Why Michael Moorcock Despises Tolkien and C. S. Lewis
mythcreants.com
mythcreants.com
The Lord of the Rings isn't.
CS Lewis was a much better writer.
Tolkien made a franchise because his ideas were novel (non of Lewis's bible stories) and we've been seeing new products since he died.
I'll bet if you took a survey even today, vastly more people would recognize Tolkien and Lewis than Moorcock.
That was probably true even before the LOTR and CON movies. Tolkien and Lewis sold a helluva lot of books.
I think the Ballantine Tolkien paperbacks I had when I was a kid were something like the 40th edition, and that was (cough) a long time ago.
[0] http://www.nostatusquo.com/ACLU/dworkin/MoorcockInterview.ht...
[1] http://www.clarechambers.com/andrea-dworkin-commemorative-co...
[2] https://www.independent.co.uk/arts-entertainment/how-we-met-...
Grendel
The Persian Version
Snow, Glass, Apples
(I have half a mind to write an epistolary short story from the point of view of one of Winston Smith's coworkers at the Ministry of Truth, dismayed about Smith's paranoiac reactions to normal office routine —colleagues transferring, etc.—, his labile personality[0] in general, and his conspiratorial mindset[1] in particular. All the objective events of Parts 1 and 2 can easily be explained much more rationally than in Smith's interpretations, but Part 3, being so explicit, has thus far resisted such treatment)Lagniappe: "there can be no peace until they renounce their Rabbit God and accept our Duck God" https://www.newyorker.com/wp-content/uploads/2014/12/141201_...
EDIT: also, Bulgakov's hard-boiled detective version of the gospel (his who-dun-it has a pragmatic advantage in that although christians and jews both still exist, no extant groups claim to belong to the Senatus PopulusQue Romanus)
[0] consider how quickly he hooked up with somone who merely dropped papers in front of him?
[1] want someone to kill people in a random pizzeria for conspiracy reasons? Smith's your man.
I like the idea. I think the part 3 can co-exist the new interpretation of parts 1 and 2 -- Smith can be a conspiracy nut amid mundane reality but Big Brother's security apparatus nonetheless exists and for some reason eventually gets interested in Smith.
Many of those I'd write off to Tolkien being a product of his times. At least his heroes seemed to have many ideals which are still accounted virtuous.
Tolkien's monarchism, though - even in the days of the Old Testament, it was obvious that hereditary monarchy never, ever worked for long. Because the heirs of great men always regressed to the mean. Pretty damn fast. (After King George III, Britain mostly solved that problem by turning their hereditary monarchs into mostly-symbolic figureheads.) And Tolkien served in the hellish trenches of WWI - a war which dug deep, dark graves for both hereditary monarchy and European superiority.
Hmm...in many ways, I could argue that Tolkien's fantasy writings were mostly escapism for him - to a old-fashioned romantic utopia, where "land of milk and honey, and the kingdom is powerful and prosperous, and the king is always good" was at least possible. And consider the massive decline in the real Britain's fortunes between Tolkien boyhood (~1900), and LOTR's publication (~1955)...
Well, there are two products-of-their-time: the writer and the reader.
Tolkien called conlang'ing (and by extension, worldbuilding?) "the solitary vice": a phrase which would have had a different denotation in his Edwardian childhood than the rather literal denotation we ascribe to it.
Lagniappe: https://www.reddit.com/r/conlangs/comments/8f425o/sex_in_you...
Exercise for the reader: how solarpunk would wider europe be now, if the British Empire and the German Empire (and their descendants) hadn't played Sith Master/Apprentice games, not once but twice, last century? (1914-1918 and 1939-1945)
I don't know how closely Moorcock read his rabbits: in the Watership Down I read, Le Guin's Omelas existed as a warren, a little more realistic and a little less difficult to map to our own circumstances, and Adams had the honesty to explore the ambiguity, the decency to point out the economic and cultural benefits that Cowslip et.al. got from their arrangement.
Milne, on the other hand, doesn't ever delve into the explicit delapinisation of the less fortunate.
J.R.R. Tolkien -- enemy of progress (2002):
I can't say that I'm surprised at the tone, or 'verbose' writing style of either book (think HG Wells, or Dickens for example).
Compared to, say, Pratchett, post-war, humorous, short punchy sentences. Or Douglas Adams.
They're literally (pun intended) of their era.
Are his books good or this just a jealous ranty guy?
Well, he has that going for him at least.
The Lord of the Rings definitely was not.
>Like Chesterton, and other orthodox Christian writers who substituted faith for artistic rigour [Tolkien] sees the petit bourgeoisie, the honest artisans and peasants, as the bulwark against Chaos.
This is the crux of his argument, and its an ideological one. He conflates his ideology (which is opposite to that of Tolkien, Lewis, Chesterton and co) for artistic rigour (sic). The rest, about the language and such, are mere dressing.
>But there’s nothing wrong with a religious person writing religious books, even if that religion is privileged, as Christianity is.
How was Christianity privileged exactly? Should Tolkien's and Lewis's 1950s Britain, a 99% Christian nation, nerf its faith for some reason? (especially since, knowing the Church of England, it wasn't that strong to begin with).
Christianity is (or rather was) as privileged in Christian countries, as other religions were/are privileged in countries following them.