>“We were learning to animate,” Goldman explained. “We were learning to in-between, clean up … and we said, ‘Wait, there’s so much more we need to know.’ ”
>That included writing, scene planning, editing and more. Even the Nine Old Men had “forgotten” much of what went into Disney’s older films, said animator John Pomeroy.
IME, this is an incredibly widespread problem in the Age of the Retiring Baby Boomer. Many of them jealously guarded their professional knowledge, for fear of replacement, or simply never documented it. When it comes time to pass it along to juniors, they either can't or won't; then, with little official notice, they're out the door, and you're left building from first principles or trying to make sense of process spaghetti. I'm not sure if this is better or worse than the Boomers who stay on into their 70s and 80s - still refusing to train their juniors, but also preventing the advancement that would allow younger workers to even attempt to learn the position. ...No, I suppose retirement is better. At least there's some runway, instead of the incumbent simply dying one day and leaving everyone scrambling.
EDIT: >and there was a sense among the garage artists that Disney’s management didn’t care to implement most of the lessons from Banjo.
“All of our learning is only going to do us any good,” Pomeroy remembered thinking, “if the higher-ups will accept what we’re trying to make happen.”
And there's the other side of the deal. When you make people go off and learn things on their own, they often learn... that they can go off and do things on their own. Disney sort of won in the end, but Bluth was a thorn in their side for quite a while.