Totally. I have somewhere in my pile of neglected vinyl one of the "Final Cut" releases, which was a straight-up wax-trax style EBM/industrial thing which Jeff Mills was involved in. Late 80s/early-90s.
> The UK was the first to wake up to US techno, long before the US did
Arguably, the US never really did. Most people here in North America remain clueless to what techno is and can't distinguish from EDM or other dance music forms. In Detroit itself, there was obviously an active scene, but much smaller than anything you'd find in most European cities (Detroit itself is a fairly small city, population wise), and much smaller than its own hip-hop scene. Back in the 90s when I was much more into this scene, it was very much a niche underground thing. Active scene participants here in southern Ontario/Toronto (3rd/4th largest city in North America) were a few hundred people at most and we pretty much all knew each other. Detroit techno producers and DJs spent most of their time touring in Europe (where they could get paid), not here in North America.
The Detroit Electronic Music Festival events were kind of a rare acknowledgement by a larger audience (I went to the first two only, though).
All said though, the "Detroit" "authenticity" pole in techno served as a counteracting force against the unbearable soul-less, drug-rush-focused, "whiteness" of trance, progressive house, etc.