Originality is the art of hiding your sources, which has become utterly impossible nowadays with the search engines.
If he had studied after the 2010s, he would have paraphrased a bit more to confuse google
Even reusing your own work between classes was an example of plagiarism.
Plagiarism, at least as presented to me, is a very strict standard.
As a high school student, this is still true. People literally get suspended/expelled for plagiarism.
Nobody would care in a business meeting if you copied a random graph without citation or included data in a pitch deck. Reusing a presentation or publishing an article several times in trade publications with a bit of tweaking is pretty normal.
How does ownership of ideas work again? And I don't mean citing sources when required, but the tracking and commodification of roots of experience external to existence in understanding.
You've got to be trained in mental gymnastics to jump through those logical hoops.
Specially ideas. Which cannot be copyrighted (yet).
Somebody show cage Michael Tomasello right now. Open any of his books and you’ll see a series of self-plagiarism sentences.
I now think he’s just a genius because he’s investigated his field in depth
But happily it is not a concept outside academia.
Schools may have codes of conduct that implicitly or explicitly prohibit turning in the same paper for multiple classes. A publishing contract may specify that an article is original.
As others have mentioned though reusing both your own and other product descriptions, explainers, slides/data, etc. especially within a single company is pretty normal and accepted.
This just looks like a sloppy writer saving time on understanding typical California mansion layouts and features or how snipers set up or British music in the 1990s or what Juarez is like by minimally revising the first Google result he found to generate the descriptive passage. But how a sniper sets up might not be the only bit he's taken from a book about a sniper, and a couple of evocative bits of description in a parody article not the only bits he's taken from Bond.
The thorn is that evidence of effective literature doesn't exist as an objective truth, but it often looks like sales. Writers who spend their careers being honest, thoughtful, and meticulous don't publish 20 books in two years, and they often don't make as much money as the Mark Dawsons. The business of being someone who manufactures and sells works of fiction in today's world is not radically different than ever in history, and it signals not the collapse, but the return of writing under our new publication and distribution models.
Pulps are not new, like light novels, themed writing periodicals, or any other historical light published media. They took a break for about 20 years as things moved online, and they've experienced a resurgence as web serials, ebooks, and KPD partners. I'm not surprised or offended by any of that, or the Mark Dawsons, even if I have no interest in their products. But then again, I'm not vested in the old models and afraid of disruption.