fantasy creation. You are always to some degree what made you...)
> When questioned about stories that seemed to allude to Stalinist conformism and paranoia, Lem said the same thing that Liu says about geopolitical interpretations of his trilogy—that he was not writing a veiled assessment of the present but merely making up stories.
Ok, maybe I'm reading to much into it, but if it was to obvious, Liu would get intro trouble, so plausible deniability is important. But I think that the books are much more political as many think. But you need to decipher it first...
For example "Invasion of the Body Snatchers" is a great sci-fi on its own. But the background of McCarthyism and the red scare of its time makes it much cooler and much more entertaining and thought provoking.
I am slightly annoyed by Netflix's adaption of the book which takes the technocratic communist China out of it. I understand why it has to be like that but still we would have better TV if everything didn't have to be boiled in the same generic soup.
About the Netflix adaptation, I'd agree. I think by stripping away all of the positive angles of China from the book and only leaving the negatives (bloody cultural revolution), it lost a lot of meaning. IMO if you're gonna make every character intensely English-born, there's no reason to leave Ye Wenjie as Chinese. Perhaps her story could've been changed to something regarding residential schools or colonialism.
Without going into spoilers, Death's End makes everything so... huge. It really made me feel tiny in our universe.
These are good books with some flaws. You should read them.
The plot, prose, the characters, literally everything except a couple of really neat sci-fi ideas is comically poor.
So bad that you start to wonder if you accidentally rented 2007’s Transmorphers at Blockbuster instead of Transformers.
The second book is much better, though, and the third is better still. If you've managed to work your way through the first, it's probably worth checking out the others.
They're nothing mind-blowing. But they're very competently written (unlike the first book, which was loaded with errors,) their scale is reminiscent of Stephen Baxter's grander works, and the trilogy is rather more accessible than a lot of Baxter's stuff.
In our universe, it is impossible.
In the universe of the book, if technology existed to unfold protons, those same protons could be woven into a long fibre, resulting in a material thinner and stronger than anything made from conventional atoms.
Regardless of whether this is a sound argument, it remains purely fictional. =)
People here saying "well the second book is better"... should have qualified their praise for the first book a bit more because I'm rather disinclined to believe it.
500 pages for me take probably a month or so.
Foundation and Dune's premises are much tamer, and neither story collapses entirely if they turn out to be false.
Sophon is downright mundane compared to this.
Dungeons and Dragons has magic, but it has a rule system, with some form of thermodynamics-y like stuff, internal consistency. Dune starts with some rules and largely doesn't violate them (and if it does, that makes it less kinda good).
Kind of?!
And then they send it off and control it remotely using quantum entanglement, except that entanglement, as far as we know, cannot be used to transmit information faster than light, let alone momentum. Furthermore, in order to be effective at anything, the sophon has to observe the world and transmit information back and forth, except that the capture and transmission of any nontrivial amount of information exceeds the mass energy of a proton by several orders of magnitude.
Overall I thought that these were some great and thought-provoking science function ideas wrapped up in an average to poor literary package.
Counter view-point: These are bad books with a few thought provoking ideas that are never explored, left behind to explore a ridiculous plot full of nonsensical actions taken by paper cutout characters chasing a political goals that also make no sense.
Granted I didn't read the third book, but that's because I gave up not halfway through book 2. When I got to the end of book 1, I had no emotional attachment to any of the characters due to the poor writing, but some of the ideas were interesting, so I opened book 2. As it went on it became harder and harder to tolerate the incomprehensible motivations, stilted dialog, and the scope creep of the story, so I read the Wikipedia summary, and promptly realized I was right to stop reading the books.
Yes, the end makes you feel tiny, so tiny that it's impossible to connect the start of the books with the ending, plus the way it ends makes you feel like there was no point to anything to start with. In my opinion the only way it could have been worse was if it was all just a dream/snowglobe all along.
Nothing is ever resolved, just a few neat ideas sprinkled out with outrageous nonsense, and the stakes keep getting higher and higher until the universe itself is no longer big enough for the ending. I truly think they're bad books, I haven't read anything this bad since Atlas Shrugged.
That said, I'm glad that other people enjoy them, and I'm not trying to say people who enjoy them are wrong only that like all art, beauty is in the eye of the reader.
Like you I never connected to any of the characters, but the direction of the story and its almost exponential growth in scale was what drew me in.
But c'mon, almost nothing is as bad as Atlus Shrugged (aside from maybe The Fountainhead). :-P
I actually made it through The Fountainhead, but just couldn't make it to the end of Atlas Shrugged. I think The Fountainhead could actually be rescued as a story, but Atlas Shrugged is just a bad political manifesto with some narrative elements thrown in. :D
I think this is the fundamental point where people like you who didn't enjoy the books and people like me who deeply did depart. I thought the unfolding scope of the trilogy felt like a logical, justified progression, in the manner of an escalating conflict. Yes it does escalate quickly, but there is a good reason at each scope level that it needs to expand to the next as the conflict spirals out of control and the technology involved improves. And in general I enjoy when things sort of escalate in scope like that, like Akira for instance. Maybe you prefer books that stay at the same scope the entire time but that's a personal preference.
Also I really don't see how the nature of the ending is at all akin to the "it was all a dream" type ending, because it doesn't fundamentally undercut that the things that happened actually did happen, and had consequences. Yes our assumptions about the nature of the fabric of reality are undercut, but not in a way that means that anything that we thought happened didn't actually happen or anything like that, and not in a way that undercuts stakes, if anything the stakes are far greater. And the choice to restart the universe so it can be better again is actually a deeply consequential action with a lot of seeks to it. Likewise I don't see how the larger scope of the later books makes the smaller scope of the earlier ones not meaningful? That's how we got here.
And I think more than enough interesting and unique speculative fiction ideas are introduced, and I think they are explored enough, in a grand and stunning enough fashion, to justify the book, even if they aren't perhaps looked into as deeply as you think they should be, despite the paper thin characters with nonsensical motivations. Especially since the actual political chess/information game between the trisolarans and humans is so interesting.
It ties together loose ends and goes into more detail about what happened to that brain.
I have to say... I kind of don't care for the exploding mind variety of sci-fi. I like good stories set in the future with some interesting technology and science that's not in our grasp yet, but still stories about people rather than 'wooooaaaahh' stuff.
Ahem, spoilers. :-)
You made me laugh. I understand this reference as of about 14 hours ago.
I can understand the desire to humanize the characters for the show, but the characters feel like a CW teen drama. I don't mind that they added some drama, but the drama they added was bad.
As book-movie translation go. I thought the choices they made in 3-Body were better than the tradeoffs in Dune 2.
But I liked Dune 2 as a movie, but leaving out the Spacing Guild, and how the Water of Life can poison Sand Worms, and they change to the Atomics. It changed entire dynamic on the stand off with Emperor. And leaving out Alia.
The only problem with 3-Body, is for season 1, they did stuff too much into it from Book 2, not that it was bad to do it, but maybe needed 1-2 more episodes, instead if felt rushed.
The total butchering of interesting concepts, for example the usage of the sun as an amplifier which, while based on some hand-wavey fictional science, was quite fleshed out in the book, turned into an utterly ridiculous scene where characters literally wrote out an equation on a blackboard that amounted to "a + b = c" (I'm not exaggerating) and you could practically see the mathematical symbols floating around their heads like that Zach Galifianakis meme.
But most of all it is the shit dialog. I don't remember the books trying to force sciency sounding words into every fucking line of dialogue. This show is determined to make very stupid people think "wow this is smart".
Personally I thought they did a good job at adapting a book that I thought would be nearly impossible to transform into a "pop" sci fi series.
It's an "abhorrent error" because the themes of the books were deeply tied to the Chinese heritage and culture of the author and his characters.
…I feel like the show is so convoluted and confusing (by design, I understand they’re trying to have this sense of mystery) that someone who hasn’t read the books would be totally lost.
I’m still watching, but I had higher hopes for it.
Each to their own.
I thought the TV series was great.
This also applies to The Wandering Earth.
You mentioned that there are other, lesser known books that explore the same ideas in a more compelling way. Can you give some examples so I can add them to my reading list?
My favourite one so far was Broken Earth trilogy.
I'm looking for something new and really awesome but I'm not interested in a series with more than 3-4 books (as they rarely keep the same level of quality across the series).
Spin by Robert Charles Wilson is also good. I haven't read the sequel(s) but the first book can be treated as a standalone, and has some big ideas.
Finally, the Algebraist by Iain M. Banks remains one of my all-time favorites.
Spin, which I mentioned above, takes place entirely on Earth. But it's definitely at least somewhat "space-related" in terms of its plot.
Caves of Steel by Asimov is a certified classic who-dunnit in a far-future underground New York City. If you're interested in golden age scifi at all, this is a great one to check out.
Anathem by Neal Stephenson is one of my favorite books of all time. It has a tiny bit of space in it, but the whole book pretty much takes place on a single planet.
Permutation City by Greg Egan is all about computer-simulated consciousness. Thought-provoking but also a bit horrifying.
I also love Fine Structure by qntm (author of Lena[0]). Though it's a bit rough around the edges, I find that every time I pick it up to re-read it, I can't put it down until I'm done.
Those are just some ones I personally like. There's more I could list, but SF is a very wide genre and I have my biases — you should check out /r/printSF for some more broad recommendations maybe.
Funny. I have given up on the book after the first half since it bored me and I had to stop.
I can't remember any, if so. Most likely I have 1-2 audio books.
In most of these cases the outcome is "it makes a less entertaining story". The Anthropic Principle of Literature, if you will.
Part of the draw of the first book is how much it talks about communist China from an insider perspective. I found those parts the most interesting by far, with some of the more interesting sci-fi ideas emerging toward the end. The next 2 books basically go down a speculative fiction path with the first book's ideas set in motion.
I always felt like the books were a fan fiction of certain blog posts I've read about the Fermi Paradox or the Great Filter. Any self-respecting sci-fi nerd needs to read them, and all 3 of the books. They probably won't wow you in the same way other award-winning authors have, but they should be thought-provoking.
I think I need to give it another try.
Discussion then: https://news.ycombinator.com/item?id=20202063
That way lies destruction.
Just like Japan, while starting off WW2 with a more powerful military, couldn't maintain it's ascendancy over the US with its bigger industrial might and bigger population as the War in the Pacific progressed from 1942-1945, I fear that the US will not be able to maintain its power against a China that's four times bigger in population and maybe 10 times bigger in manufacturing capacity when War in the Pacific 2.0 begins in a couple of years.
If it remains a cold war then it's about friction and who can last longer but if it becomes active, the world will split into 3 factions as WWII and the numbers will shift.
One of those factions will be the West. Unfortunately for the West, the West is too small to be a major player and will be a big loser in WW3. Modern warfare is just arithmetic, and the West just doesn't have the numbers that stack up.
The whole of the West is smaller than just China by itself. Also China has far more manufacturing capacity than the whole of the West combined. The West is going to get its ass kicked big time.
If you put Russia and China together, you get something that has the huge raw material and energy resources of Russia plus the advanced technology of Russia plus the huge manufacturing capacity of China plus almost a quarter of the world's total population. A very hard combination to overcome.
The West has treated many countries badly, and yet still thinks those countries will side with it? Not likely at all. The chickens come home to roost.
As Napoleon/Rommel/whoever is reputed to say, "God is on the side of the big battalions."
Yeah, I see this advanced technology at play in the Ukraine at the moment....
I'll just have to take each day as it comes, though I am expecting lots of bad stuff to happen.
Because I'm old enough to have outlived a lot of my peers, I can accept that I won't be a survivor without too much angst, but I certainly won't be happy about it.