The Empire Strikes Back First Draft by Leigh Brackett (1978) [pdf]
starwarz.com
starwarz.com
Stuff like that is why HN is still a great place in today's online world.
If things worked back then the way they do today, there are writer's guild rules that would have presumably required credit.
My understanding is that Kurtz and Fox hired her, Kasdan, and Kershner, not Lucas, resulting in the best film of the corpus. It's such a standout compared to the ones written by Lucas.
I remember Sci-Fi conventions in the late 70's and there was this one character who was always around that gave off a hint of illegal activity. For example, he had plenty of 35mm trailers to sell at the convention that someone along the supply chain must have pinched from a local movie theater.
But I remember he claimed to have a script of, as I recall, the not-yet-released sequel to Star Wars. I think he wanted $25 or so for a copy of it. I read the first page but now don't remember what it conveyed. It was a typed thing and xeroxed like the linked document. It occurred to me pretty quickly though that the guy could just be passing along fan fiction (which I admit wasn't really a thing as far as I knew back then) and trying make cash off it. I mean even after the film came out he could claim the script must have been rejected....
A year or so later I read in the newspaper about him having been stabbed to death by a Star Wars fan who had befriended him — someone he had lead along with a whole string of lies like claiming he knew George Lucas and how he could pass along the kid's story ideas to him — things like that. The kid finally figured out he was being had and snapped.
The thing kind of freaked me out at the time but I had forgotten it until this xeroxed script just appeared on HN.
https://www.battlegrip.com/star-wars-writer-stabs-best-frien...
> Vader: You're very good, Luke. But I'm twenty years older and stronger than you in the use of the Force. You haven't a chance with me... any more than your father had.
This draft was written before they came up with the idea that Vader could actually be Luke's father!
> George Lucas initially hired Leigh Brackett, the sci-fi novelist who also wrote screenplays for Howard Hawks—including The Big Sleep (1946)—to write the sequel to Star Wars (1977). Brackett died in March 1978 while the film was still in pre-production, though, and Lucas wasn't satisfied with her script. Lucas wrote the next draft himself, which established structure and twists close to the final film, but suffered from dialogue. When Kasdan delivered his script for Raiders, Lucas asked him to rewrite The Empire Strikes Back. Kasdan suggested he read Raiders first, but Lucas reportedly said: "If I hate Raiders, I'll call you up tomorrow and cancel this offer, but basically I get a feeling about people."[9]
Brackett was a sci-fi author, Kasdan was a screenwriter by trade.
Despite seeming like similar tasks, screenwriting and book-writing actually have pretty distinct skillsets in some ways.
I suppose that is the magic of movies. The suspension of disbelief.
And they knew Luke was Anakin’s his son. Obi wan mentions Anakin being corrupted by Vader. And the fight at the end, Vader now the master, etc. Was it really still a question of Vader and Anakin were different people until the second movie came out?
I don't think it is. At least not that I can remember.
"A young Jedi named Darth Vader, who was a pupil of mine until he turned to evil, helped the Empire hunt down and destroy the Jedi Knights. He betrayed and murdered your father"
I could still see Ben making this metaphor for the internal struggle Anakin dealt with, not wanting to reveal the truth in that setting.
So basically, if one line of dialog in A New Hope had been less ambiguous as it happened to be written... Vader wouldn't have been Anakin?
It's crazy that essentially the entire Star Wars canon is built on one piece of dialog by Alec Guinness. (Not just Anakin/Vader, but the Force and the events around Order 66)
From a certain point of view.
In what language? Isn't it "Vater" in German?
In German, it's Vater.
Making up something 20 years after the fact is not compelling :-/
[0] https://www.amazon.com/Making-Star-Wars-Definitive-Original/...
It would be great if someone puts an OCRed version of it to quickly search. I tried with ChatGPT but it "said" that is took many resources and need to cancel. Google Gemini couldn't do that and only suggest external resources to do that. Can someone try with Acrobat Reader or something similar?
Edit: OCRed via [1] and available here: https://drive.google.com/file/d/1_CPDjo-TDzXZDOSIXPuhOcrv8lc...
Yup, they did it again:
I love these looks at drafts and revisions… I even collect a few, I've got Eliot's The Waste Lands and just found an edition of J.G. Ballard's Crash, all with the typewriter scratches and penciled in notes. Would definitely grab one of these if it got formally published someday.
Cringy.
This would have been another failed sequel, instead of greatest sequel of all time.
There isn't a problem with writing a bad script with a few good ideas in it. The process of filming is supposed to take that and iterate on it until it is good.
Contrast with Orson Scott Card's novelisation of "the deep" which was frankly more Card's than the film.
Lucas' decision not to use Alan Dean Foster for followons probably says more about Lucas than Foster. Once he realized he had a money printing machine on his hands, the last thing he needed was a name author with ego, and ideas about character development and story line.
That said, he got him back in 2002 and 2015. I guess by then Lucas could afford to be more affable about name writers and his universe.
Maybe it all came down to contract and authors rights? People say Alec Guinness negotiated a very good deal, they don't tend to say anyone else did.
The SAG and writers guilds certainly take it seriously.
I think it'll take the route of other art forms, and we will value the craftsmanship just as much as the output
Consumer display and audio technologies are the exception, but movie theaters still haven't incorporated automated ambient effects like local haptics or spatial audio, smellovision, lighting, etc, like in stage productions. There are no custom data tracks or queuing allowed in industry formats. Anything would have to be built separately and manually synced.
Despite our art and technology, there is little excess or imagination in film today, and it is desperately resistant to change.
Do you want to work on this? Sounds like a fun project
Everyone seems to point me at tesseract, but it does things like turn:
CHAPTER III
into something like : CHAPTER 1|l
Granted with sans-serif fonts, the characters themselves are ambiguous, but I have no idea how the language model lets that through.If it helps at all, someone manually did it https://www.starwarz.com/starkiller/the-empire-strikes-back-...
Maybe the answer is in this PDF
Also, Vader wasn't a father of Luke (page 113).