This is why everyone is giving up on HDR, it’s just too painful because the content distributors are all so bad at it, with Netflix being the sole exception.
It's more reliable then on linux though, and windows has been doing "auto HDR" for videos for years, so kinda hard to tell when something is HDR or not there.
E.g.: DaVinci Resolve has HDR capable only in its Mac version.
Similarly, generating a Dolby Vision file is basically impossible on Windows.
"Just buy a Mac" seems to be the best and most practical guidance I've seen for HDR workflows...
https://www.youtube.com/@SeoulWalker https://www.youtube.com/@Rambalac https://www.youtube.com/@Relaxing.Scenes.Driving
Also some of the walks are really interesting & really gives you the context of various places in Japan. :)
[1] https://youtu.be/0S8hw8Lrvlk [2] https://www.wesleyknapp.com/blog/hdr [3] https://youtu.be/4izJfgRtkZE
HDR processing takes months!
The SDR down conversion is “potato quality” even to my non-expert eyes, let alone a Hollywood colourist.
Etc…
- Workflow and a valuable LUT: https://www.wesleyknapp.com/blog/hdr
- Some DaVinci Resolve Settings to use on SDR monitors: https://youtu.be/4izJfgRtkZE (though I upload 4K60 HDR at 37.5Mbit) which is enough for me slow content.
To use a analogous workflow, it could be like saying, "It's pointless to shoot video in 10-bit log if it's going to be displayed on Rec.709 at 8-bits." It completely leaves out available transforms and manipulations in HDR that do have a noticeable impact even when SDR is the target.
Again, we can't know if it's important given the information that's available, but we can't know if it's pointless either.