'Pataphysics
en.wikipedia.org
en.wikipedia.org
It was pretty clear from the outset that it wasn't a "real" museum, and one should not take the labels at face value, but as I worked through the collection, the random inconsistencies started to gel into a coherent sort of museum parody.
Searching around afterwards led me to the pataphysics movement.
Googling the museum again, I see it's now "by advance registration only", so I guess it's harder to stumble across, but I liked it.
I can only imagine how self-important and insufferable academics must have been at the time, with the feeling in the air that all problems were just about to be solved and modernity had officially arrived.
The next generation would produce figures like Wittgenstein, Gödel, Turing, Einstein—all of whom in their own way contributed to “officially” putting academia in its place. Pataphysics seems to me like an informal attack to the same effect, an artistic intuition that there must be things uncomputable, undecidable, uncertain, and otherwise ineffable.
I was thinking about this alongside the emergence of magical realism in literature, but it looks like that took off a touch late (1920s per Wikipedia). It’s possible that earlier influences (e.g. Gogol) might have had a hand in both, but I find the reaction to scientific essentialism more compelling with respect to Pataphysics.
I mean, making an aerchery shot at a dragon more difficult by doing absurd thing because stuff that has a one-in-a-million probability always happens seems straight 'petaphysics for me.
His writing is full of petaphores also: "Give anyone a lever long enough and they can change the world. It's unreliable levers that are the problem.", " "The pen is mightier than the sword if the sword is very short, and the pen is very sharp.", "Death grinned because, as has so often been remarked, he didn’t have much option. ".
Also, I think that after reading this, I might now want to move backwards with my life.