IKEA has some wonderful furniture that is cheap and fast, but cannot survive being moved. And Bauhaus has some cheap and fast buildings, but they cannot survive being unmaintained - which is often what happens to buildings that were built to be cheapest.
I mean, at least one other company took the leap a few years before Ikea did: Sauder.
Those pieces are more expensive, usually.
Part of it was using "real screws" that screw into wood at places, instead of twist/lock fasteners or whatever those are.
Of course, if you also glue it, you get something surprisingly durable.
> More complex forms. More craftsmanship required to create the overall decor and trim designs, and no doubt more cost compared to a bauhaus style building one could make with some chicken wire, plaster, and cheap windows.
The Empire State was built in 410 days.
It's also ironic for the author to claim that a style which peaked 100-130 years after the beginning of the Industrial Revolution is somehow the fault of global capitalism, as if global capitalism hadn't been a thing for 100+ years by the 1950s.
And of course even though the author is claiming that the left has flaws in their approach to architecture, they still have to make the obligatory supplication about the right's alleged "ulterior motives."
For all the severe flaws in Modernist architecture, this article seems a bit of a hash, honestly. The author seems trapped inside their own ideological bubble.
Edit:
> It should be obvious to anyone that skyscrapers should be abolished. After all, they embody nearly every bad tendency in contemporary architecture: they are not part of nature, they are monolithic, they are boring, they have no intricacy, and they have no democracy. Besides, there is plenty of space left on earth to spread out horizontally; the only reasons to spread vertically are phallic and Freudian.
Oh, good effing grief.
Lol. I agree.
OTOH... An over the top, ideological take on art is kind of traditional in architecture. I could easily imagine a reincarnated Ayn Rand argueing for skyscrapers for these exact reasons. Phalic inspiration representing the taming of nature and challenge to God.
In 2024, a slapfight between Andy Warhol and a local dress designer about the colour orange... That was the kind of conflict avante garde artists had to have so the rest of us could benefit from a stream of new artistic ideas. A sacrifice.
These days... everyone gets dragged in.
I kind of like brutalism, personally. It took some bad turns, but I'm hoping for a comeback. Maybe we should do paint this time though.
For crying out loud, form follows function and sometimes a cigar is just a freaking cigar.
Also, it's a cosmic balance for all the triangle engineering of ancient times.
https://en.wikipedia.org/wiki/Paulinum_%28University_of_Leip...
But I heard it gets really hot inside, which sucks if you have to study there. In my opinion, functionality should always be prioritized higher than aesthetics.
Cheap isn't a bad thing. The reasothat some of the best ideas in architecture are irrelevant is specifically avoiding integrating economics into them.
That said, all of modernism basically followed this path. Talented, quality work in the early 30th century. A formalisation of the ideas and principles.
Adoption by a second generation (post wwwii) who liked it mostly for its legible formality... a crappy generation of work as the principles were applied by those going for "good enough" and no more. Same thing happened to brutalism and other modernist schools.
An analogy might be open offices. An energetic reimagining of office life by early Google or whatnot. No expense spared. Reasons, ideas, ideology behind the design.
Pretty soon, all the lower tier companies were doing crappy open offices because it's cheaper, Google do it and it's better. Here read this article about idea sharing in open spaces. Did I mention it's cheaper?
In other words interesting iconic creations come from mavericks who are self-soveriegn, while go to school, get a job, work in an office type creations are a series of compromises with many requirements to fulfill and many fingers in the pot.