All "proof" we have can be contested or fabricated.
All "proof" we have can be contested or fabricated.
There was a brief time (maybe 100 years at the most) where photos and videos were practically proof of something happening; that is coming to an end now, but that's just a regression to the mean, not new territory.
The important number here isn't the total years something has been true, when talking about something with sociocultural momentum, like the expectation that a recording/video is truthful.
Instead, the important number seems to me to be the total number of lived human years where the thing has been true. In the case of reliable recordings, the last hundred years with billions of humans has a lot more cultural weight than the thousands of preceding years by virtue of there having been far more human years lived with than without the expectation.
just some google link about the issue: https://rarehistoricalphotos.com/stalin-photo-manipulation-1...
Scale definitely matters when that's what you're doing. In fact I challenge you to find any physical or social phenomenon where scale doesn't matter.
This has been the case for a while now already, it's better that we just rip off the bandaid and everyone should become a skeptic. Standards for evidence will need to rise.
They'll simply see an inflammatory tweet from their leader on Twitter.
And of course some large cross section of people will continue to be duped idiots.
The reality is that people are a lot more resourceful / smarter than a lot of us think. And the ones who aren’t have been fooled long before this tech came around.
"We ran the vid against the nationally-ran Japanese scanners, turns out that there are no streets that look like this, nor individuals."
in other words I think that the sudden leap of usable AI into real life is going to cause another similar leap towards non-human verification of assets and media.
- Uncanny texture and shape for the manhole cover
- Weirdly protruding yellow line in the middle of the road, where it doesn't make sense - Weird double side-curb on the right, which can't really be called steps.
- Very strange gait for the "protagonist", with the occasional leg swap.
- Not quite sensical geometry for the crosswalks, some of them leading nowhere (into the wet road, but not continuing further)
- Weird glowy inside behind the columns on the right.
- What was previously a crosswalk, becoming wet "streaks" on the road.
- No good reason for crosswalks being the thing visible in the reflection of the sunglasses.
- Absurd crosswalk orientation at the end. (90 degrees off)
- Massive difference in lighting between the beginning of the clip and the end, suggesting an impossible change of day.
Nothing suggests to me that these are easy artifacts to remove, given how the technology is described as "denoising" changes between frames.
This is probably disruptive to some forms of video production, but the high-end stuff I suspect will still use filming mostly ground in truth, this could highly impact how VFX and post-production is done, maybe.
The UA war is real, most likley, but i havent' seen it with my own eyes, nor did most people, but maybe they have relatives/friends saying it, and they are not likely to lie. Stuff like that.